The gamecock. (Columbia, S.C.) 1908-2006, February 04, 1980, Page Page 9, Image 9
Kipnis fromfjagel
Troupe to represent
musicians while each ;
fantasy. Unfortunately
the weak point of
probably due to the ters
somewhat undeveloped
each of the four sepai
tertwining daydreams.
COMPRISING THE
second act was Picti
Exhibition, which di
itself to even the m<
critic as a scintillating i
professional pantomim<
Based on the painting
Hartman and sub
Modest R. Mousorgskj
interpretation of these
Pictures al an Exhibit
visitor's (Kipnis') jouri
an art gallery and his
each of ten adverture;
tings.
is
E .; ,
He's ^
the highest
paid lover
in Beverlv
Hills.
He leaves
women
feeling
Ot.
more alive
than
they've
ever felt
before.
Except one.
mSS^
Paramo
A Fred i
AFilr
Richard
in 1
W|
NOWSI*
?
symphony Each interpreta
acted out a paintings had a
% this was . insight in itself, bu
the show, seemed to have be
eness of the with greater precisi
d ideas in greater affect rran
ate but in- audience.
Samuel and Schm
I WHOLK thP h*?fl rt nr?H
ires at an genuiness of two
stinguished arguing, with thcii
[>st blatant guide them. The mu;
triumph for their disputes mad
3. success, along with
?s of Victor of Dupont and Mintz.
sequently, The other memoi
/'s musical from the Pictures at
: paintings, act also included
ion trace a Dupont. This time
icy through serious light, the p
reaction to poignant 'renditic
some pain- Catacombs" in whic
after an exrriiriat
GIVING PLEASURE
A CRIME?
unt Pictures Pres
die Fields Produc
Ti by Paul Schrader
Gere Lauren Hi
American Gigolo"
vtAT-M
iMBMniBsnnn
1-1 ROBrnT ncoroRD T/ - .
ianC fonda ivrann
ELECTRIC 1
J HORSEMAN IV
|SE7^l?pt?W//5|\f |j||(|y|(|1|y|
I ROSE [B]l7| JOHN BEIUSH
j BO DEREK rgfl Wj
] DUDLEY MOORE |
MATINEE
JW Br^lW J FRI-SAT-Sl
mmmmmmmmamssm
tion of the climb the walls of tli
commendable Mintz faced the obsi
t two of them maze* and finally
en engineered friend to a resting pla<
on and thus, a IT IS NOT often th<
seeded to the of entertainment is s<
when there were no \
i uyle captured materials to draw att<
convincable incredible feat of pai
Jewish men so convincing that
r heritage to collected his most
sic selected for thoughts and incorp
e this skit a within the show he hac
the fine acting The mere fact that
of the audience conic
able scenario the things that were
an Exhibition and all the scenes
I Mintz and projected in full di
, in a more reason enough to beli
iair created a both important and ei
>n of "The know that all foi
h DuPont died tertainment need not
ing effort to and overproduced.
: i" i J
|ps I > .v* rv.<jV? S
iL" I
| m Monday. 2:30 p.m. 111
' ' * i nv ni?ii/ln/lno ? \1 <?
I ^ lives with their surrt
~ | \ 7:00 and ?:30 p.m.
*<?P j . Carrie ? 19S2 Jt'nn
' directed i by W'illiair
I ^ 5 Tuesday, Francis K
j ^n^lrnm U
j y 6 Wwliiesdav. Z:3??. 7:
^ ' >. 1 Thin sda v. 2:".M).7 :tM
Bj nr K'KirinK ' wen
^ Director KaoulVV;
14- Thursday. 2:30, 7:0
Friday. 2:30. 7:00. s
' '6 Saturday. 7 00,?l:3<
^ The I.if o of Brian
17 Sunday. 7:00and 'J:
y Paisan ? Italy. liW
Italv 90 min Free
! 18 Monday, 2:30 matin
Two Poetic I'nrtrail
Berlin. Symphony o
' Svtnphony of a City
' 7 :00 and ?:30 p.m.
^ How I Won The War
I *] 0 Tuesday, 7:00 and 9:
The Conqueror Won
^ film of director Micl
"I I Lb 20 Wednesday. 2:30. 7:
. . Stranxcrs <>n a Trui
OraniU'r linlwrt W:
LIUII ' 21 Thursday. 2:30.7:0<l
To C,itch <i Thief \
22 *"'^day, 7:U0p.m.oii
k Marnic ? 1964 Sea
( Doi n have bit parts
' 9:30 p.m. only
I I orn Curtain ? 1966
iffnn 23 Saturday. 7 :(KI and il
I L LU I I Frenzy ? UK. 1972
* 24 Sunday. 7.<mi p.m. oi
^ The t'K. 1
. Kxcerpts from The j
9:30 p.m only
Dlackmml ? UK, I
^ miscarriage of justi<
25 Monday, 2:30 inatim
T.^ivCiUnt Cai U( \f.
^ Mon W'iHi o A(ovir C'
~W"J Earth ? 1930 Aloks;
I 7: JO p.in . only
Suspicion -- 1941. M
min Free ,
y 9:.10 p.m. only
i Mr and Mrs Smith
^ is. 90min. Free.
