The gamecock. (Columbia, S.C.) 1908-2006, June 09, 1977, Page Page 8, Image 8
enterta
Gene Hackn
expert riflemar
a helicopter fli
ciple," while E
tion. Hie movie
Valley Quadra]
Capsule review
Kramer
opens F
By CHUCK CROMER
Entertainment Editor
Campus Rim#
NOTE: All campus movie
House University Union Cine
be shown at 6:30 and 9 p.m. S
Russell House Theatre. Film
nnoconf q T
pi VUVHt U unuavvvi l.JLV. UUll
$1.00 admission is charged fo
films.
HAROLD AND MAUDE (
comedies of the 70s directed 1
"Bound for Glory"). Ruth <
outstanding performances ii
adventure between an 80-y
suicidal necropheliac who n
tending a funeral. Ashby sa
psychiatry, computer dating
film that is quickly becoming
DEVI (1960) Indian directo
Americans for his famous Ad
"Aparajito" and "The World
tl i/>m1 /J (ttinAHitiUioM ? ? ? ' ?
vvui iu aupci siinuii cuimunun
centers around a father's
daughter-in-law is a reincam
belief plunges the main ch
tragedies as is the case with r
According to one source,
damentalist Hindus and caus
extent that for a time the Ind
from international distributi
Nov*
*f% 'A . A v'O"
M
t FXrRAORDir
x MfASNifi^foriH
' .. < -
_ I
Aliment
ian, escaped convict and
i, fires at his quarry during
ght in "The Domino Prin!li
Wallach directs the acwill
open at the new Spring
plex II on June 10.
f s
film
:riday
s are sponsored by the Russell
matic Arts Committee and will
unday through Thursday in the
s are free to USC students who
day through Tuesday, while a
r weanesciay s ana Thursday's
1971) One of the better black
>y Hal Ashby ("Shampoo" and
Gordon and Bud Cort provide
i this unique tale of love and
ear-old eccentric lady and a
leet and fall in love while attirizes
morality, the military,
; and even motherhood in this
a cult favorite. Thursday $1.00 i
r Satyajit Ray is best known to
luTrilogy ("Pather Panchali,"
of Apu"). In Devi, Ray has old
iff nmi? ihami^"1 ?1?4.
p, utn nunu ICfllliy dS lilt' piUl
fantasy that his 17-year-old
lation of the goddess Kali. This
aracters down into unending
nany of Ray's films. i
the film outraged many fun- i
ed considerable protests to the
lian government withheld Devi
ion. Sunday. i
el depicts
i a
.?/?.*'"vii IV,'V>vj?
7
. . ..
* r
"** f '
m
landing
of our lime - ^^1^
ICE Book on i
ij^OTlC weaves a
l^RY! probing u
fascinatio
vampires.
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><*x
mK
Ipffiy ^V JH||,
""...? v .- :n.v.#<rr*,?i
MURDER HE SAYS (1945) Purport
masterpiece of black comedy," the fi
murder mystery farce that revolves
man's encounters (Fred MacMurrj
family, including Marjorie Main of
fame, that specializes in murder ant
THE IRON HORSE (1924) An overl
the building of the American transct
the 1860s. The film's dramatics are ofl
visuals centering on the dangers and I
the railroad's construction are quite s
considered to be the greatest director
Americana, does a marvelous job <
viewer into accepting his romanti
conquering of the American West. Foi
?vampire
By TERRY DUGAS
Gamecock Staff Writer
Belief in vampires i
parasite draining the bloc
appears in the legends of j
religious writings.
In Interview with the V?
captivating tale probing
unfolds a thoughtful app
culture.
THE VAMPIRE'S app
exchange of life force t
symbolizes the depths of!
death represents the spi
love for another.
