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Kipnis fromfjagel Troupe to represent musicians while each ; fantasy. Unfortunately the weak point of probably due to the ters somewhat undeveloped each of the four sepai tertwining daydreams. COMPRISING THE second act was Picti Exhibition, which di itself to even the m< critic as a scintillating i professional pantomim< Based on the painting Hartman and sub Modest R. Mousorgskj interpretation of these Pictures al an Exhibit visitor's (Kipnis') jouri an art gallery and his each of ten adverture; tings. is E .; , He's ^ the highest paid lover in Beverlv Hills. He leaves women feeling Ot. more alive than they've ever felt before. Except one. mSS^ Paramo A Fred i AFilr Richard in 1 W| NOWSI* ? symphony Each interpreta acted out a paintings had a % this was . insight in itself, bu the show, seemed to have be eness of the with greater precisi d ideas in greater affect rran ate but in- audience. Samuel and Schm I WHOLK thP h*?fl rt nr?H ires at an genuiness of two stinguished arguing, with thcii [>st blatant guide them. The mu; triumph for their disputes mad 3. success, along with ?s of Victor of Dupont and Mintz. sequently, The other memoi /'s musical from the Pictures at : paintings, act also included ion trace a Dupont. This time icy through serious light, the p reaction to poignant 'renditic some pain- Catacombs" in whic after an exrriiriat GIVING PLEASURE A CRIME? unt Pictures Pres die Fields Produc Ti by Paul Schrader Gere Lauren Hi American Gigolo" vtAT-M iMBMniBsnnn 1-1 ROBrnT ncoroRD T/ - . ianC fonda ivrann ELECTRIC 1 J HORSEMAN IV |SE7^l?pt?W//5|\f |j||(|y|(|1|y| I ROSE [B]l7| JOHN BEIUSH j BO DEREK rgfl Wj ] DUDLEY MOORE | MATINEE JW Br^lW J FRI-SAT-Sl mmmmmmmmamssm tion of the climb the walls of tli commendable Mintz faced the obsi t two of them maze* and finally en engineered friend to a resting pla< on and thus, a IT IS NOT often th< seeded to the of entertainment is s< when there were no \ i uyle captured materials to draw att< convincable incredible feat of pai Jewish men so convincing that r heritage to collected his most sic selected for thoughts and incorp e this skit a within the show he hac the fine acting The mere fact that of the audience conic able scenario the things that were an Exhibition and all the scenes I Mintz and projected in full di , in a more reason enough to beli iair created a both important and ei >n of "The know that all foi h DuPont died tertainment need not ing effort to and overproduced. : i" i J |ps I > .v* rv.<jV? S iL" I | m Monday. 2:30 p.m. 111 ' ' * i nv ni?ii/ln/lno ? \1 <? I ^ lives with their surrt ~ | \ 7:00 and ?:30 p.m. *<?P j . Carrie ? 19S2 Jt'nn ' directed i by W'illiair I ^ 5 Tuesday, Francis K j ^n^lrnm U j y 6 Wwliiesdav. Z:3??. 7: ^ ' >. 1 Thin sda v. 2:".M).7 :tM Bj nr K'KirinK ' wen ^ Director KaoulVV; 14- Thursday. 2:30, 7:0 Friday. 2:30. 7:00. s ' '6 Saturday. 7 00,?l:3< ^ The I.if o of Brian 17 Sunday. 7:00and 'J: y Paisan ? Italy. liW Italv 90 min Free ! 18 Monday, 2:30 matin Two Poetic I'nrtrail Berlin. Symphony o ' Svtnphony of a City ' 7 :00 and ?:30 p.m. ^ How I Won The War I *] 0 Tuesday, 7:00 and 9: The Conqueror Won ^ film of director Micl "I I Lb 20 Wednesday. 2:30. 7: . . Stranxcrs <>n a Trui OraniU'r linlwrt W: LIUII ' 21 Thursday. 2:30.7:0<l To C,itch <i Thief \ 22 *"'^day, 7:U0p.m.oii k Marnic ? 1964 Sea ( Doi n have bit parts ' 9:30 p.m. only I I orn Curtain ? 1966 iffnn 23 Saturday. 7 :(KI and il I L LU I I Frenzy ? UK. 1972 * 24 Sunday. 7.<mi p.m. oi ^ The t'K. 1 . Kxcerpts from The j 9:30 p.m only Dlackmml ? UK, I ^ miscarriage of justi< 25 Monday, 2:30 inatim T.^ivCiUnt Cai U( \f. ^ Mon W'iHi o A(ovir C' ~W"J Earth ? 