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Page 20 - April 10, 1985 E ntertainment THE GAMECOCK ^ MARION BULL I The Gamecock .1 I.I O aL I 1 _ ? I m.imh" Anrlt O manor jonn ourin ruau iiuim 1115 iiuvoi m mo uvou mjjmi <. as part of the USC Spring Writers Series. World famous photo; By Maria Baeng ()n a curr{ Director Franco Zeffirclli purses his lips is sponsored around a cigarette stub and gazes resolutely. Inc., inakei Actress Maryl Streep lies on the floor with Scavullo us< her midriff peeking out of a drab, cumplcd regional spt shirt. Duran Duran's five waifish members federation, pout prettily as the sullen "Wild Hoys." Visual Arts < World famous photographer Francesco grain Union Scavullo has captured all of these images Scavullo \ with his rich imagination and camera lens. York, in 19; Whether it's sculptor Louise Bourgeois or working for singer Apollonia, he seizes the moment and which alwa; preserves it on celluloid with a style all his beauty, hav< own. has been fi USC' will have the opportunity to see some Vogue, Han of his best works in an exhibit of black and jects includc white photographs of the American Ballet Lagerfeld, a Theater. The photographs will be hung in the host of olhe second floor lobby of the Russell House He has w April 12 ? May 10. Beauty" and In 1981, the photographer offered his ser- available at i vices for a souvenir program to benefit the to 8 p.m. Ap ballet company's funds. The company, bet- House, feati ter known as ABT, holds an impressive For more roster that includes director Mikhail Arts Commi Baryshnikov, principal dancers Cynthia Gregory and Fernando Bujones. Scavullo's THERE I portraits merited a month-long engagement ing face a at the Andrew Crispo Gallery in New York Tulane F'resi City. basketball f TV special on 'Mil By Associated Press NEW YORK ? "Miraculous Machines," the last of thi season's National Geographic specials, is a beautifull; photographed, uplifting account of the uses of tha thoroughly modern marvel, the computer chip. But the shov loses some perspective by standing too much in awe o mechanical science. A 25-year-old man with paralyzed legs takes awkward step as electrical pulses animate muscles in his calves and thighs. / computer produces cascading, stop-time images of a balle dancer. A robot arm prepares and serves dinner for a disablei man. The possibilities seem limitless. There is no denying that this show, to be aired at 8 tonigli on SCETV Channel 35, is good television. The show is briskl paced, and the seductive photography we expect from Na tional Geographic is almost irresistible. WHAT THE PROGRAM lacks is some critical examina tion of the limits of the new technology. The depiction of the paralyzed man walking, for example doesn't adequately convey to viewers the vast amount o icsearch that remains before such technology will help larg numbers ol disabled people. 'Literary Mozart' By Andy Duncan In John Barth's "The Sot-Weed Factor," one character 1 says, "Had I a home I'd likely leave it; a family alive or dead ; I'd likely scorn it, and wander a stranger in alien towns." Barth wandered into the alien town of Columbia April 2 and regaled an almost April Fools' Day audience in Belk Auditorium with a "biopsy" of a "novel in the oven" entitled "The Tidewater Tales: A Novel." Barth says the last two words of the title are important because "collections of stories do not merchandise well." Rurfh whnm DauiH Pnwnrl of ihp Fnolich Hpnarlmcnl in troduced as "the latter-day Cervantes, the literary Mozart," was the second speaker in the USC Spring Writers Series sponsored by the English department and the College of Humanities and Social Sciences. Barth once said, "The new art ridicules itself," and during trie past two aecaaes, ne nas prouuceu a series ol novels that parody themselves and every other aspect of literary and cultural life. In "Chimera," which won Barth a National Book Award, legendary heroes Perseus and Bellerophon are depicted as nvpr-thp-hill warrinrc with fan m:iil mncictino rhinflv nf n\i r?c _ " * V>..VIV W. tionnaires from dissertation writers. "The Sot-Weed Factor," maybe Barth's most famous book, debunks American colonial history by making Capt. John Smith a foul-minded lecher who teaches sodomy to the Indians. (In early America, a sot-weed factor was a tobacco *?rpK'int \ vi vitaiii./ In thccxccrpt from "The Tidewater Talcs" that Barth read, one chapter title goes on for several pages, while the chapter itself contains nothing. Later Barth includes a woman giving birth to T-shirts, bumper stickers, a note in a bottle, a whole new nan game, a ncipim naiian miuwne, wuysscus asieep 011 the beach at Ithaca, half a peck of Chesapeake Bay oysters, some boat people, Arthur Cordon Pym, herself and the very book Barth was reading from. In an interview after the reading, Barth was asked where the parody stops and the actual work begins. Was his very lecture a parody of itself? jrapher captures rich i :nt tour of the South, the exhibit athletic programs based on t nationally by Victor Masselblad, that have been uncovered. A f< rs of the camera equipment the University of San Franc ed for the photographs. The basketball when charges of il >nsors are the Southern Arts were uncovered. It is brought to USC by the Committee of the Carolina Pro- Even at USC, players attend ference before the year starts t< vas born in Statcn Island, New what can and cannot be done w! 19 and began his career in 1948 The pressure is on. Athlete; Vogue. Since then, his works, Not only on the licit! but in tl ys connote wealth, fame and More and more college adinini : given him celebrity status. He that academics come first and ; matured in such magazines as second. At USC", there is a ma >er's Ba/.aar, and Time. His sub- underway to magnify that. Brooke Shields, designer