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CUVCATCDC Iffi Vllllll V ~ MBU UVVkni kl?U v 'pTE^q JACKETS FLANNEL SHIRTS ||] Bibs $24.95 Reg. *45"" jfi der 1 ... M 9 95j $18.00 | ies The Finest H shirts 100% Cotton I itifui Button Down I "s Oxford Shirts 1 95 MQQR 1 deas for Your"Fami]7"M BA MINORITY WORK! GET AN INSIDE VIEW ear, the Fuqua School of Busines; hosts a two day MBA Workshop fo he program provides an overview c nt education and career opportunity the issues facing minority candidal < at the Fuqua School. Participat nly and all expenses, except travel, i vould like a chance to learn about a i ram and some help in making an insider the MBA work<ihon. In r>rdpr :ation, simply return the attached c JANUARY 30 - FEBRUARY Pepper. CMtiMMd from p*fl? 25 mayhem machine. The vocals were handled by Davis and former Bangle Annette Zilinkas. Drummer Hermann Senac kept the horse going. Some of the highpoints of their set were "Single Girl,*' "Landlord" and "Freight Train," which had the audience moving. During the set change, WUSC-FM spon sorca a emu pepper eating contest with first, second and third place finishers receiving album packages. From the second the Peppers hit the deck, there was non-stop motion. They opened with the autobiographical "Out in L.A." Before long it seemed as if bassist Flea and singer Anthony Kiedis were locked in a heated contest to see who could stir the crowd to the most enthusiasm. KIEDIS WAS rapping hard and fast while Flea heat nn his axe. leanpri out wilHIv anH proceeded to beat up his instrument some more. With all the frenetic activity onstage, one Britain's 'Franl _ _ * _ i - interest tnroug by Ron Sheridan Instant success is hard to come by in the music industry, but in Great Britain, the hottest act since Elvis or The Beatles is exactly that ? a tremendous instant success. A poster advertising a Frank Sinatra tour is the origin of the name of Britain's most con _ ; _ i i_ j. r* .i-?_ uuvcimsi uanu: rraiiKic uocs 10 Hollywood. In America, Frankic Goes To Hollywood made their debut with a single entitled "Relax," which is bluntly about the joys of ejaculation. This type of outrageousness Frankie is famous for. i ^ ~ i 1 in vjicdi Diuaui, inc sung was uamicu because of shocking revelations of BBC Radio One. During his morning program, disc jockey Michael Read declared the record and its cover obscene. "The record isn't being banned. It just isn't being played, said a Radio One spokesman. So be it. Rut that HiH nnt nrm/^nt ITvan 1/-1o frr\m Kit JWUl 11IUI U1U MV71 pj VTV1U X ICtlirVAV 11 V/lll I1IL ting the top of the pops. As a matter of fact, "Relax" is the biggest single of this year and the tenth by American standards. It's conceptual to a point, most consisting of sex (gay sex, that is), propaganda, nuclear war and the corruption of the young. All is set to dramatic operatic intros and a thriving disco beat. And for the decadent, the gatefold jacket opens to a Picasso-style drawing of Noah's animals entering a huge nhollnc ^ \iAiir pViiMron ' e nt/nr piiauuo. V'W vi jrv/ut viuiui vn 3 The American magazine Interview, published by Andy Warhol, suggests "Their success is due to more than cleverly provocative marketing." That may be so, but the album doesn't deliver. Side four of the set completely diminshes any of the quality set up on the other three sides. Songs like "Krisco Kisses" (the allusion is obvious), "Black Night White Light," "The Only Star in Heaven," and "The Power of Love," are all Door comnositions. The lvrics are weak and the vocals even weaker. FRANK IE SA Y: MAKE IT AGAIN! The strength of this album relies on Frankie Goes To Hollywood's ability to do justice to SHOP: Office of Adm The Fuqua Sch Duke Universi i of Duke Durham, Nortl r Minority . '919,684-587 ?f graduate ?s, a guide PLEASE SI es, and an TO THE M ion is by ,re Paid bY NAME . STREET inutility informed city to receive oupon. ph?ne _J? 1. 1985 ^ ' - - - - | ^ i tn might expect a few mistakes. This was not the case. The wilder the group got, the more technically flawless they got. What poured forth from the P.A. was some of the most immaculate power funk imaginable. They rifled through nearly all the songs on tneir aiDum, plus tnree as yet unreieasea tracks. Cliff Martinez, a Beefheart alumnus, kept the rhythm going while Flea and guitarist Jack Sherman traded licks. ON "GET UP AND JUMP," the audience went berserk, bouncing around as if they were one entity and not separate individuals. The bass was thumping constantly as the mass moved. For their last encore, Flea and Kiedis appeared wearing only strategically piacea tune socks. The Red Hot Chili Peppers are consummate showmen. Each member of the band fits the context perfectly. They are like pieces of a puzzle interlocked in importance to the sound, and the sound is pure fun. If you were mere, you undouDtably nad a iantastic time. lie' arouses h controversy classic songs. There's a cover version of Bruce Springsteen's "Born to Run," which captures the intensity and power of the original. Unfortunately, for the sake of decadence some of the lyrics have been altered to include rudely sexual connotations. "War," a b-side to the original "Two Tribes" single is an excellent remake. But they chose to kill it on this album. It's been reduced to a monotonous beat. For shame. There is even a remake of Dionne Warwick's "San Jose." And, it's been left intact, and that is another disappointment. One original composition does capture the raw energy of "Two Tribes," and that's the title track. There's almost a live feel to the song and it's enough to cause some toes to tap. The problem facing Frankie right now is shaking their controversial image so that they can be taken seriously. Most of the music industry in Britain believe that Frankie Goes To Hollywood are simply pawns of their producer (Trevor Horn) and their record company (ZTT/lsland). And with an image like this it's hard to take Frankie seriously. The band insists that "Relax" was about working hard for rewards and relaxing. Yet even their video was banned. "Relax" had girls dragged in chains across the stage of a gay disco and the harsh image that was supposed to "freak people out," said Holly Johnson in Interview magazine. Holly is the most noticable of the group and is a lead rinnA** tin f V* D mil 13 < ? U ? -J * I- ? ? ? A - oui?vi vrmi i rtui rvuiuciiuiu. ouiii die quae adamant about their homosexuality. "...Who wants acceptance anyway," said Holly in the Interview interview. "I don't think gay people want acceptance." But has all this controversy gave way to the insight of how good are these guys anyway? If chart positions answered that question then the fact that they spent seven weeks in the number one and number two positions on the British charts must mean something. But See "Frankie," page 27 . &F. [DUKE] issions & Financial Aid -r, ,r r, ^ .a .? THE FUQUA lool of Business SCHOOL ty OF BUSINESS j h Carolina 27706 4 I IND ME AN APPLICATION BA MINORITY WORKSHOP STATF ZIP ) KKCnVETMi^^DECEMBER^2^^^l