1930 Aloks; I 7: JO p.in . only Suspicion -- 1941. M min Free , y 9:.10 p.m. only i Mr and Mrs Smith ^ is. 90min. Free. ^ 26 Tuesday, 7:30p.m. hmhmw Saboteur ? 1942 Hi ' of Liberty Hitchco< Pt* im > 9:30 p.m. only > Dial M For Murder Ray Miliand, Gracc alilCi ' 27 Wednesday. 2:30.7: ^ The drapes of W'rol } finiHfj > Steinbeck. 128min , IZflBvI k ?ft Thursday, Friday. 2 "TimT; OQ <?l*o Saturday. Mar M~M_w.oMM.MM ' ^ J Norma Hue ? 1979 m> mill $100 Friday, Saturday, F jE^gBMy f Last Days of Man 01 i maphrodite messiah 5 ^ Friday, Saturday, F ||g Planet of the Apes ' * Maurice Evans 1121 Susannah-, ic Catacomb. southern religion, tacles of the powerful portrayal^ dragged his THE OPKKA thei -e. nah's resounding all it an evening Tho 0 memorable as a result of the dep >rops used or Much of the powei sntion to. The Was invincible in 1 ltomime was competent acting gc the viewer lost in the direction, imaginative jn the role of Oli orated them refined resonant voi 1 just seen. performances by R any member Little Bat McLean, ? I recall all of DIRECTOR I>ON pantomimed Choreographer Naoi ; that were and the USC Music escription . is ting such a respectal leve that it is Overall, Susannah llifhtonintJ (n Kut " vv vvvi u, uut inui c ui a 'ins of en- points, it does not 1< be expensive polling spell on the curtain. w w w <????[ FEBRUAI in the Russell I lalincr xieo, 1950. Luis Hunuel's semi-documentary on 311 al dreams Hllnun Free lifer Jones rises to stardom as her married boy I 1 Wyler?. 118 mm. Free ?i ?l Coppola Double Feature le director of /\pocalvpse New and The God/cit'ier dvv ? 1967 A comedy with Peter Kastner. Julie H; (*nm v f ir<;t I ilm ft I lir, I Iit :il uml mur/lm t (Ml. 9:30 p.m. Ilobin Hood 193H K.rrol Flynn Olivia de Havil ?. 9:30 p.m. i3 I.inda Blair i> the teener possesstni by a dcv Directed by William Frurdkm. 122 min $1 (K? 1:30, midnight I. midnight John Carpenter's shocker al>out a psychopathic Y 30 p.Ill 1951 1 ounh Broderwn Crawford nas !u.s dumb I ml up w ith him Oscar Holhdav. Best \ctress l< IIKIlilKM' I Sih'iits ? Salami' 1922 John Bryant's sty ("< /'>:<!rj Germany. 1919 Robert Wiene's we re Double surprise ending 53 min Free ? S'j Italy, i%:i Fedorico Felliiii's movie ; director 'Marcello Mastroianni i. 135 us.n Free 311ii. Ill Bull? : i:+?u Kdward (J Kohinson as the real h(?nrdon Director William Dieterle 103 nun K :(M(. p.m. tu'.v iy;$'J James Cagney. Humphrey Hogart I dsh 111)mm 75* (i. 9::t? p.m. I:IMI. midnight ). midnight I'K. 197'J Monty Python's controversial satire ol :io p. m. K?. Koborto Kossellim, in six episodes, some in K ice Is (if Cities fcj Great City ? Germany, 1927 A silent visual - Sweden. 1947 ArneSueksdorff's Oscar-winner - LK. 1967. Hichard Lester i The Three Muskete 'in it <> in ? UK, 1968 Vincent Price as a 17th century vu iael Reeves, who died at 25. 87 mm Free 1U1 ? ALFKKlUU IX lin IH). 9:.JO p.m. n - 1950. Tennis, an amusement park, a rich dac ilker. I,eo(J Carroll, Ku'li Roman. 101 mm 75'. ), 9::t0 p.m. 1955 Retired cat burglar comes out t>f retirement ity n Connerv tries to heal Tippi Hedren's kleptonv> 130 min $1 (Hi Paul Newman and secretary lover Julie Andrew c:$o p.in. Jon Finch heads perfect cast of non stars in thrilli ilv 92<> Sir Alfred's first thriller about a suspected 'J ^ihk. Champagne Tin Manxman I K. 1927 1921 929. The first British sound film Policeman's t iv. 8ft min Free islerpieces um?*rci ? 1929 Dziga Vertov's marvelously exper iiiuir Dovzhenko's moving account of strife betwei ore Hitchcock, .loan Kontain (Oscar > thinks her li 1941 Carole Lombard asked Hitchcoc k to dire onl> r>bert Cummmgs searches I??r the saboteurs who f k up to his usual fun-filled tricks 108 nun Free ? 1954 The festival closes with this story of an o Kelly, Robert Cuinmings 105 min Free. 00, 9:45 p.m. ih ? 