The gamecock. (Columbia, S.C.) 1908-2006, October 08, 1979, Page Page 9, Image 9
LedZep From pag* 8
"South Bend Suarez" begins {
u/ith a hnnaifi-niann
nam u WW^IV flKIIU 11H VUUV VIV/II j
but quickly moves to a fast rocker
spotlighting Plant's vocal skills, {
always polished and versatile. The j
straightforward number ends with ,
some backup "sha la las" that add
a subtle but powerful touch of j
class. ,
The song with the rumba break .
is "Fool in the Rain," lyrically the
album's most pleasing song. The ]
melody is perfect for Plant's
plaintive voice, and the song 1
becomes almost a ballad before it
turns into a full-scale Latin jam
sesson. The rhythm work shines
I^JB 5?. ^t%A ^filpk^^S^K^, A
'Bride of Frat
Russell Ho
Monday, Oct. 8: Good acting by
an all-star cast is the best reason to
see Stanley Kramer's Ship of Fools
(U.S., 1965), a thinking person's
soap opera adapted from the
{Catherine Anne Porter novel about
a voyage on the eve of WWII. It
won Oscars for art and set
decoration and for black and white
cinematography. The cast includes
Vivien Leigh, Simone Signoret,
Jose Ferrer, Oskar Werner,
Elizabeth A*Mey, George Segal,
Jose Greco ..Michael Dunn, Lilia
Ska la, Lee Marvin and Marvin's
famous ex-roommate. 149 minutes.
6:30 and 9:30 p.m. Free.
Tuesday, Oct. 9: A surprisingly
faithful Hollywood adaptation of
another famour novel is William
Wyler's Wuthering Heights (U.S.,
1939). Laurence Olivier is the
cantankerous but dashing
Heathcliff, pursuing his lost
- At mt
uauny s gnost over me moors, i ne
film ends at about the middle of the
book, but it is a superior entertainment
whether you've read
the book or not. Olivier is supported
by Merle Oberon (as
Cathy), David Niven, Leo G.
Carroll, Donald Crisp and Flora
Robson. Gregg Toland (Citizen
Kane) adds immeasurably to the
production with his excellent
photography. 110 minutes. 7 and
9:30 p.m. Free.
Wednesday, Oct. 10: The Bride
of Frankenstein (U.S., 1935) is
more than just a sequel to the 1932
original, it's a parody. And who
could be better qualified to film a
sequal or a parody than the
original director (James Whale),
cast (Boris Karloff, Colin Clive,
Ernest Thesiger, Dwight Frye)
anrl nnmnnoor (KVnfl7 WavmAn)?
MliU W?*l|AA^Vt mmmmrnrnm w w ,
Widely considered the best of the
series, this one's about the doctor's
att<?i$ to make a companion for
hMH^ty martyr of a creature.
BMfe&nehester is perfect as the
r?Mmt bride. Watch for the
terrific laboratory scene. 75
?i?itiii. 2:30, 7 and 9:30 p.m.
JpftUsskm: 75 cents.
^feiaday, Oct. 14: Maggie Smith's
oKar-winning performance is
reason enough to see The Prime of
here as an authentic Latin per
zussion sound is created.
"Hot Dog," if you couldn't guess,
s the album's bow to Nashville.
\ctually, the cut has a rockabilly
sound, and is Plant doing an Elvis
Pr?il<?v imitation with that vwaP
rhe keyboard work, haunted by
Jerry Lee Lewis, is particularly
notable here, but Page's skill as a
hillbilly picker is really
remarkable. The song is a lot of
fun, but it doesn't seem so much a
parody as a tribute to the kinds of
things that make up this sort of
music.
The longest cut on the album is
"Carouselambra," which opens
side two. This is the album's most
ikenstein'
iiQg> Filmc
Misa Jean Brodie (G.B., 1969), bu
there are lots of other reasons, too
She is an eccentric teacher is ai
1930s Scottish boarding school
Among the notions she tries t<
impart to her charges is that the}
are la creme de la creme and tha
Mussolini is actually a good per
son. The ending is sad, but Smith i:
a delight throughout. She's abl]
supported by Gordon Jackson (o
Upstairs, Downstairs fame)
Robert Stephens and Pameli
Franklin. 116 minutes. 7 and 9:3
p.m. Free.
(ATLANTIC I 1
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Iinum er suns
Finishing School
!' i n iii 1 11 i ^ ' n'miirgg'
ATLANTIC II
Tender loins
Teenage Pajama
Party
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rhythmically exciting song, and as t
Plant sings, Page bums up his
legendary double-neck guitar and ,
the inexorable beat rolls on, one's J
faith in the magic power of rock J
and roll to transcend the sum of its J
parts is restored. Overall this is ^
probably the album's best cut.
Plant's sophisticated vocals are
most at home on "All My Love," a I
straight ballad with a string in- I
DON'T
i noK
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Presidei
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roduction and more typically
nystical Zeppelin lyrics. The
trings continue to set a quiet,
plaintive foundation for Plant's
inging, an effective and beautiful
levice. dome interesting synhesizer
work tops the number off.
"I'm Gonna Crawl" rounds out
he album magnificently, a torrid
>lues number that has Plant's
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,, ' Rusi
>er 11, 1979
7:30 a.m.
most tortured singing and reminds
one of vintage Pink Floyd more
than anything else. But the cut is
all Zeppelin: from Page's
blistering guitar line to the
characteristic use of strings to set
a moody, gloomy tone, "I'm Gonna
Crawl" epitomizes In Through the
Out Door's consistent exhibition of
Led Zeppelin at their best.
)W/
WHY!
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IDflMnttnwn)
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