Karl ctress Sigourney Weaver, and a Today is the signing date fo r famous faces. basketball recruits to ink their r it ten two books: "Scavullo on lege letters-of-intent. High s< i OKivunu ^ iVitu. nuui win ijk, nave nit jJivroui v; vji inuuiii^, i? ihe public reception from 6 p.m. college coaches sell their u >ril 12 in Room 203 of the Russell basketball program. It's hard t iring an appearance by Scavullo. list of 1(H) schools that want information, call CPU's Visual basketball for them for the ne it tee at 777-7130. Remember the pressure you IAS BKKN evidence of a chang- had to choose what school you imong college administrators. tend? College athletes live 1 ident Eamon Kelly wants to drop everyday. It's time for all of u rom its slate of intercollegiate more understanding. raculous Machines' U Indeed, the scientist who developed that particular s technology ? Dr. L. Byron Marsolais of the Cleveland / Veterans Medical Center ? is one of 19 scientists who recently t signed a statement critical of "misimprcssions and misleading u ctulpmptilc ihnl in t li?? l:iv nr<*<;<. rpicirrlino I h?* f state of the art in the application of electrical stimulation to move paralyzed limbs." s At this stage of research, say the researchers, it is not clear V whether electrical stimulation of muscles will be anything i more than a laboratory curiosity. The impression created by d "Miraculous Machines" is much more optimistic. Till.- ourkrio A M nnonc i?ilh /-Vtilriron alton/linn , i nv/\iRniTi ?1111 .ivviiv.1 v;i vnuuivii uiivuuin^ it computer camps, and the narration asserts that studying comy puter programming can help train the mind. i- It's an assertion that echoes what generations of students have been told about the study of Latin, and it might be true. But it is certainly open to debate, and we gel no opposing view i- here. We (hen sec children playing video games, and arc told that such games encourage familiarity with digital technology, if Again, a debatable claim, yet it is stated flatly, without .1 hint e of disagreement. A sequence showing space shuttle astronauts performing the visits Columbia "It scarcely matters how many lenses and refractions the thing goes through," he said. "My stories are always about storytelling, but I hope they're not only about storytelling." Barth said his definition of a successful novel is "one that loses so little of its publishers' money that they're willing to publish the next one." He said that a new generation of writers is in a better position than those of his generation because "we were cutting our teeth on Kafka, Joyce, Pound, Eliot, and those are hard acts ^ to follow." Barth labeled his own work pari oi a paie anergiow ui those giants, and added that if one generation produces two writers stiil read 90 years later, it's a tremendous achievement. "The good stuff sorts itself out and survives, and the crap sinks." Barth began his approximately 50-minute reading by acknowledging the divine providence that divides all important events into neat 50-minute segments. He also mentioned the dead CIA agent who keeps surfacing, unbidden, in his writing "like a lump of undigested politics," and he admitted that he keeps including long lists in v his novels even though lists are dangerous. "Like when the Kama Sutra lists 38 ways to make love," he said. "You expect a hand to go up in the back saying, 'You forgot one.'" When, during the reading, he mentioned that his protagonist's wife expected twins, he looked up from his page to note, I m a twin myselt. An opposite sex twin, which is 1101 to say the opposite sex from what I am." Once Barth wrote, "A way to conic to terms with the discrepancy between art and the Real Thing is to affirm the artificial element in art (you can't get rid of it anyhow), and * make the artifice part of your point." The remaining authors in the series include Peter Taylor tomorrow, l ee Smith Tuesday, April 16, and John Hollander, I Inirsday, April 25. All lectures begin at 8 p.m. in Bclk Auditorium, and admission is free. magination, style v|l j^fl ^^H^HHflRragH^^IBSS hBH xJSijiwmm r> : j VA^^V u^lassmom^ siraiors agree 'vflBF JH~, >r higli school ' : on ;hool players i ' o hundreds of B' ^ ; '" ~ '',v ''*' _ ' ;' _' _/ j' ^ ,. _ ; "" . Diversity and ^^M5ESS$B^S?SmSiW?&tfwS|^$SSS'j o pick from a you to play :S -v: j xl lour years. l j felt when you U ^ ; . _ ' ; warned to at- ' tvith pressure Francesco Scavullo. world famous photographer, s to be a little will be on campus April 12 to discuss his photography and books. iQpinatinn hut flamioil ? W %M ?* JJ i ! IM WW VU difficult maneuvers necessary to recapture an errant satellite fails to note that the triumphant recovery of the satellite was made necessary only by the failure of a previous shuttle mission to deploy it properly. THK MOST captivating segment of the show is one dealing with computer-generated art, an area in which questions of the limits of technology become less important. The show ventures into basic scientific research with a look *> at efforts to build machines that walk. Researchers were shown experimenting with a one-legged "hopper" that bounced around the laboratory like an unstoppable pogo stick. The limits of technology are, for a moment, clearly evident. It has taken much research to produce a machine that is able to execute a nrimitive form ot walkinv A newer fr?nr-lrou<?rl hopper is seen failing repeatedly as the researchers struggle to fine-tune it so that it can take some 50 "steps" before its legs lock. To the program's credit, "Miraculous Machines" docs humble the most sophisticated computers by comparing them to the human brain. I lie complexity ot the human brain, (he program notes, 9 could be rivaled only by all the computers in the world connected by all the world's telephone wires.