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Cromer? At that time, Contemporary Sc to act as a professional promotin big name concerts at the Cai Township Auditorium. MOST OF THESE pay concc unsuccessful and sometimes di the competition from outside pro the lack of student support. In the winter of 1973, Co reevaluated their philosophy. \\ to serve? The public, the student It was quickly decided that i was thnir firct nrinrit?; ... wv ivi iwj , auu tilC this goal was to schedule sm; concerts. This, in turn, would le* concerts that would be free or wc SOME OF THE free conc 1 OWNED i by 1 Slow Opei Sunday 5-10 P .M. I(Ic/iw5s|lo ijHgawjp NOW FEATURIN EGGPLANT PARM DINNER $a served with spaghetti Italian Salad A W ! n o ? w WW ? V I 0 French Bread MAYFA GRILL HOME-CC MEAI nnn r a l_ t < 50UTR rv\ 2 Blocks So the U.S.C. Hon OPEN 6:30 ab p Mon.-Thnr? | 6:30 a.m.-3 p. Yom Page 10 tunds was attempting Sounds ha g agency, sponsoring Pure Prair 'olina Coliseum and Concerts I^arry Co ;rts were financially Weisberg, isastrous because of But, whs moters or because of made by ( tremendou ntemporary Sounds students h rho were they trvine Clemson :s or themselves? " temporary serving the students CDA claim best way to achieve which han< aller less expensive Certainlj id to more numerous change the ?uldcost$l or $2. can't it su( :erts Contemporary Clemson st and MOW THE CAPS |? ? Featur LASAGNA VEi And A Wide Vai An Americi 1 STEAKS CHIC Mond i SPAGHETT11 MEATE ?? Tossed Sale cca Garlic Brec ESAN _ ,r Coffee or T !95 L ___ 5-10 P.M. MON 734 HARDEN S mimumi iiiiimimn'umiijjjbi JR / ( \Ai/cn I LS I 1 H Iz airi St. II uth of % eycombs \ ,m- Ttt'D; >. j Two i m Fri 40^ , 9 9 f 9 9 8# mq 91 ^ wj s sponsored were: Todd Rundgren, the ie League and the Nitty Gritty Dirt Band, that charged a $1 or $2 admission were: ryell and the Eleventh House, Tim and Tom Chapin. it is most important about the transition Contemporary Sounds is that it has been sly successful. For the most part, USC ave supported the committee's concerts, 's CDA should benefit from the ConSounds Committee's experiences. The s that it is plagued by poor student turnout. neaps their abilities to sponsor concerts. it would make more sence for the CDA to ir concepts. It has worked at USC, so why :ceed at Clemson? Both the CDA and the udent body would benefit by the transition. OPERATED If FAMILY! ing "Genuine" Italian ? U. PARMESAN RAVIOLI trioKi ! ? B ** .oiy ui nzza <y spaghetti ? Plus ? I an Menu Of KEN SEAFOOD lay - Tuesday Special with (ALLS or MEAT SAUCE id - choice of dressing id ea $225 a I ? Served - 1 .-THUR. 5-1 i P.M. FRI. & SAT. I T^(Ftw^JPolnta2^PM^^99-775^J Mapyfa#</~\ ft TlSEW I I fjfoeAeAACJZ/ iif" UeAeiouii Locations to serve you 10 Rosewood Drive venue-West Columbio Tenant Kedrova is Madame Gaderian, the the si only tenant besides Trelkowsky earlie who fpplc tnrmontaH K?? 1 - ??...v??wu *JJ UlC UClgU' uieiu bors. discoi The apartment building set, Svc which cost $400,000, contributes photc much to the aura of strangeness Ingm that surrounds the film. The stum building surrounds a cobblestone Tenai courtyard, allowing the tenants to brood view each other from opposite "Tl windows. The interior is dominated culmi by a huge oval staircase that winds studi< its way through the gloomy most corridors of locked doors and "Ref darkened doorways. Baby Polar THE MUSIC by Philippe Sarde is woulc reminiscent of the late Christopher terroi Komeda's scores that heightened He SPECIAL PU White Painter PANTS irrs. < ARMY-NAVY 1316 ASSEMBLY ST. F 1 ? I mm wvdi F P^KATI "BUTCH CASSIDY AND THE! A o* Mr.- Pj V .4<' *' * i ? Ma" STRCTHF.R MARTIN JFFF COREY HENRY JOf ':. C-*'N n? ^ n ? ,, k. M^s< . Teste i'r * * .ft; c, B. ??' RA,>?A*?a;.M A * ' .C'ti .'? .?? HCJ' 0o?T 1 ^opt fceec fa*^ I PG <00 * * NOW show,ncmF^ COIUMBU'i SS FHfTH I * 4? r^mlA ? t/ ? 14IA AVifiMftl V ST * ispense of many of Polaroid's jr films. The score uses a die theme contrasted by rdant string passages. ;n Nykvist, known for >graphing virtually all of lar Bergman's films, has lingly lit and shot "The it", capturing all of the lincf ntmrtonhoro ? -??'VWl?..ViV. le Tenant" seems to be a ination of earlier Polanski >s in paranoia, combining the successful elements of >ulsion" and "Rosemary's While in production lski stated that "The Tenant" 1 be the difinitive study in r. could very well be right. i i in RCHASE I 5 STORE | t>one 252-1350 | BUTCH & THE KID IRE BACK I : for the fun of H! MIL NEWMAN ERT BEDFORD MARINE ROSS. SUNDANCE KID" MES ?.(. ' vt, ?-r\ v. \? .v i?- am -;?? v?". <ntva>. *> >? j'. j. o-' , M? I ! ^ SHOWS: MB; 2:35-5:05 HWj; 7:1 5-9:25 mr~~ MIUARTIftt ? Bel! Bottoms | > Boot Cuts # > Straight Legs > Blue Denim O > Corduroy # > Sizes 25-42 t