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CONCERT REVIEW • \ Incubus delivers in Atlanta INCUBUS The Gwinnett Center Atlanta, Ga. Oct. 2 ★★★★ out of ☆☆☆☆☆ By chas McCarthy THE GAMECOCK After losing a bass player of Dirk Lance’s caliber and cutting a new album that drew mixed reviews from fans, I wondered if Incubus was still capable of the type of live performance they delivered at Fallout in Columbia a few years back. An evening on the northwest side of Atlanta left me with no doubt that they are still a powerful live act and a formidable force in rock ‘n’ roll. When Brandon Boyd and company strolled onto the dimly lit stage at the Gwinnett Center, they did so with the theme chant from Halo backing them up. It was good to know the guys still had a collective sense of humor in the last leg of a long tour. But when guitarist Mike Einziger launched into “Pistola,” the time for jokes had passed. As an opener, this song carried a lot of energy, and the crowd definitely felt it. Boyd belted out the chorus, “My Pen is a Pistola,” with fury that was matched only by the thousands of fists being pumped in the air. Especially satisfying were selections from “Morning View” and “S.C.I.E.N.C.E.” that followed. “Nice to Know You” and “Idiot Box” were performed with a power and precision that set the harder tone the band would sustain all night long. As to what happened in between, Incubus mixed up their set list so much that the audience got to hear songs from each of their albums, including a very funky “Azwethinkweiz” from “Fungus Among Us” and a rendition of “Drive” that saw Einziger on keyboard. Personal highlights were Jose PasiUas’ uncanny ability to create tension with his drumming on “Just a Phase” and Einziger’s guitar work on “Nowhere Fast.” As expected, a considerable amount of material from “A Crow Left of the Murder” was played, including “Priceless,” “Sick Sad Litde World,” a blistering version of “Made for TV Movie” and a “Megalomaniac” that made the building shake. “Maniac” was supposed to close out the concert, but the crowd was persistent and cheered the band back on stage. It was a good thing, too, because the encore ended the night on an even higher note. Boyd came on stage alone, picked up a guitar and proceeded to play a captivating version of “Pantomime,” a song that remains to be recorded and was written, it seems, for this tour. The other band members joined him halfway through and built the song to a melodic climax before jumping right into a solid “Southern Girl.” The pinnacle of the show for me, though, was a thundering performance of “Under My Umbrella” to officially end an already awesome night of music. Comments on this story ? E-mail gamecockfeatures@gwm.sc. edu ■ SHARK TALE Continued from page 9 somewhat confusing plot. The audience feels no connection to any character because of the complicated and numerous plot lines. “Shark Tale” doesn’t have the wit of “Shrek" nor the heart of “Finding Nemo,” but it’s sufficient in what it attempts to be: a simple, animated film with a few good laughs. Comments on this story? E-mail gamecockfeatures@gwm.sc.edu F;;:: WUSC DESK There are many misconceptions about folk music. Folk is not simply a bunch of straight-laced Peter, Paul and Mary’s making oatmeal-flavored acoustic music. Folk is more than just a Minnesotan with a harmonica decrying political injustice. Folk is not just limited to a guitar and a stool. Brooklyn’s Jukeboxer is a project that rockets folk off into new and exciting directions. “In the Food Chain” is a masterful album that establishes an earthy, pastoral feeling by combining the traditional idea of vocals/guitars with electronic experimentation. Mastermind Noah Wall pastiches “found sounds” of the ocean, crickets and other natural elements amongst plucked guitar, skittering electronic drum beats and unexpected instruments such as harpsichord and tablas. Jukeboxer’s debut is a glorious headphone listen that will leave you awash in sound, a harmonious pairing of natural and mechanical beauty that exemplifies a new conception of folk music. By Jordan Redmond WUSC MUSIC DIRECTOR tlM'.UT ** * Uncut ‘Those Who Were Hung Hang Here” (Paper Bag) For those not familiar with Toronto quartet Uncut, it’s helpful to compare and contrast their music through the black-tinted lenses of indie rock megastars, Interpol. Each band gives a somber take on ‘80s-influenced rock and then expands the boundaries