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I'atfo 10 ? February 11, 15)8.r> E ntertainment THE GAMECOCK USC Theatre to pi recreation of Broai By Sherri Maksin maverick mov I In- lilt IliMiiilw :t v nl:i v "f <tmi> lt:ii-L If i I In- li nl<> " VI A I iveand Dime, Jimmv Dean, Jimmy Dean" also directed opens at Drayton Mall tomorrow. original Broa Diiected by US( theater prolessoi Kussell Karen Black a (ireene, "Jiimm Dean" is the stoiy <>l Cireene has several liiends who formed a lames Dean DSC, includir Ian chili when the young movie star was at denly I ast Su the peak ol his caieet. twenty years later. tort is touch they reunite to discuss what has happened in "talented gioi their lives since then. To Cireene, the iclationsh In PJ55. in the small, dusty town ol Me they put on fr C artln, Ie\as, James Dean was the idol ol I he cast ol inese iramic young women; one claims that Mona, I'eggy when she was on (he set ol "Ciianl" as an ex- Bo/ard as Sis^ n a. Dean got liei pregnant. The prod in. I he play takes place in hoth and l ive anil Dime 1^75, compaiing and contrasting the runs through I Jiaiacters dining a 20-yeai period. students and On the evening ol the reunion, a strange through I hur woman enters the play seeking revenge. performances, The Broadway production ol "Jimmy for students a Dean" was directed by Robert Altman, the I or ticket ii 'Sister Marv lai m By Robert O'Connor I S( student director Reid Davis deserves a standing ov ;ii ion. I'lavwiight ( hiistophcr Durang's " I he Actor's Nigluinaie" and the licavih debated "Sisiei Mary Ignatius I \plauis It All I 01 Von," both directed In Davis, are sue cesslullv being presented at Workshop Theatre through I cb. 17. Davis' icmarkahlv well rounded presentation began with " I he Actoi's Nightmare," stalling John I inerson as the accountant vv ho unw itnnglv becomes the hilar ions star ol a pl:i\. \s (icorge Spelvin. I inerson breathes realistic comcdv into an exticinek intelligent play. \Vend> WolIT, Debra leopard, Rubin Roberts and Karen kav Harmon co star as the actors who stand In as Spelvin mocks Ins way through several paiodics ol famous monologues. I lie crowd had a ver\ positive IL.H.1IOI1 III I ill IICI IIOM'I VVOIKSMOp lillC. IA1I.USOV IS ^uperioi as Spelvm. Mis acinic presenls a subtle arul iefreshiii.L? effect. Also exccllcni were the suppor Invasion of Foreii By Robert O'Connor foreign Bodies invaded 'The Heal' Saturday night, and what an invasion ii was. The Durham-based new wave band performed to a small bin interested Heal crowd, foreign Bodies ran high on exciting music and low on pretension, leaving most of their stage antics behind in favor of talent. (Although surgical gloves turned balloons were a staple part of the concert). Members of Foreign Bodies take a break Saturday night. Pic Munger and Ian Oavis. I ' i' i ' rnp?pp crcdils ^-JM:' SMI" and "Nashville." He ^ ilur 1 dway cast, including (.'her, mHHw nd Sandy Dennis. jfflgJBgls directed more than 50 plays at and "Slid- aK/> lie s;iys his f jM&B&l ~*"g HHHHE \ ip" of performers. , ' . \* ; \ feyMf the drama's primary focus is r' , ] . ST, onts with one another. _ - , ,-v ^ -includes Sherry licasley as Jnanita and l.cslee t -. lion ol "Come Hack to the Jimmy Dean" 17. l icket prices are $2 lor S4 lor the public Tuesday [ ~ j sday and Sunday. Weekend excluding Sunday, are $2.50 nd S4.50 lor die public. "Come Back to the Five and 1 format ion, call 777-2551. 12 17. Starring are Sherry Ha latius' marks dir lin}! cast. Wend\ Wold's Sarah is wonderful, blending melodrama and coined} to lorm an unforgettable character. Debra I eopard is also very good as Dame I lien Terry. " I be Actor's Nightmare" is a play thai stretches the imagination to very cntcitaining lengths. Msicr Mary Ignatius, vvmcn premiered in ivhi onHroadway, has not ceased in causing a controversial slir. It has been called blasphemous and in direct conflict \si111 the Catholic iciigion. However, llns Roman Catholic critic was not once oltended through Davis* thought provoking play. Wend> Wolff's