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m f ?anlBI__l{_^ BQf Kffl!fWlrmr'S^TO^Bi^^BB^^^^^Bl>''- ^3 vi - vl r Mystic Maria, bellydancer and instruc dance, delighted a large crowd in the Gold night. The show was attended by mostly watched as Mystic Maria performed her The dancer operates a bellydancing sclu Bromberg 11 iiuiii pii^r i.) clurinet. There is not a single n.isplaccd note in the entire arrangement which can be credited to the excellent arrangement efforts of arrangerproducer Jim Price. This is liromberg's first effort he lias not nrnrliicoH liimcolf ^ ? ?- ? ' I who is known for his horn work I with Joe Cocker in the Mad Dogs days, adds a new twist to Bronilierg's style. Vet, Bromherg'sown style is still prevalent as the superior force. 1 Mice's influence is evident most strongly in the additional personnel who appear on the lp. v" Such performers as Daniel and M Mat hew Mnnrp :il?r? frnm llw. ** - ? -. II VIII 11IV- 1I1UU Dogs clays, lend their vocal skills on u number of tunes. "KKCK1.KSS ABANDON" is a sensational collection of over forty minutes of music. The recorded sound quality is exceptionally S clear allowing each performer to stand out separately. The album is receiving quite a bit of air play by progressive stations throughout the nation. The problem lies in the fact that David Bromberg will never receive the recognition i?o deserves. Brombert is not searching for muss appeal but rather is after the exceptional few who can appreciate his personal sill and can afford $7.98. Pianist to preform Pianist Lydia Gatling will be guest artist for the Columbia Philharmonic Orchestra's second jmg, concert of the 1977-78 Concert MS Series, November 8, 8:00 p.m. at j H; ' urener auditorium. ^ The Columbia Philharmonic Orchestra will also perform, playing a program of works by Auber, Dvorak, Beethoven and ! Kodaly. ,r Information and tickets for this concert are available by calling the fpH Columbia Music Festival office at 771-6303. L HBHH Tomli \ 10 on in^AllirfAMl r??* .?. TOMLIN WENT O critically-acclaimed special of her own. She a role in Robert Alt "Nashville," and wor her portrayal of a wo torn between her duty i a mother to her children, and her pa handsome rock singer Tomlin's most recenl tor in Middle Eastern been slagc !,how' I C I * TU J garnered rave review ten Spur last Thursday ?ritics and barragCs a male audience, who from delighted audien moves with expertise. This show is also the I >ol in Hopkins. latest album, 'Lily WHEN DO SAY B! ''"'s %ih. in album sm Stage," a record on which w< r introduced to various and su characters that Tomlin ore by Time created, in somewhat the j uuiii i? u iasmon mai rnp wuson ore Lily Tomlin Geraldine. >s. And Lily Side One opens with Tess tig success. Shopping Bag Lady. What been said does with shopping bags is esaid again, clear, but she does insist in a voice ? a voide that sounds ai part of the just came off a back street of o int scene for New York's toughest n< he received borhoods ? that the worl splashes of "Cracked." is a regular "Rowan & STANDING ON a sidewal where she New York's theater district aracter Er- spreading her gospel to perator ex- passersby, she declares thai has been told to deliver message on the command N ,t.o do a "UFO guy from inner space, television Tess is more pathetic also landed funny; a prophet of doom 1] :man's film lonely job and people are a i praise for think that Tess is cracked r; man who is than the world. is a wile and Luckily, the album moves deaf-mute some lighter material with a ssion for a helpful lecture by the forgettable Mrs. Bcasley or t project has subject of saving our "unna which has resources." She speaks dark is from the the impending plastic shor of applause and warns that soon we will i ces. hoarding Baggies. Just imaj basis for her "Tupperware parties will ha Tomlin on be shut down." Simply hori VflEEMCJ JDWEISE1 s IH15 euy r/V\ STANDING ON l$W0e&JN6A&\IN. WHY CANT I EVER GET THE 616 GUy WHEN WE AWE" THESE PYPAMIPSl? > IF I GOT ANY K/NPA V01CE LEFT AFTER 7WIS 64ME, I V\A GONNA yEU^ "6/MMEAB. \ 6/MMEAO. \w <3/M/V\E A D. V. J, lashing < j are Other entertaining segments ndry involve Lud and Marie, a has bickering, down-home couple with >ame a tyrannical teenage daughter, as ;ated well as Ernestine, who is probably the best-known of Tomlin's , the collection of characters. Tess T11E LISTENER has to imagine ; not what the other characters look loud like, but, if he has ever watched s if it "Laugh-In," can easily visuali/.e ne of the telephone operator's screwed- ^ eigh- up eyes, her long horse-like face d is and her snorting, nasasl voice. She is proud to be "serving everyone from presidents and kings to the Ik in scum of the earth." and Side Two is devoted mainly to the all story of Glenna, "a child of the t she '60s. a memhpr nf thn this generation. She grows up watching of a "I Love Lucy" and worshipping the Beatles. In her college days, than she finds happiness with a tas a philosophical free spirit named Oz, pt to whom she meets at the library. ather "We got it on in the PolySci stacks") ( into Alas, the golden days must pass: most the Beatles split up, she and ()/. un- split up, her father dies (the theme 1 the from "I Love Lucy" is played at tural his funeral), and she ends up ly of marrying a lawyer. tage, TIME MAGAZINE was right ill be Lily Tomlin is an intelligent acgine: tress who completely transforms ve to herself into whatever character rible. she wishes to play. 4C OF BEERS* ANMCUSER BUSCM INC ST LOUIS ( MMERS Vv ' ^udweise' | S