The gamecock. (Columbia, S.C.) 1908-2006, July 14, 1977, Page Page 8, Image 8
entei
Capsul<
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By CHUCK CROM
Entertainment Edi
NOTE: All camp
Russell House* Ur
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i/Oiniimiee anu win
Sunday through 1
Theatre. Films are
a validated ID Sun
admission is chari
sday's films.
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sophisticated and I
seen. Directed by
Donald Sutherland
have tragicly lost tl
ESP and other pht
the earth again. A;
elements of thatrac
ESP, warnings fro
cinematography of
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anxiety that questi
of the back streets
in the action." Thi
THE NAKKI) KIS:
innovative of B f
cerning his concept
and her attitudes ai
road from prostitu
disillusionment wit
life as she's found
ACCATTftKfc" MO?
? \ 1?W
Pasolini's Tirst fil
cattone, a pimpanc
AAovie
Jacqueline )
with Nick Noi
Deep." The pa
vacationing c
taiiimc
b Reviews
nes
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tor
>us movies are sponsored I
liversity Union Cinematic
I be shown at 6:30 p.m. and
Thursday in the Russell
free to USC students who p
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ged for Wednesday's and
impus Films
low (1974) ? One of the
bizarre horror films I hav
Nicholas Roeg, the film
and Julie Christie as a coup
leir young child, yet sense tl
momenon that her spirit ir
> one critic wrote, "Workin
iitional horror genre-seconc
m the dead a maH killpr
disquieting beauty and drej
i, director Roeg weaves a fa
ons all reality. The evoeati
of Venice is a sinister parti
ursday $1.
S (1964) ? Directed by th<
ilmmakers, Samuel Fullei
of the hooker (Constance T<
id inner feelings as she trav
tion to respectability, and t
h the facade of the "respec
it. Sunday.
1) ? Italian director Pier
m starring Franco Citti ?
i beggar who tries to attain
See CAPSULES
Review
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pg. 9
Deep' s<
IB Entertain
The sea
has been 1
man's re:
Some s<
tranquil,
terror ar
facade.
l cidentallj
yer mysterious andanan
ires while scuba off Berm
in the waters off Gail ai
da. Homer
?? fC*4
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k Hamill) is attacked by a
ms desert bandit in "Star
s hottest films now playing
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K CROMER
merit Editor
, the largest unexplored frontier
;he subject of countless legends t
spect and fear of its majestic p
eek inspiration and pensive solit
lulling beauty, while others
id death camouflaged by its
ally, I am terrified of the sea b
obvious and hidden capacities
J suffering on trespassers.
CONSCIOUS fear of the ocea
' parny responsible tor my enjc
ep," an entertaining tale of
n the waters bordering Bermud
r Peter Yates ("Bullitt," "The H
Jugs, and Speed"), centers "T
/entures of a young couple, Gail i
ne Bisset and Nick Nolte), as
I discover an ancient Spanish ]
npule of morphine on a merchant
uda in 1943.
rid David work with a local salv
Treecer (Robert Shaw), to i
ir Wn
A
m
r
at the Spring Valley I and
theaters.
criteria
mysteries surround
treasure. All three I
Bermuda drug dealei
on earth, wants to secure the m
>ecause of "The Deep" is ba
resence. from man's greed. 1
ude in its plicated by man's st
find only There are five ma;
deceiving one is threatened wi
example a 12-foot m
ui man s neaa on with a
to inflict ferocious sharks lurl
But the greatest da
his own fears, where
>n is un- his own death. To sur
jyment of totally calm and in I
treasure
la. YATES THUS pr
ot Hock," battles; man versus
he Deep" versus the unknown
md David The conflict on Hn
they ac- chmen against Gail
medallion exciting moments bi
ship sunk and predictable. As
action is nothing mt
main attraction; th
age diver,
inlock the
'
rs'
< ->' If ^
ining
ing the promising Spanish
aecome the competitors of a
r, Cloche (Louis Gossett), who
lorphine to turn into heroin
sically about conflicts rising
"he conflicts are further comruggle
against nature,
jor dives in the film and each
th disaster from the sea; for
oray eel capable of tearing a
single thrust and instinctively
( around the sunken wreck,
mger man faces in the deep is
error and Danic can cost him
vive underwater, one must be
'ouch with himself.
ovides the viewer with two
the known (himself) and man
(sea).
rmuda of Cloche and his hen,
David and Treecer has its
at quickly becomes mundane
a matter of fact, the surface
>re than a preliminary to the
e final deadly confrontation
See DEEP, pg. 9