of that formula. Whereas Interpol dons a gothic aesthetic, Uncut leans toward a more balanced world outlook. But that’s not to say Uncut is a gleaming ray of sunshine; indeed, their music effectively conveys a deep intimacy. Those familiar with Sofia Coppola’s film “Lost In Translation” should understand the cepain feeling of gut-wrenching desolation that Uncut radiates so well. As compared to Interpol’s Paul Banks and his permeating moan, Uncut’s Ian Worang has a more understated vocal style that is content to sit behind the guitars, a production choice that lends itself to warm atmospherics. Like Interpol, Uncut is not content to be another band bowing at the darkened shrine of Joy Division. Uncut’s versatile songwriting includes elements of smart modern rock like Idlewild, Snow Patrol and even a hint of The Strokes. Unlike Interpol, Uncut has yet to gain any real recognition in the United States. ■ TIDE Continued from page 9 their newly remodeled 1966 GMC bus. And that has allowed them to do what they love most. Jason Munning pointed out that Ten Mile Tide simply loves “playing for people who love our music.” The band has also received national publicity concerning their public support of file-sharing super-engine Kazaa. More than 10 million copies of the band’s songs have been downloaded by Kazaa users. According to Jason Munning “the response to our music has been phenomenal.” Kazaa has allowed the band win over fans as far away as Bangladesh. At the moment, Ten Mile Tide is pleased with their success. “We’ve smashed every goal we’ve set ... and now that the ball is rolling, opportunities are springing up everywhere,” Jason Munning said. For now, the band is intent on getting as many people out to see them live as possible. “Everybody can use a night of carefree, reckless abandon ... that’s what we do,” Jason Munning said, adding, “If you’re not careful, we’ll end up doing an acoustic jam at your house afterwards.” Ten Mile Tide will play at Minglewood, 800 Harden St., Thursday beginning at 9 p.m. Comments on this story ? E-mail gamecockfeattires@gwm.se. edu ■ PRODIGY Continued from page 9 Michael Jackson’s “Thriller.” Howlett has openly acknowledged his dislike for the Beastie Boys, but yet falls short (very short) of producing the sampling and cohesion that makes the threesome one of the best hip-hop acts worldwide. However, one of the best features of the album is the contribution of Gallagher brothers, Liam and Noel, who provide vocals and bass for the track, “Shoot Down.” To keep your fans waiting seven years might not be the best strategy for retaining a zealous fen base. On the other hand, it is possible only the ardent fens are willing to await a comeback. The Prodigy began their tour in Greece on Friday. Comments on this story? E-mail gamecockfeatnreMpvm.se. edu ggbalt .— ^1 I !■■■! , mammm Oolhas so hoi lhay had lo coma if om» bait 1633 Main Street Downtown Columbia Sew SAety*uui I • i LACOSTE D&G 0C*a.O«MNA OR HIM DIVISION r. $ Religious Directory Your guide to places of worship in Columbia i..... ..■-.... Ebenezer LUTHERAN on the comer of Richland and Sumter WiCCl dejeft Simply put, no. God made sure of this 2,000 years ago with the j gift of Jesus. Here's the bonus: Believing in God makes of big difference not only in the next life but in this one as well. Come and see. We offer traditional and contemporary 11:00am services. For more Info call 765-9430 or visit our website at ebenezerlutheran.org | fc o 11 e g<? itv i n i $ tr y of 9BB j|| irst baptist church m of Columbia ' fH join us Sundays worship @ 10:30 FREE lunch @ 11:45 WIDEopen @ 12:15 six blocks from USC at the comer of Hampton and Sumter streets 256.4251 • fbccola.com/college.htm wideopen@fbccola.com To advertise on this page call 777-5064 From all of us at Palmetto Health Children’s Hospital Thank You Dance Marathon for your outstanding 2004 fundraising efforts! Best of luck as you kick off your 2005 event! Want to get involved with Dance Marathon? Attend one of the informational meetings on Oct. 19 and Oct. 20, 8pm at the Blatt P.E. Center For more information, visit www.sa.sc.edu/dancemarathon USC Dance Marathon is a nationally recognized Children’s Miracle Network event, raising funds locally for Palmetto Health Children’s Hospital. Since its start 6 years ago, Dance Marathon has raised over $280,000 for Children’s Hospital. A Children's palmettoThealth Miracle mi Network I foundation