Consequently, Rice's i
enercv. Blendino pvtv>rW
that of love and hate,
between pleasure and
master and slave, killer
The protagonist of the i
into a vampire in 1791 at
between his former hum
existence, valuing cert*
which must be reconciled
This struggle within him
between good and evil in c
vampires feelings associated with
LOUIS DESCRIBES h
nivpranl sequent remorse: "I fee<
a close enough to see the
n with experience, the new and
before those feelings of rc
MS =? ' |j||
^flinMBB ?9
5 ' lllIC?-' % ^Jgwjjraf
LkMJMM
aheL'BH
J III I nmn ... ' ?.' 1 r f^UMrgjII I'm 1 miiwm.
edto be a "neglected U.S. troop:
ilm is classified as a Chinese lat
around an insurance 2,800 horse:
ay) with a hillbilly this fairy t
"Ma and Pa Kettle"
1 theft. Monday. DoWlttC
ong reconstruction of SMOKE^
mtinental railroad in movies try
ien numorous, yet the that has su
hardships involved in Reynolds s
atisfying. John Ford, whose CB
of films dealing with cohort Jeri
)f indoctrinating the from Texa
cized vision of the bined polu
d used a regiment of
See CAPS1
appeal as
mp
"u'n
conc
s universal. A humanoid creal
d, energy or soul of a person educ
all inhabited lands and in all mod*
his f
impure, Anne Rice weaves a and i
; this fascination and also Lo
raisal of our own age and and
with
is th
eal is intensely sexual. The Ever
hrough the vampire's kiss faith
mman passion. The victim's
ritual^ abandonment of one LO
natui
novel abounds with erotic cent*
?nce of life and death with see t
Rice probes relationships Ho
pain, lover and beloved, read
and victim. beca
novel is Louis, transformed that
the age of 25. Louis is torn Ru
an nature and his vamnirp ?ni?.
, TV.M|
?in human characteristics die, <
with his acquired cravings. lust i
self represents the conflict
tvery man and also the guilt TO
pleasure. nighl
simu
is lust for blood and sub- dark.
1 only on strangers. I draw perie
pulsing beauty, the unique grow
passionate voice, then kill give
rvulsion could be aroused in
? - || dA',
^ :~ Brrfr
r' '':'J'^4 .-- B " ; -ri : :~:' '
5 and cavalry, 3,000 railroa<
orers, 800 Pawnee, Sioux and
3, 1,300 buffalo and 10,000 Tex
ale. Tuesday.
>wn Rims
j AMn tiic "r? '
> iiku >nu U/HI1 I'll - 11118 IE
ing to cash in on the CBs and c<
rept the country in the past ye
tars in this farce as a smart
handle is "The Bandit" and v
:y Reed try to smuggle 400 ca
s to Georgia. While being ch
:e forces of six Southern st
ULES, page 9
:"sexua
that fear, that sorrow."
like hpr nrpdwMcnrc
r.w%.wwuviu, UlUU^i
em is not with the physical
tures but with their spiritual
ation. Louis is perhaps th<
grn man: dehumanized by soci
ellow desperately searching 1
understanding.
uis admits that he is "at odd
always have been! I never b
anyone at any time." A compa
e very spirit of your age. Dt
yone feels as you feel. Your ft
has been the fall of a centui
'UIS IS on a quest for the mean
re. As he passes through
iries, exploring the world and
he foibles of our own life,
wever, this novel is not a dull s
er need only to accept the pre
ii i icu iiuo a iana 01 erotic terrc
is both captivating and repul
:e's prose is heavy with imagi
!>tuous experience of creatun
can never face the day and tt
for blood.
> BE lost in this novel is to kn<
:mare ar\d the pleasures of
ltaneously. We become one wi
ness, sharing in their npct
sncing their incomprehensit
ing to despise, then pity, the j
us life.
i workmen, 1,000
Cheyenne Indians,
as steers to make
i one of the dullest
>nvoy truckers fad
ar. Nonactor Burt
-mouthed redneck
vho along with his
ises of Coors Beer
ased by the comates,
including a
Vf
I
h, Rice's primary
existence of the
development and
5 embodiment of
iety, isolated from
or companionship
s with everything
elonged anywhere
nion replies "That
>n't you see that?
ill from ornpp #nH
ry."
ing of his vampire
te continents and
his own being, we
spiritual tract. The
mise of the plot to
>r and an existence
sive.
es that convey the
?s that can never
irill in the nightly
jw me terrors of a
a sensual dream
th the creatures of
:urnal hunts, exile
isolation and
petty mortals that