The gamecock. (Columbia, S.C.) 1908-2006, September 27, 1976, Page Page 11, Image 11
Cromer?
At that time, Contemporary Sc
to act as a professional promotin
big name concerts at the Cai
Township Auditorium.
MOST OF THESE pay concc
unsuccessful and sometimes di
the competition from outside pro
the lack of student support.
In the winter of 1973, Co
reevaluated their philosophy. \\
to serve? The public, the student
It was quickly decided that i
was thnir firct nrinrit?;
... wv ivi iwj , auu tilC
this goal was to schedule sm;
concerts. This, in turn, would le*
concerts that would be free or wc
SOME OF THE free conc
1 OWNED i
by 1
Slow Opei
Sunday
5-10 P .M.
I(Ic/iw5s|lo
ijHgawjp
NOW FEATURIN
EGGPLANT PARM
DINNER
$a
served with
spaghetti
Italian Salad
A W ! n o
? w WW ? V
I 0 French Bread
MAYFA
GRILL
HOME-CC
MEAI
nnn r a l_ t <
50UTR rv\
2 Blocks So
the U.S.C. Hon
OPEN
6:30 ab p
Mon.-Thnr?
| 6:30 a.m.-3 p.
Yom Page 10
tunds was attempting Sounds ha
g agency, sponsoring Pure Prair
'olina Coliseum and Concerts
I^arry Co
;rts were financially Weisberg,
isastrous because of But, whs
moters or because of made by (
tremendou
ntemporary Sounds students h
rho were they trvine Clemson
:s or themselves? " temporary
serving the students CDA claim
best way to achieve which han<
aller less expensive Certainlj
id to more numerous change the
?uldcost$l or $2. can't it su(
:erts Contemporary Clemson st
and MOW
THE CAPS
|? ? Featur
LASAGNA VEi
And A Wide Vai
An Americi
1 STEAKS CHIC
Mond
i
SPAGHETT11
MEATE
?? Tossed Sale
cca Garlic Brec
ESAN _ ,r
Coffee or T
!95 L ___
5-10 P.M. MON
734 HARDEN S
mimumi iiiiimimn'umiijjjbi
JR /
(
\Ai/cn I
LS I 1
H Iz
airi St. II
uth of %
eycombs \
,m- Ttt'D;
>. j Two i
m Fri 40^
, 9 9 f 9 9 8# mq 91 ^
wj
s sponsored were: Todd Rundgren, the
ie League and the Nitty Gritty Dirt Band,
that charged a $1 or $2 admission were:
ryell and the Eleventh House, Tim
and Tom Chapin.
it is most important about the transition
Contemporary Sounds is that it has been
sly successful. For the most part, USC
ave supported the committee's concerts,
's CDA should benefit from the ConSounds
Committee's experiences. The
s that it is plagued by poor student turnout.
neaps their abilities to sponsor concerts.
it would make more sence for the CDA to
ir concepts. It has worked at USC, so why
:ceed at Clemson? Both the CDA and the
udent body would benefit by the transition.
OPERATED
If FAMILY!
ing "Genuine" Italian ?
U. PARMESAN RAVIOLI
trioKi ! ? B **
.oiy ui nzza <y spaghetti
? Plus ? I
an Menu Of
KEN SEAFOOD
lay - Tuesday
Special
with
(ALLS or MEAT SAUCE
id - choice of dressing
id
ea $225
a I
? Served - 1
.-THUR. 5-1 i P.M. FRI. & SAT. I
T^(Ftw^JPolnta2^PM^^99-775^J
Mapyfa#</~\ ft
TlSEW I I
fjfoeAeAACJZ/ iif" UeAeiouii
Locations to serve you
10 Rosewood Drive
venue-West Columbio
Tenant
Kedrova is Madame Gaderian, the the si
only tenant besides Trelkowsky earlie
who fpplc tnrmontaH K?? 1 -
??...v??wu *JJ UlC UClgU' uieiu
bors. discoi
The apartment building set, Svc
which cost $400,000, contributes photc
much to the aura of strangeness Ingm
that surrounds the film. The stum
building surrounds a cobblestone Tenai
courtyard, allowing the tenants to brood
view each other from opposite "Tl
windows. The interior is dominated culmi
by a huge oval staircase that winds studi<
its way through the gloomy most
corridors of locked doors and "Ref
darkened doorways. Baby
Polar
THE MUSIC by Philippe Sarde is woulc
reminiscent of the late Christopher terroi
Komeda's scores that heightened He
SPECIAL PU
White Painter
PANTS irrs. <
ARMY-NAVY
1316 ASSEMBLY ST. F
1 ?
I
mm wvdi
F P^KATI
"BUTCH CASSIDY AND THE!
A o* Mr.- Pj V .4<' *' *
i ? Ma" STRCTHF.R MARTIN JFFF COREY HENRY JOf
':. C-*'N n? ^ n ? ,, k.
M^s< . Teste i'r * * .ft; c, B. ??' RA,>?A*?a;.M A *
' .C'ti .'? .?? HCJ' 0o?T 1 ^opt fceec fa*^
I PG <00
* *
NOW
show,ncmF^
COIUMBU'i SS
FHfTH
I *
4? r^mlA ?
t/ ?
14IA AVifiMftl V ST *
ispense of many of Polaroid's
jr films. The score uses a
die theme contrasted by
rdant string passages.
;n Nykvist, known for
>graphing virtually all of
lar Bergman's films, has
lingly lit and shot "The
it", capturing all of the
lincf ntmrtonhoro
? -??'VWl?..ViV.
le Tenant" seems to be a
ination of earlier Polanski
>s in paranoia, combining the
successful elements of
>ulsion" and "Rosemary's
While in production
lski stated that "The Tenant"
1 be the difinitive study in
r.
could very well be right.
i i in
RCHASE I
5
STORE |
t>one 252-1350 |
BUTCH &
THE KID
IRE BACK I
: for the fun of H!
MIL NEWMAN
ERT BEDFORD
MARINE ROSS.
SUNDANCE KID"
MES ?.(. ' vt, ?-r\ v. \?
.v i?- am -;?? v?".
<ntva>. *> >? j'. j. o-'
, M? I !
^ SHOWS:
MB; 2:35-5:05
HWj; 7:1 5-9:25
mr~~ MIUARTIftt
? Bel! Bottoms |
> Boot Cuts #
> Straight Legs
> Blue Denim O
> Corduroy #
> Sizes 25-42 t