^ 26 Tuesday, 7:30p.m.
hmhmw Saboteur ? 1942 Hi
' of Liberty Hitchco<
Pt* im > 9:30 p.m. only
> Dial M For Murder
Ray Miliand, Gracc
alilCi ' 27 Wednesday. 2:30.7:
^ The drapes of W'rol
} finiHfj > Steinbeck. 128min
, IZflBvI k ?ft Thursday, Friday. 2
"TimT; OQ <?l*o Saturday. Mar
M~M_w.oMM.MM ' ^ J Norma Hue ? 1979
m> mill $100
Friday, Saturday, F
jE^gBMy f Last Days of Man 01
i maphrodite messiah
5 ^ Friday, Saturday, F
||g Planet of the Apes '
* Maurice Evans 1121
Susannah-,
ic Catacomb. southern religion,
tacles of the powerful portrayal^
dragged his THE OPKKA thei
-e. nah's resounding all
it an evening Tho
0 memorable as a result of the dep
>rops used or Much of the powei
sntion to. The Was invincible in 1
ltomime was competent acting gc
the viewer lost in the direction,
imaginative jn the role of Oli
orated them refined resonant voi
1 just seen. performances by R
any member Little Bat McLean, ?
I recall all of DIRECTOR I>ON
pantomimed Choreographer Naoi
; that were and the USC Music
escription . is ting such a respectal
leve that it is Overall, Susannah
llifhtonintJ (n Kut "
vv vvvi u, uut inui c ui a
'ins of en- points, it does not 1<
be expensive polling spell on the
curtain.
w w w <????[
FEBRUAI
in the Russell I
lalincr
xieo, 1950. Luis Hunuel's semi-documentary on 311
al dreams Hllnun Free
lifer Jones rises to stardom as her married boy I
1 Wyler?. 118 mm. Free
?i ?l Coppola Double Feature
le director of /\pocalvpse New and The God/cit'ier
dvv ? 1967 A comedy with Peter Kastner. Julie H;
(*nm v f ir<;t I ilm ft I lir, I Iit :il uml mur/lm t
(Ml. 9:30 p.m.
Ilobin Hood 193H K.rrol Flynn Olivia de Havil
?. 9:30 p.m.
i3 I.inda Blair i> the teener possesstni by a dcv
Directed by William Frurdkm. 122 min $1 (K?
1:30, midnight
I. midnight
John Carpenter's shocker al>out a psychopathic Y
30 p.Ill
1951 1 ounh Broderwn Crawford nas !u.s dumb I
ml up w ith him Oscar Holhdav. Best \ctress l<
IIKIlilKM'
I Sih'iits ? Salami' 1922 John Bryant's sty
("< /'>:<!rj Germany. 1919 Robert Wiene's we
re Double surprise ending 53 min Free
? S'j Italy, i%:i Fedorico Felliiii's movie ;
director 'Marcello Mastroianni i. 135 us.n Free
311ii. Ill
Bull? : i:+?u Kdward (J Kohinson as the real
h(?nrdon Director William Dieterle 103 nun K
:(M(. p.m.
tu'.v iy;$'J James Cagney. Humphrey Hogart I
dsh 111)mm 75*
(i. 9::t? p.m.
I:IMI. midnight
). midnight
I'K. 197'J Monty Python's controversial satire ol
:io p. m.
K?. Koborto Kossellim, in six episodes, some in K
ice
Is (if Cities
fcj Great City ? Germany, 1927 A silent visual
- Sweden. 1947 ArneSueksdorff's Oscar-winner
- LK. 1967. Hichard Lester i The Three Muskete
'in it <>
in ? UK, 1968 Vincent Price as a 17th century vu
iael Reeves, who died at 25. 87 mm Free
1U1 ? ALFKKlUU IX lin
IH). 9:.JO p.m.
n - 1950. Tennis, an amusement park, a rich dac
ilker. I,eo(J Carroll, Ku'li Roman. 101 mm 75'.
), 9::t0 p.m.
1955 Retired cat burglar comes out t>f retirement
ity
n Connerv tries to heal Tippi Hedren's kleptonv>
130 min $1 (Hi
Paul Newman and secretary lover Julie Andrew
c:$o p.in.
Jon Finch heads perfect cast of non stars in thrilli
ilv
92<> Sir Alfred's first thriller about a suspected 'J
^ihk. Champagne Tin Manxman I K. 1927 1921
929. The first British sound film Policeman's t
iv. 8ft min Free
islerpieces
um?*rci ? 1929 Dziga Vertov's marvelously exper
iiiuir Dovzhenko's moving account of strife betwei
ore Hitchcock, .loan Kontain (Oscar > thinks her li
1941 Carole Lombard asked Hitchcoc k to dire
onl>
r>bert Cummmgs searches I??r the saboteurs who f
k up to his usual fun-filled tricks 108 nun Free
? 1954 The festival closes with this story of an o
Kelly, Robert Cuinmings 105 min Free.
