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entei Capsul< Li By CHUCK CROM Entertainment Edi NOTE: All camp Russell House* Ur J ...111 i/Oiniimiee anu win Sunday through 1 Theatre. Films are a validated ID Sun admission is chari sday's films. Cc DON'T LOOK N sophisticated and I seen. Directed by Donald Sutherland have tragicly lost tl ESP and other pht the earth again. A; elements of thatrac ESP, warnings fro cinematography of L'nncn nf ir\n lOV, V/l UI01V7V-01 IU11 anxiety that questi of the back streets in the action." Thi THE NAKKI) KIS: innovative of B f cerning his concept and her attitudes ai road from prostitu disillusionment wit life as she's found ACCATTftKfc" MO? ? \ 1?W Pasolini's Tirst fil cattone, a pimpanc AAovie Jacqueline ) with Nick Noi Deep." The pa vacationing c taiiimc b Reviews nes ER tor >us movies are sponsored I liversity Union Cinematic I be shown at 6:30 p.m. and Thursday in the Russell free to USC students who p /Imt f irtV\ TS lrvc/^oti mViil uajr tin UU511 x utouaj, wiiii ged for Wednesday's and impus Films low (1974) ? One of the bizarre horror films I hav Nicholas Roeg, the film and Julie Christie as a coup leir young child, yet sense tl momenon that her spirit ir > one critic wrote, "Workin iitional horror genre-seconc m the dead a maH killpr disquieting beauty and drej i, director Roeg weaves a fa ons all reality. The evoeati of Venice is a sinister parti ursday $1. S (1964) ? Directed by th< ilmmakers, Samuel Fullei of the hooker (Constance T< id inner feelings as she trav tion to respectability, and t h the facade of the "respec it. Sunday. 1) ? Italian director Pier m starring Franco Citti ? i beggar who tries to attain See CAPSULES Review 'The I P3j|& || |||||1 |K> Vk wiytK & '1^H |^3l ISSt>^HNNBK. ^9M Missel stars disco' Ite in "The treasu ir portray a diving ouple who Bermu lit wait f< by the ^-;v : Arts 19 p.m. House resent e a $1 Thur1 most - -e ever ::;v> stars ; T::;i|liiS?^i-: - v le who C \tL , iroiiph ."*^53... O" - r ^ Jihabits ' ' "l^k;<V ~' -- g with I sight, p| and a am like brie of Ve USe icipant ~ rf~ <i? i most \ coiliwers) ;;;; ; ^ els the ,; ; . :,.y ,'^|^ hen to - j Luke Sky walker (Mai Paolo Tusken Raider, a vicic \s ?c.~_ Wars," one of this year' UOU1 111>. pg. 9 Deep' s< IB Entertain The sea has been 1 man's re: Some s< tranquil, terror ar facade. l cidentallj yer mysterious andanan ires while scuba off Berm in the waters off Gail ai da. Homer ?? fC*4 J>l ^11 k Hamill) is attacked by a ms desert bandit in "Star s hottest films now playing :enic, < K CROMER merit Editor , the largest unexplored frontier ;he subject of countless legends t spect and fear of its majestic p eek inspiration and pensive solit lulling beauty, while others id death camouflaged by its ally, I am terrified of the sea b obvious and hidden capacities J suffering on trespassers. CONSCIOUS fear of the ocea ' parny responsible tor my enjc ep," an entertaining tale of n the waters bordering Bermud r Peter Yates ("Bullitt," "The H Jugs, and Speed"), centers "T /entures of a young couple, Gail i ne Bisset and Nick Nolte), as I discover an ancient Spanish ] npule of morphine on a merchant uda in 1943. rid David work with a local salv Treecer (Robert Shaw), to i ir Wn A m r at the Spring Valley I and theaters. criteria mysteries surround treasure. All three I Bermuda drug dealei on earth, wants to secure the m >ecause of "The Deep" is ba resence. from man's greed. 1 ude in its plicated by man's st find only There are five ma; deceiving one is threatened wi example a 12-foot m ui man s neaa on with a to inflict ferocious sharks lurl But the greatest da his own fears, where >n is un- his own death. To sur jyment of totally calm and in I treasure la. YATES THUS pr ot Hock," battles; man versus he Deep" versus the unknown md David The conflict on Hn they ac- chmen against Gail medallion exciting moments bi ship sunk and predictable. As action is nothing mt main attraction; th age diver, inlock the ' rs' < ->' If ^ ining ing the promising Spanish aecome the competitors of a r, Cloche (Louis Gossett), who lorphine to turn into heroin sically about conflicts rising "he conflicts are further comruggle against nature, jor dives in the film and each th disaster from the sea; for oray eel capable of tearing a single thrust and instinctively ( around the sunken wreck, mger man faces in the deep is error and Danic can cost him vive underwater, one must be 'ouch with himself. ovides the viewer with two the known (himself) and man (sea). rmuda of Cloche and his hen, David and Treecer has its at quickly becomes mundane a matter of fact, the surface >re than a preliminary to the e final deadly confrontation See DEEP, pg. 9