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Barry Wl The Voic The Red The voice of the Clinton High Red Devils is Clinton Mills Industrial Engineer Barry Whitman. Whitman finds himself high above the action in the press box at all Red Devil games. He records a play by play broadcast of the games for airing on Saturday noon following each game over radio station WPCC. "I'm in my second year," says Whitman, "with the station." "I followed all the Red Devil games, and a couple years ago, Lenzy Randall and I approached Station Manager Dan Lynch about a play by play re-broadcast of the games. Dan was receptive and we went on the air last year, and we were successful." Whitman added, "I'd never had any experience announcing." We went over to Clemson for one game and stayed in the press box with Jim Phillips and some of the other announcers. That's all mm w m ? wr Because it makes sense. The idea of citizens and volunteer agencies united for a single, well-planned campaign is clearly the sensible way of supporting commuUW Camps Solicitors I The following employees have been selected as United Way campaign solicitors within their respective departments and shifts. Plant No. 1 Carding: T.R. Rice, C.A. Shepard, Everette Allman. Spinning and Spooling: Doris Johnson, Rufus Quinton, and Gladys Landers. Weaving and Slashing: Dorothy Grant, Sylvia Sanders, and Shirley Winfrie. Cloth: Corrie Satterwhite. Plant No. 2 Cardinc: Rav Roach. Mil ford Wright, and Ray Gossett. Spinning and Spooling: Edna Osborne, Joyce McWaters, Lillie Webb, Wayne Steele, Sylvia Ivester, Selma hitman: :e Of Deviis the formal training - except what Dan has taught me that I've had." "The Red Devils have a large following and I wanted someway to keep close contact with the Dlavers. The radio broadcasts have done just that." Whitman confines his announcing to sports. In addition, to the taping the games, he also has a weekly coaches report which is played twelve times on Wednesday, Thursday and Friday. Barry is a 1961 graduate of Clinton High where he played offensive end and defensive safety on the 1960 Red Devil squad. "I don't have any particular format," says Whitman, "but I try to keep the listeners aware of the location of the football and the score at all times. Otherwise, the Drogram is strictly a play by play account of the activities during the game. ] iy The nity programs. ' It saves money. Campaign costs are kept to a minimum. More of every dollar raised 1 in the United Way of Greater i Clinton stays right here in i iign Named Ballew, and Deborah ] Howell. ] Weaving and Slashing: Evelyn Simmons, Dixie Bishop, Grace Wooten, Newell ' Brewington. Also, J.W. Walton, Ruth 1 Bragg, and Medford Babb. And, Frank Alexander, Thomas Harris, Fred McCarson, and Joe Spillers. Cloth: Martha PTather Shop: Ira Chandler < Warehouse: Johnnie Wes- ( ley Outside: Harold Hampton > Lydia Plant ' . tu..??n valuing, i iiui iiiuii rvay Shealy, William M. Boozer, ( and Fred Smith. Spinning and Spooling: Louvonia Simpson, Johnnie Byrd, and Jessie Smith. Weaving and Slashing: M j^H ^ JFT j^k Wr . JM BARRY WHITMAN i Uniti the area. It saves time and effort. Just think what would happen if every agency Included in our local budget ran its own campaign. There United Wtey Fred Cunningham, Katherine Hampton, Ralph Blackwell. Also, James Smith, Luther Rhodes and Harry Franklin. And Shirley Copeland, Ken \rmstrong, Lucy Wilkie Cloth: Eloise McElveen. Shop: Homer Fuller Warehouse: Walt Moore Bailey Plant Carding: Jimmy Jacks, Charles Roberts, and James Cunningham. Spinning and Preparation: Sara Estes, Bobbie Scurry, Margaret Gault. Weaving and Slashing: Clara Kuykendall, Caroll Phillips, and Jerry Carter. Cloth: Lois West Shop, Supply and Warehouse: Preston Culbertson and Bobby Rice. ?8& . : m ' "... - .. ifr *; j kkl^. < -, \ '$3& P$*^BSiA h|$v .-: .' :'-4 ^ jj, ^ 4j| WHk M If^' tH 1^ <JB id would be someone asking at your door every week for a contribution. It is fair - for all segments of our community. The United Way Budget Commit tee's job is to relate needs to available dollars. They carefully study every request for funds by the separate agencies so that funds are made available on the basis of greatest community need, rather than on the basis of publicity and promotion. These programs are generated by the time, work and skill of dedicated men and women. The local United Way is the system through which these voluntary efforts operate. WHY IS THE GOAL SOMETIMES INCREASED? We are living in a fast growing area and a rapidly changing economy. Costs increase rapidly. The increased cost of living which you feel affects agencies in the same way. The goal must be increased to take care of these increases and changes. As population grows, the number of problems associated with growth increases. Health and family problems increase. Youth agencies have more and more to serve. Medical costs continue to increase. I i y? ? The shrinking dollar also adds to agency costs. Costs of living which you feel affects agencies in the same way as the individual. I DO NOT GET ANYTHING, SO WHY SHOULD I GIVE? A better community benefits everyone - less juvenile delinnnpnrv mnro mnno.> , ~J , ...v. Vspent on prevention rather than correction and punishment, and medical research for better health. Maybe you have never needed the services of the Crippled Children's Society or a unit of blood from the Red Cross in case of a disaster, but these services are available and are here when you do need them. 1 DO NOT LIVE IN THE CLINTON AREA, SO WHY cum ii n i ruip ta -mn UI>\/UUL/ 1 UITEj IV/ inc. UNITED WAY HERE? Wherever you live, United Way agencies are working in your neighborhood. Your children or ycur neighbor's children are members of the Scouts or other young people's organizations; the Red Cross is teaching first aid, the Crippled Children's Society is helping a needy child. Giving the United Way makes it possible for persons less fortunate than you to get much of the help they require and deserve.