Sister Mary is a direct, though comical adaptation ol a real nun. Unbelievably, realism was the strongest force guiding the play . Sister Mary opens the plav at the fictional Our I adv ol Perpetual Sorrows parochial school, explaining to the audience how the world is supposed to revolve. Sister Mary is consumed with hei own sell importance and power, therefore, she seems comical and threatening at the same time. four lormer students return to enforce how the nun's stuct jn Bodies' music s lead singer Sonar Strange, who was pleased \suli the crowd's si/e and its response, led her four-man hand into a lengthy two-hour set that exposed their growing and mature talent. STRANG!*:, WHO is obviously influenced by the moanings of X's fcxene Cervcnka, was joined on stage by drummer Ian Davis, guitarist Peter Stapleton and bassist Dan Munger. ELLIOT COHEN I The Gamecoct tured left to right are Pete Stapleton, Sonar Strange, Dan Dime, Jimmy Dean, Jimmmy Dean" will be presented Feb. m, Leslee 3ozard and Peggy Beasley. Rcforial triumnh teachings have ruined their lives, and the result is stimulating. 4 JOHN FMKHSON. as Aloysius lienhcim, returns an alcoholic, just as the characters of Kohin Roberts and Karen Kav Harmon return with personal tragedies of their own. Roberts is a homosexual, Harmon has an illegitamate child and the compelling Debra I eopard has nad two abortions prior to the meeting. I eopard's character ol Diane blames Sister Mary for all of the misfortune in her life and has returned to avenge her anger. Sister Mary is naturally disgusted, ;tiul the plav switches from the lecture to a powerful conflict between the two groups. A Wolff is brilliant. Debra I eopard rises above her other costars to make her character a veiv svmpathciic one. Davis' direction is well structured. " I he Actor's Nightmare" and "Sistei \1ai> Ignatius" ate running through I eb. 17. succeeds at Beat Songs such as "Ride Sallv Ride" and the wonderful "I \il I i\e" dominated the show, which was almost all original material. Saturday night marked the debut of l-'orcign Bodies in Columbia, which might explain tlie ample but small crowd. Regardless of the meager turnout, dancing and applause were definitely in order. Davis' drum work was the powerful motive behind the band's music, through such original foreign Bodies compositions as "l ocal Dive," "Urban Hunter" and "Unattainable Things." Best received was the drug-induced Jefferson Airplane tune "White Rabbit," which enthralled the audience. Strange is obviously also patterning her vocalization after Cirace Slick "White Rabbit" pulled the band together and was easih their nest per turmoil song ot the evening. ?i} However, other songs were almost ;;s compelling as "White Rabbit" with such provocative titles as "Dirty I houghts" and "Motherly l ove." f oreign Bodies and The Beat made a enjoyable pair Saturday night. to ritivriht w iti, it... r u i', i u... initiation, area director Hob Landau presented his film, "Cosmic Croquet Presents: Henry's Hawiian Open." The film seemed to puzzle many of Saturday night's Beat patrons because of its content and storyline. The main plot of Landau's film concerned a group of Chapel Hill hippies who have ^ matured into financially secure yuppies. Yearly, the group of friends gather together for a croquet tournament that is aided by the use of libations. The film deserved a quieter screening and more respect, but the film was hard to follow and become involved with on Saturday night. Landau's work is extremely intriguing and well produced, but much of the necessary effect was lost. During a break in the f oreign Bodies set, a collection of rare footage and music videos from the Ralph Records company. Since these were accompanied by music, the effect was much easier to follow. The videos were bizarre and not likely to show up on the continually bland MTV anytime soon. |i Saturday night's events at The Beat were interesting and ^ well worth attending. The pairing of Foreign Bodies with the Landau film and video collection was pure entertainment.