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Mississippi Allstars, Mathus display blues roots BY WILLIAM MILLS THE GAMECOCK 1 Down in Mississippi, where the blues run deep, is where you’ll find the roots of the North Mississippi Allstars and James Mathus and His Knockdown Society. Both groups got their start in the land where country, gospel, blues, soul, rockabilly and rock ‘n’ roll were all raised together and released into the world. Similar styles and musical tastes, as well as a love for Mississippi music, have brought these bluesy pioneers together again for a cluster of concerts in North and South Carolina. They’re two of the most popular rock-blues groups around, and they’re breathing life back into Mississippi. The North Mississippi Allstars have an alt-blues style that has infiltrated the mainstream. Its self-produced first album, Shake Hands With Shorty, was nominated for a Grammy for Best Contemporary Blues Recording. This release also featured James Mathus as a backup performer. The North Mississippi Allstars couldn’t have chosen a better name. Frontman Luther Dickinson and his brother, 4 drummer Cody Dickinson, were destined to be musicians. And where is a better place than Mississippi to be raised into music? Even their father, Jim Dickinson, was in music. Jim was a famous producer who worked with such blues greats as Ry Cooder and Jim Keltner. Though the boys experimented with different sounds and genres, they somehow made it back to their father’s musical tastes. As young adults in the ‘80s, they spent a short time in a punk band called DDT. Though the Dickinson brothers abandoned punk rock, they retained some of the distortion characteristic of their earlier sound. Their second release, Phantom 51, seems to embody this rougher rocky image as well as traditional blues, gospel and other Mississippi musical styles. The gospel influence can no doubt be attributed to Chris Chew, bassist and long-time friend of the Dickinsons. Chris got much of his musical influence from the Southern Baptist Church, and he would often drive all night after a gig to attend church the next morning. Joining the Allstars in their urban assault is the swamp Radiohead Lead singer’s voice shows more soul CONTINUED FROM PAGE 5 its own recorded masterpieces. This is evident on the Kid A derived “Morning Bell,” a song that’s much more emotional live than in its studio version. Another feat is the band’s ability to convert electronic music into playable live music. One listen to “Idioteque,” and the listener might mistake it for the studio version from Kid A. The song allows the drummer, Phil Selway, to exhibit his potential, , something the electronic recorded version fails to do. The live release ends with Yorke playing an acoustic guitar on the previously unreleased “True Love Waits.” The song is a surprising departure from the band’s current sound and seems to be more of a retreat to the more guitar-based days of The Bends. The song sounds similar to “Green Plastic Trees,” but this time, Yorke is more mature, showing a heightened sense of soul through his vocals. Every loyal fan should own this live release, a testament to Radiohead’s complexity. Those unfamiliar with Radiohead should listen to hear the band’s ability. Freshman Students say they have too little time CONTINUED FROM PAGE 6 all kinds of different groups you can hang out with. It’s also a little bit more time-consuming. You have to do more work in college. It’s more rigid than high school.” What are your plans for next se mester andfor the future? “To continue being a DJ at the radio station, hopefully at a better time slot, and I’m taking some fun classes, like Geography of Popular Music. I hopefully will start play ing gigs with my band, Little Pools of Brightness. I still plan on study ing abroad my junior year in Scotland. My plans for the future haven’t changed yet, but they might. I’m exploring. I’ve decided to minor in media arts. That’s changed because I didn’t know what to minor in before.” CHELSEA HAMMOND Did you fulfill your expectations for this semester? “No, I wish I would have done better in my classes. But, college life is what I thought it would be. It’s not much different than high school. I think that if I wasn’t prac ticing all of the time I would be do ing better in my classes." How have you dealt with some of the concerns you expressed at the beginning of the semester? “Well, as far balancing track, my social life and school, I didn’t do too well in the beginning, but I’ve got the hang of it now. I’m still late for class es ... It’s just the fact that I have to get up and go to an 8 o’clock class.” What have you learned about college? Were there any surprises? “You just have to balance your time. The movies, they overexag gerate what college life is like. You’re not gonna have these wild, wild parties all of the time. I don’t think that’s true — people always getting drunk on the weekend. I re ally didn’t think that I would have such little time. The day’s too short to get everything done. I didn’t think that I would be up until 3 a.m. writ ing papers. I didn’.t do that at home.” What are your plans for next se mester andfor the future? ‘Tm still going to be running track next semester. Our season starts in January. I also hope my grades will improve because I learned how to handle my time. As far as the future goes, nothing’s really changed, but I think I’m going to change my major, to maybe advertising.” boogie style of Squirrel Nut Zippers frontman, James Mathus. He has taken time off from the Zippers’ big-band fame to pursue a group all his own, James Mathus and His Knockdown Society. For this side project’s latest album, National Antiseptic, Mathus enlisted the help of his friends the Dickinson brothers, from the North Mississippi Allstars. Mathus has spent the past few years as the frontman for one of the most popular ragtime bands around, alongside his wife, vocalist Katherine Whalen. The group, along with the talented Whalen, performed for a host of famous television shows, as well as for former President Bill Clinton. Despite the Zippers’ popularity, Mathus heard a call to return to the blues. So, along with his own release, he played rhythm guitar for blues legend Buddy Guy on his latest album, Sweet Tea. It’s no wonder the Zippers have been less active this year; Mathus has all but completely enveloped himself in the blues. But the latest material from James Mathus and His Knockdown Society is a welcome return to the Mississippi music of Mathus’ youth. fcii MtSssmsk..:sirrr. v , Mathus brings his swamp-boogie style to James Mathus and His Knockdown Society, photos special to the gamecock 2000 minutes for *30 Plus a Free Digital PCS Phone New From SunCom Welcome Home" America Plans AMPffiSH! 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