00, 9:45 p.m.
ih ? 1940 Director: John Ford Henry Fonda, J
75V
:30, 7 :DO, 9:30 p.m.
ch I. 7;00 and 9:30p.m.)
Director: Martin Ritt. Sally Field, in a serious ro
SPECIAL MIDNH
ebruarv 22. 23
i Earth ? UK, 1974. Jon Finch (Frenzy), in an S
i. Gargantuan garbage heaps, giant pin halls with
rbruary 2*. March I
- 1968 Charleton Heston comes to a planet with
min. $1.00
rom page 8
it is clearly the opera's mo
n proceeded to the final scene,
most monstrous laughter is hear
e slowly filed out of the theatre,
ressing ending.
* of the opera was generated by j
he role of Susannah. Her Ion
ive the ouera some of the eohesi
n Blitch, Richard Conant deser
ce gave his role an aire of distin<
ichard Veale and Ted Hobb, a*
ire also notable.
\LD GRAY, Conductor Willian
mi Calvert, as well as the Columl
Department should be commen
jle performance.
1 was not an operetta in the usi
musical drama. Although the op
jse its essential power This po>
audience, that will remain long
P ~?P 'V ^ 'W w
tY FILMS
louse Theatre
venile delinquency mixes grimly realistic *1
friend. Laurence Olivier, sinks in ;isea of h
irris. Geralriini- Page ami the LovinnSpoon
?n Irishrasllt' HI mm Kree
land. Basil Kaihbor,<.\ Technicolor. advetUi
>1 with Mercedes McCambridKu's voice Kl
tiller stars Donald l'leasence. Jaime t .ce <"i
il'.'ii'l'' girlfriend Judy Hollid iy. "cuiturifk
r.lmin I- ree
ii/.ed adaptation of Oscar Wilde's plas ai
ird pxpressionis'.itr iato of a mad mounieb.
ibui.it moviemaking shilt.- ha.-k ami forth
I 11?o discovert*! fit a cure tot svphth.s Sour
ree
Prisciila I>ane Army buddies w md up on o;
religion is aU>ut a guerrilla mistaken for J?
nglish, some in suhtnled Italian, sums up t
symphony" directed by Waller Kuttinann 7
, inspired by Kuttman's film, celebrates SUi
or.s? directs John Lennon in a send tip of wai
tch hunter who tortures the v> rong soldier s
)( K KKSTI\ Al.
Idy, a senator's daughter, a "crisscross" rn
to catch an imitator Carv (iran? Grace Kel
nia and frigidit s With Diane Baker Marie
,s steal atomic >ecrets from I ;.i>t Germany
i?r about a necktie murderer Hitchcock at hi
lack the Kipper 65 mm
J An introduction to Hitchcock s silent perio
;ii Ifriend kdls a would he seducer Tale of
imental visual svmphonv to a Soviet city 67
en landowners and peasants 75 inin Free
landsome scoundrel husband, Cary Grant, ii
vt her and Kobert Montgomery in a non-sus
ranted him for blow ing up a munitions planl
verage tennis player who wants his rich wif
ane Harwell (Oscar), John Carradine in a
le for a change, is a union organizer in a So*
:;iit movies
-F send-up, has to decide whether or not E.
girls in 'em In the spirit of A Boy and His D
ape and human roles reversed Koddy Mc
liiiiiiiiAft
?' - - I ? I
st dynamically
in which Susand
as the curtain
in utter silence
\nn Benson who
unif-p anrl
veness that was
ves praise. His
ction. Energetic
. Sam Polk and
1 J. Moody and
bia Lyric Opera
ided for presenlal
sense of the
era was slow at
.ver wove a im[
after.the final
"" 1 .
esus HI nun $1 <m ^
<
he WW II cxptTifiice in i
<
i
Kimn 4
xkholni 12 mm Frtn* ^
r III mm Free i
i
girlfriend Stylish last .
i
urder schernt Farlev 4
4
Jy 97 nun $1 00 i
tte Hartley and Bruce 4
4
128min $1 (Ki 4
4
is best 116mir? SI 00 ,
4
<1 58 nun. Free 4
cover-up. blackmail, ^
4
i
min ^
i
i
i trying to do her in. 99
i
pense comedy Mere it
*
i
I Climax on the Statue >
i
e s money oui not ner %
i
stirring adaptation of ^
<
jthern textile mill 115 *
i
<
arth needs a new her- i
>og 89 min $100 <
i
Dowall, Kim Hunter, ^
:*ir\ <?( slum dwellers' ^
i
i
Kuv/.f \\oll-ai'tod and ^
i
1
lu! **'. ir.i'i I i t**' ^
i
i
i
H I' l>a> I' VC i rr - l(* <
<
lM-n Burstvn Mux vt;r. '
*
*
ii ti? I' .! Soli*:, 4.) imp ^
<i li;. Wiitioin ll tliirii ^
<1
tc! Aubrey B?*antsie> s i
*
iirik aii'l Iks murili'vint.- ^
K'1'.vff") re.iln;. .i;k1 tin- ^
<
;<is awful, tin! tt *> r?*aliy T