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LedZep From pag* 8 "South Bend Suarez" begins { u/ith a hnnaifi-niann nam u WW^IV flKIIU 11H VUUV VIV/II j but quickly moves to a fast rocker spotlighting Plant's vocal skills, { always polished and versatile. The j straightforward number ends with , some backup "sha la las" that add a subtle but powerful touch of j class. , The song with the rumba break . is "Fool in the Rain," lyrically the album's most pleasing song. The ] melody is perfect for Plant's plaintive voice, and the song 1 becomes almost a ballad before it turns into a full-scale Latin jam sesson. The rhythm work shines I^JB 5?. ^t%A ^filpk^^S^K^, A 'Bride of Frat Russell Ho Monday, Oct. 8: Good acting by an all-star cast is the best reason to see Stanley Kramer's Ship of Fools (U.S., 1965), a thinking person's soap opera adapted from the {Catherine Anne Porter novel about a voyage on the eve of WWII. It won Oscars for art and set decoration and for black and white cinematography. The cast includes Vivien Leigh, Simone Signoret, Jose Ferrer, Oskar Werner, Elizabeth A*Mey, George Segal, Jose Greco ..Michael Dunn, Lilia Ska la, Lee Marvin and Marvin's famous ex-roommate. 149 minutes. 6:30 and 9:30 p.m. Free. Tuesday, Oct. 9: A surprisingly faithful Hollywood adaptation of another famour novel is William Wyler's Wuthering Heights (U.S., 1939). Laurence Olivier is the cantankerous but dashing Heathcliff, pursuing his lost - At mt uauny s gnost over me moors, i ne film ends at about the middle of the book, but it is a superior entertainment whether you've read the book or not. Olivier is supported by Merle Oberon (as Cathy), David Niven, Leo G. Carroll, Donald Crisp and Flora Robson. Gregg Toland (Citizen Kane) adds immeasurably to the production with his excellent photography. 110 minutes. 7 and 9:30 p.m. Free. Wednesday, Oct. 10: The Bride of Frankenstein (U.S., 1935) is more than just a sequel to the 1932 original, it's a parody. And who could be better qualified to film a sequal or a parody than the original director (James Whale), cast (Boris Karloff, Colin Clive, Ernest Thesiger, Dwight Frye) anrl nnmnnoor (KVnfl7 WavmAn)? MliU W?*l|AA^Vt mmmmrnrnm w w , Widely considered the best of the series, this one's about the doctor's att<?i$ to make a companion for hMH^ty martyr of a creature. BMfe&nehester is perfect as the r?Mmt bride. Watch for the terrific laboratory scene. 75 ?i?itiii. 2:30, 7 and 9:30 p.m. JpftUsskm: 75 cents. ^feiaday, Oct. 14: Maggie Smith's oKar-winning performance is reason enough to see The Prime of here as an authentic Latin per zussion sound is created. "Hot Dog," if you couldn't guess, s the album's bow to Nashville. \ctually, the cut has a rockabilly sound, and is Plant doing an Elvis Pr?il<?v imitation with that vwaP rhe keyboard work, haunted by Jerry Lee Lewis, is particularly notable here, but Page's skill as a hillbilly picker is really remarkable. The song is a lot of fun, but it doesn't seem so much a parody as a tribute to the kinds of things that make up this sort of music. The longest cut on the album is "Carouselambra," which opens side two. This is the album's most ikenstein' iiQg> Filmc Misa Jean Brodie (G.B., 1969), bu there are lots of other reasons, too She is an eccentric teacher is ai 1930s Scottish boarding school Among the notions she tries t< impart to her charges is that the} are la creme de la creme and tha Mussolini is actually a good per son. The ending is sad, but Smith i: a delight throughout. She's abl] supported by Gordon Jackson (o Upstairs, Downstairs fame) Robert Stephens and Pameli Franklin. 116 minutes. 7 and 9:3 p.m. Free. (ATLANTIC I 1 ~ Iinum er suns Finishing School !' i n iii 1 11 i ^ ' n'miirgg' ATLANTIC II Tender loins Teenage Pajama Party A?1 11 If r ran1 I "'i kl ?ti /* ? I .. k y lud^n iKAiw j v Sign up in Room \ Russell Hous< Z Limited seating L? rhythmically exciting song, and as t Plant sings, Page bums up his legendary double-neck guitar and , the inexorable beat rolls on, one's J faith in the magic power of rock J and roll to transcend the sum of its J parts is restored. Overall this is ^ probably the album's best cut. Plant's sophisticated vocals are most at home on "All My Love," a I straight ballad with a string in- I DON'T i noK J JUST 1 ROB1 We w t to prep< ^ CAIA/%4 ^ %? A I OM/?A Iv?uic7i*i i ui11 a uaiyo Suits and Sportcoats i Year-round and new F< Buy 1 item in thh at the suggested and get 2 more o value for just $ 1 ADDED BOM GROUP SLACKS DRESS SHIRTS.... GROUP CASUAL SHIRTS. SPECIAL GROUP I ICO .. ALSO-AN Other N Suits, Sp. Coats, Slack 7359 Two Notch Road <B??ida Wsndy's) 788 2300 Moo. Fri. 10 i and The O 209 Breakfa } Presidei Octoh roduction and more typically nystical Zeppelin lyrics. The trings continue to set a quiet, plaintive foundation for Plant's inging, an effective and beautiful levice. dome interesting synhesizer work tops the number off. "I'm Gonna Crawl" rounds out he album magnificently, a torrid >lues number that has Plant's i.CK- TTf r*T ASK 1 nn\''T j ill close Tuesday til 12 I ire for our Greatest Sali Group of STUl n Summer, ill Weightsl i'group |^jj^ ..3 for $29.90 JFfm 3 for $14.90 ttr1 JJ ?3 for $18.90 l |l ?.3for $10.00 s Reduced for afforda 1900 Diamond Lena (Acrotit from Sam Solomon) Sat. 10-6 798 0195 ffice of the Pr sponsor st with the it?uiU3 my it James B. H< rhursday _ ,, ' Rusi >er 11, 1979 7:30 a.m. most tortured singing and reminds one of vintage Pink Floyd more than anything else. But the cut is all Zeppelin: from Page's blistering guitar line to the characteristic use of strings to set a moody, gloomy tone, "I'm Gonna Crawl" epitomizes In Through the Out Door's consistent exhibition of Led Zeppelin at their best. )W/ WHY! 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