The gamecock. (Columbia, S.C.) 1908-2006, November 07, 1977, Page Page 16, Image 16
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Mystic Maria, bellydancer and instruc
dance, delighted a large crowd in the Gold
night. The show was attended by mostly
watched as Mystic Maria performed her
The dancer operates a bellydancing sclu
Bromberg 11
iiuiii pii^r i.)
clurinet. There is not a single
n.isplaccd note in the entire
arrangement which can be
credited to the excellent
arrangement efforts of arrangerproducer
Jim Price.
This is liromberg's first effort he
lias not nrnrliicoH liimcolf ^
? ?- ? ' I
who is known for his horn work I
with Joe Cocker in the Mad Dogs
days, adds a new twist to Bronilierg's
style.
Vet, Bromherg'sown style is still
prevalent as the superior force.
1 Mice's influence is evident most
strongly in the additional personnel
who appear on the lp. v"
Such performers as Daniel and M
Mat hew Mnnrp :il?r? frnm llw. **
- ? -. II VIII 11IV- 1I1UU
Dogs clays, lend their vocal skills
on u number of tunes.
"KKCK1.KSS ABANDON" is a
sensational collection of over forty
minutes of music. The recorded
sound quality is exceptionally S
clear allowing each performer to
stand out separately.
The album is receiving quite a
bit of air play by progressive
stations throughout the nation.
The problem lies in the fact that
David Bromberg will never
receive the recognition i?o
deserves. Brombert is not searching
for muss appeal but rather is
after the exceptional few who can
appreciate his personal sill and can
afford $7.98.
Pianist to preform
Pianist Lydia Gatling will be
guest artist for the Columbia
Philharmonic Orchestra's second jmg,
concert of the 1977-78 Concert MS
Series, November 8, 8:00 p.m. at j H; '
urener auditorium. ^
The Columbia Philharmonic
Orchestra will also perform,
playing a program of works by
Auber, Dvorak, Beethoven and !
Kodaly.
,r Information and tickets for this
concert are available by calling the fpH
Columbia Music Festival office at
771-6303. L
HBHH Tomli
\ 10 on in^AllirfAMl r??* .?.
TOMLIN WENT O
critically-acclaimed
special of her own. She
a role in Robert Alt
"Nashville," and wor
her portrayal of a wo
torn between her duty i
a mother to her
children, and her pa
handsome rock singer
Tomlin's most recenl
tor in Middle Eastern been slagc !,how'
I C I * TU J garnered rave review
ten Spur last Thursday ?ritics and barragCs
a male audience, who from delighted audien
moves with expertise. This show is also the I
>ol in Hopkins. latest album, 'Lily
WHEN DO
SAY B!
''"'s
%ih.
in album sm
Stage," a record on which w<
r introduced to various and su
characters that Tomlin
ore by Time created, in somewhat the j
uuiii i? u iasmon mai rnp wuson ore
Lily Tomlin Geraldine.
>s. And Lily Side One opens with Tess
tig success. Shopping Bag Lady. What
been said does with shopping bags is
esaid again, clear, but she does insist in a
voice ? a voide that sounds ai
part of the just came off a back street of o
int scene for New York's toughest n<
he received borhoods ? that the worl
splashes of "Cracked."
is a regular
"Rowan & STANDING ON a sidewal
where she New York's theater district
aracter Er- spreading her gospel to
perator ex- passersby, she declares thai
has been told to deliver
message on the command
N ,t.o do a "UFO guy from inner space,
television Tess is more pathetic
also landed funny; a prophet of doom 1]
:man's film lonely job and people are a
i praise for think that Tess is cracked r;
man who is than the world.
is a wile and Luckily, the album moves
deaf-mute some lighter material with a
ssion for a helpful lecture by the
forgettable Mrs. Bcasley or
t project has subject of saving our "unna
which has resources." She speaks dark
is from the the impending plastic shor
of applause and warns that soon we will i
ces. hoarding Baggies. Just imaj
basis for her "Tupperware parties will ha
Tomlin on be shut down." Simply hori
VflEEMCJ
JDWEISE1
s IH15 euy r/V\ STANDING ON
l$W0e&JN6A&\IN.
WHY CANT I EVER GET THE 616 GUy
WHEN WE AWE" THESE PYPAMIPSl?
> IF I GOT ANY K/NPA V01CE LEFT
AFTER 7WIS 64ME, I V\A GONNA yEU^
"6/MMEAB.
\ 6/MMEAO.
\w <3/M/V\E A D.
V. J,
lashing <
j are Other entertaining segments
ndry involve Lud and Marie, a
has bickering, down-home couple with
>ame a tyrannical teenage daughter, as
;ated well as Ernestine, who is probably
the best-known of Tomlin's
, the collection of characters.
Tess T11E LISTENER has to imagine
; not what the other characters look
loud like, but, if he has ever watched
s if it "Laugh-In," can easily visuali/.e
ne of the telephone operator's screwed- ^
eigh- up eyes, her long horse-like face
d is and her snorting, nasasl voice. She
is proud to be "serving everyone
from presidents and kings to the
Ik in scum of the earth."
and Side Two is devoted mainly to the
all story of Glenna, "a child of the
t she '60s. a memhpr nf thn
this generation. She grows up watching
of a "I Love Lucy" and worshipping
the Beatles. In her college days,
than she finds happiness with a
tas a philosophical free spirit named Oz,
pt to whom she meets at the library.
ather "We got it on in the PolySci
stacks") (
into Alas, the golden days must pass:
most the Beatles split up, she and ()/.
un- split up, her father dies (the theme
1 the from "I Love Lucy" is played at
tural his funeral), and she ends up
ly of marrying a lawyer.
tage, TIME MAGAZINE was right ill
be Lily Tomlin is an intelligent acgine:
tress who completely transforms
ve to herself into whatever character
rible. she wishes to play.
4C OF BEERS* ANMCUSER BUSCM INC ST LOUIS (
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