1940 Director: John Ford Henry Fonda, J 75V :30, 7 :DO, 9:30 p.m. ch I. 7;00 and 9:30p.m.) Director: Martin Ritt. Sally Field, in a serious ro SPECIAL MIDNH ebruarv 22. 23 i Earth ? UK, 1974. Jon Finch (Frenzy), in an S i. Gargantuan garbage heaps, giant pin halls with rbruary 2*. March I - 1968 Charleton Heston comes to a planet with min. $1.00 rom page 8 it is clearly the opera's mo n proceeded to the final scene, most monstrous laughter is hear e slowly filed out of the theatre, ressing ending. * of the opera was generated by j he role of Susannah. Her Ion ive the ouera some of the eohesi n Blitch, Richard Conant deser ce gave his role an aire of distin< ichard Veale and Ted Hobb, a* ire also notable. \LD GRAY, Conductor Willian mi Calvert, as well as the Columl Department should be commen jle performance. 1 was not an operetta in the usi musical drama. Although the op jse its essential power This po> audience, that will remain long P ~?P 'V ^ 'W w tY FILMS louse Theatre venile delinquency mixes grimly realistic *1 friend. Laurence Olivier, sinks in ;isea of h irris. Geralriini- Page ami the LovinnSpoon ?n Irishrasllt' HI mm Kree land. Basil Kaihbor,<.\ Technicolor. advetUi >1 with Mercedes McCambridKu's voice Kl tiller stars Donald l'leasence. Jaime t .ce <"i il'.'ii'l'' girlfriend Judy Hollid iy. "cuiturifk r.lmin I- ree ii/.ed adaptation of Oscar Wilde's plas ai ird pxpressionis'.itr iato of a mad mounieb. ibui.it moviemaking shilt.- ha.-k ami forth I 11?o discovert*! fit a cure tot svphth.s Sour ree Prisciila I>ane Army buddies w md up on o; religion is aU>ut a guerrilla mistaken for J? nglish, some in suhtnled Italian, sums up t symphony" directed by Waller Kuttinann 7 , inspired by Kuttman's film, celebrates SUi or.s? directs John Lennon in a send tip of wai tch hunter who tortures the v> rong soldier s )( K KKSTI\ Al. Idy, a senator's daughter, a "crisscross" rn to catch an imitator Carv (iran? Grace Kel nia and frigidit s With Diane Baker Marie ,s steal atomic >ecrets from I ;.i>t Germany i?r about a necktie murderer Hitchcock at hi lack the Kipper 65 mm J An introduction to Hitchcock s silent perio ;ii Ifriend kdls a would he seducer Tale of imental visual svmphonv to a Soviet city 67 en landowners and peasants 75 inin Free landsome scoundrel husband, Cary Grant, ii vt her and Kobert Montgomery in a non-sus ranted him for blow ing up a munitions planl verage tennis player who wants his rich wif ane Harwell (Oscar), John Carradine in a le for a change, is a union organizer in a So* :;iit movies -F send-up, has to decide whether or not E. girls in 'em In the spirit of A Boy and His D ape and human roles reversed Koddy Mc liiiiiiiiAft ?' - - I ? I st dynamically in which Susand as the curtain in utter silence \nn Benson who unif-p anrl veness that was ves praise. His ction. Energetic . Sam Polk and 1 J. Moody and bia Lyric Opera ided for presenlal sense of the era was slow at .ver wove a im[ after.the final "" 1 . esus HI nun $1 <m ^ < he WW II cxptTifiice in i < i Kimn 4 xkholni 12 mm Frtn* ^ r III mm Free i i girlfriend Stylish last . i urder schernt Farlev 4 4 Jy 97 nun $1 00 i tte Hartley and Bruce 4 4 128min $1 (Ki 4 4 is best 116mir? SI 00 , 4 <1 58 nun. Free 4 cover-up. blackmail, ^ 4 i min ^ i i i trying to do her in. 99 i pense comedy Mere it * i I Climax on the Statue > i e s money oui not ner % i stirring adaptation of ^ < jthern textile mill 115 * i < arth needs a new her- i >og 89 min $100 < i Dowall, Kim Hunter, ^ :*ir\ <?( slum dwellers' ^ i i Kuv/.f \\oll-ai'tod and ^ i 1 lu! **'. ir.i'i I i t**' ^ i i i H I' l>a> I' VC i rr - l(* < < lM-n Burstvn Mux vt;r. ' * * ii ti? I' .! Soli*:, 4.) imp ^ <i li;. Wiitioin ll tliirii ^ <1 tc! Aubrey B?*antsie> s i * iirik aii'l Iks murili'vint.- ^ K'1'.vff") re.iln;. .i;k1 tin- ^ < ;<is awful, tin! tt *> r?*aliy T