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enterta Gene Hackn expert riflemar a helicopter fli ciple," while E tion. Hie movie Valley Quadra] Capsule review Kramer opens F By CHUCK CROMER Entertainment Editor Campus Rim# NOTE: All campus movie House University Union Cine be shown at 6:30 and 9 p.m. S Russell House Theatre. Film nnoconf q T pi VUVHt U unuavvvi l.JLV. UUll $1.00 admission is charged fo films. HAROLD AND MAUDE ( comedies of the 70s directed 1 "Bound for Glory"). Ruth < outstanding performances ii adventure between an 80-y suicidal necropheliac who n tending a funeral. Ashby sa psychiatry, computer dating film that is quickly becoming DEVI (1960) Indian directo Americans for his famous Ad "Aparajito" and "The World tl i/>m1 /J (ttinAHitiUioM ? ? ? ' ? vvui iu aupci siinuii cuimunun centers around a father's daughter-in-law is a reincam belief plunges the main ch tragedies as is the case with r According to one source, damentalist Hindus and caus extent that for a time the Ind from international distributi Nov* *f% 'A . A v'O" M t FXrRAORDir x MfASNifi^foriH ' .. < - _ I Aliment ian, escaped convict and i, fires at his quarry during ght in "The Domino Prin!li Wallach directs the acwill open at the new Spring plex II on June 10. f s film :riday s are sponsored by the Russell matic Arts Committee and will unday through Thursday in the s are free to USC students who day through Tuesday, while a r weanesciay s ana Thursday's 1971) One of the better black >y Hal Ashby ("Shampoo" and Gordon and Bud Cort provide i this unique tale of love and ear-old eccentric lady and a leet and fall in love while attirizes morality, the military, ; and even motherhood in this a cult favorite. Thursday $1.00 i r Satyajit Ray is best known to luTrilogy ("Pather Panchali," of Apu"). In Devi, Ray has old iff nmi? ihami^"1 ?1?4. p, utn nunu ICfllliy dS lilt' piUl fantasy that his 17-year-old lation of the goddess Kali. This aracters down into unending nany of Ray's films. i the film outraged many fun- i ed considerable protests to the lian government withheld Devi ion. Sunday. i el depicts i a .?/?.*'"vii IV,'V>vj? 7 . . .. * r "** f ' m landing of our lime - ^^1^ ICE Book on i ij^OTlC weaves a l^RY! probing u fascinatio vampires. |^HH^^/ ><*x mK Ipffiy ^V JH||, ""...? v .- :n.v.#<rr*,?i MURDER HE SAYS (1945) Purport masterpiece of black comedy," the fi murder mystery farce that revolves man's encounters (Fred MacMurrj family, including Marjorie Main of fame, that specializes in murder ant THE IRON HORSE (1924) An overl the building of the American transct the 1860s. The film's dramatics are ofl visuals centering on the dangers and I the railroad's construction are quite s considered to be the greatest director Americana, does a marvelous job < viewer into accepting his romanti conquering of the American West. Foi ?vampire By TERRY DUGAS Gamecock Staff Writer Belief in vampires i parasite draining the bloc appears in the legends of j religious writings. In Interview with the V? captivating tale probing unfolds a thoughtful app culture. THE VAMPIRE'S app exchange of life force t symbolizes the depths of! death represents the spi love for another. Consequently, Rice's i enercv. Blendino pvtv>rW that of love and hate, between pleasure and master and slave, killer The protagonist of the i into a vampire in 1791 at between his former hum existence, valuing cert* which must be reconciled This struggle within him between good and evil in c vampires feelings associated with LOUIS DESCRIBES h nivpranl sequent remorse: "I fee< a close enough to see the n with experience, the new and before those feelings of rc MS =? ' |j|| ^flinMBB ?9 5 ' lllIC?-' % ^Jgwjjraf LkMJMM aheL'BH J III I nmn ... ' ?.' 1 r f^UMrgjII I'm 1 miiwm. edto be a "neglected U.S. troop: ilm is classified as a Chinese lat around an insurance 2,800 horse: ay) with a hillbilly this fairy t "Ma and Pa Kettle" 1 theft. Monday. DoWlttC ong reconstruction of SMOKE^ mtinental railroad in movies try ien numorous, yet the that has su hardships involved in Reynolds s atisfying. John Ford, whose CB of films dealing with cohort Jeri )f indoctrinating the from Texa cized vision of the bined polu d used a regiment of See CAPS1 appeal as mp "u'n conc s universal. A humanoid creal d, energy or soul of a person educ all inhabited lands and in all mod* his f impure, Anne Rice weaves a and i ; this fascination and also Lo raisal of our own age and and with is th eal is intensely sexual. The Ever hrough the vampire's kiss faith mman passion. The victim's ritual^ abandonment of one LO natui novel abounds with erotic cent* ?nce of life and death with see t Rice probes relationships Ho pain, lover and beloved, read and victim. beca novel is Louis, transformed that the age of 25. Louis is torn Ru an nature and his vamnirp ?ni?. , TV.M| ?in human characteristics die, < with his acquired cravings. lust i self represents the conflict tvery man and also the guilt TO pleasure. nighl simu is lust for blood and sub- dark. 1 only on strangers. I draw perie pulsing beauty, the unique grow passionate voice, then kill give rvulsion could be aroused in ? - || dA', ^ :~ Brrfr r' '':'J'^4 .-- B " ; -ri : :~:' ' 5 and cavalry, 3,000 railroa< orers, 800 Pawnee, Sioux and 3, 1,300 buffalo and 10,000 Tex ale. Tuesday. >wn Rims j AMn tiic "r? ' > iiku >nu U/HI1 I'll - 11118 IE ing to cash in on the CBs and c< rept the country in the past ye tars in this farce as a smart handle is "The Bandit" and v :y Reed try to smuggle 400 ca s to Georgia. While being ch :e forces of six Southern st ULES, page 9 :"sexua that fear, that sorrow." like hpr nrpdwMcnrc r.w%.wwuviu, UlUU^i em is not with the physical tures but with their spiritual ation. Louis is perhaps th< grn man: dehumanized by soci ellow desperately searching 1 understanding. uis admits that he is "at odd always have been! I never b anyone at any time." A compa e very spirit of your age. Dt yone feels as you feel. Your ft has been the fall of a centui 'UIS IS on a quest for the mean re. As he passes through iries, exploring the world and he foibles of our own life, wever, this novel is not a dull s er need only to accept the pre ii i icu iiuo a iana 01 erotic terrc is both captivating and repul :e's prose is heavy with imagi !>tuous experience of creatun can never face the day and tt for blood. > BE lost in this novel is to kn< :mare ar\d the pleasures of ltaneously. We become one wi ness, sharing in their npct sncing their incomprehensit ing to despise, then pity, the j us life. i workmen, 1,000 Cheyenne Indians, as steers to make i one of the dullest >nvoy truckers fad ar. Nonactor Burt -mouthed redneck vho along with his ises of Coors Beer ased by the comates, including a Vf I h, Rice's primary existence of the development and 5 embodiment of iety, isolated from or companionship s with everything elonged anywhere nion replies "That >n't you see that? ill from ornpp #nH ry." ing of his vampire te continents and his own being, we spiritual tract. The mise of the plot to >r and an existence sive. es that convey the ?s that can never irill in the nightly jw me terrors of a a sensual dream th the creatures of :urnal hunts, exile isolation and petty mortals that