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\ V. Page 10 ? November 12, 1984 E ntertainment THE GAMECOCK jiSiifHK/ 'Hello Darlin' Conway Twitty waves to Professions Japan By Shawn King Portraying life throug Japanese puppet animai Kawamoto's goal. Kawamoto presented award-winning films Fri Belk Auditorium. Using animation an Kawamoto brings to I Japanese art and legend films presented. They w< Demon," "Dojoji/Doj< and "Ksysku/A House The primary themes in elude love, honor and ? If ata/amAtn fonlc s XXUTTU1I1UIV7 1VV1J 111UI A think of animation and humorous, but in his filir serious issues. SjjjEjSjl&k' jfiH fj ^ KjM^HB^^B^BHMRHR}; H the crowd during his recent Columbia il puppeteer ese animate HSfflr - ^ ** fgm&imMEKmm*'*' - THE FII ;h puppetry is "Oni/The D tor Kihachiro Prize at the IS Competition, three of his 1973 Melbou day at USC's Honorable M ternational / id puppetry, The film dep life medieval which two br< I in the three a demon. 1 ire "Oni/The demon is acti >ji Temple," felt that their of Flame." was a type o his films in- destroyed. ;ood vs. evil. Kawamoto uany people tales and my puppetry as making. The is he presents the multiple ji/Dojoji 1 ^r ^V JBt' . ' -figj?*^ t:i^-w mm^m MMT jMr ^MrtV; ^ Photo by Elliot appearance at the Carolina Coli ir lecture \ trings 3 animator Kihachiro portrays life through 1ST film presented, emon," won the Ofuji /lainichi Newspaper Film a special award at the me Film Festival and an [ention at the Annecy InVnimated Film Festival, icts a Japanese legend in athers go hunting and see 'hey discover that this ually their mother. They mother was too old and f demon that should be portrays many Japanese stery stories in his filmsecond film shown was award-winning "Dojoremple." for which H Vocali: ? with r ijgkkg By E Hot Cohen Ci nway Twitty's 5! ^?|pfe$j forn ance at Carolina fiBB inc ?wed as much t< Ievar jelical meetings busi less. If the venerable cc plan . to trade his guit bab)' won't have an; of t lat group flock greg ition. But in the goo' country and gc how it has always be< P aying to a < pre< ominantly midd seei ed impervious to jun >suit, with greyin the lard line of some cbe into his craggy I 1 ie 50-year-old am; ;sed more No. 1 1 cou try music history as ' Hello Darlin'," ' Ion ly Mind, Kea Nig t" and his currei Do: t Know a Thing 1 VITTY UNSTR guii ir in the middle o stO( I for a Vegas-li Mic er's "The Ros< bre; thless sigh of Twi affl cted by time an< was still a formidabli dra / passionate sque fenule fans. Who c clin ax, with his "to crimson light and t scrtsn behind, the schmaltz and high c; fan:.. Moving effortlessl gospel of Kris krisi s. Cohtn Lord?" to the sensi seum. Lay You Down" an< s on films Kawamoto received awards fr< Annecy International Animate Festival, the Melbourne Film F< the Japan Festival of the Ar m Qn\/ Ath^rc Thif tolo Mrarnt utMtij v/iiivi J. i ia 10 luit piWOWl idea that evil lies within everyt it, a young woman falls in love monk who stops at her home fo ing on his journey to the Dojo pie. The woman is rejected monk because he wants to faithful to his vows. The monk the woman's home, and she 1 him to the temple. She is transf into a serpent, a symbol < jealousy, thus destroying be them. In Japan the demon is t tnat is inside all humans. The last film presente "Kataku/A House of Flame,' won awards at the Ottawa I tional Animated Film Festival festivals in Chicago and Melbc KAWAMOTO LEARNED about puppetry and animatior own. He began his career at tl Motion Picture Co. and has p: animations for Asahi Beer, Watch Corn, and nthpr Japanese firms. Probably his greatest cont was introducing puppet animat to Japan in 1953. Kawamoto the use of the puppet medii more valuable than live actors ideas he wanted to express. Pu pressions are different from t humans and are more signif that puppets can only "live" < st entert nusic foi P 5-minute ritualistic per- P Coliseum Friday even- ,r d the rich tradition of n as it did to show ^ mntry music icon ever B ar for a pulpit, he pro- ai y trouble making most J< like sheep to his con- u time-honored legacy of n >spel music, that's just t( 2n. si ;onservatice-looking, ii le-aged crowd, Twitty S fault. In a powder blue j< g, permed hair, he had c 30 years on the road et- a face. V e entertainer, who has v tiits than anyone else in b , offered such favorites 0 "The Clown," "Linda p 1 Neckin' Love Makin' v it Warner Bros, hit, "I ?< About Love." s, s APPED his acoustic if the show to sit atop a ke rendition of Bette a Every quiver and [y tty's doleful tenor, now \ d too many cigarettes, tl e enough instrument to f :als of delight from the (] :ared if on the song's a rtured" face bathed in f i rose projected on a s whole affair oozed amp? Certainly not the ( 1/ f rr\m /*rvr? f ? 1 c J liuill HIV. V.U1I1V.33IU1101 tofferson's "Why Me, i lality of "I'd Love To i d his hit remake of the i ETV pi !iiiiIP from Stuff Reports In "The World < )m the exj^rteac^ of an ; d Fi,m Mi939N?W'yoi1 estival, |io$ed entirely of* ts and Mon-Fictioi* Tefcv its fhf - ? ? ryna >ne. In ^g$S$r with a %m:m "The W r lodg- films^'The World ji tem- f#i with color by the ne^sreei expresses remain in J 939, while the 1 leaves ' tare ma$ie< 'ollows wonder,. j ormed >f her >th of 'ylc f?r offcr he evil d??*led^ guests. O [possible to cxperi rt ... ' Which pands, j^bands nterna Fountain Lake wa and at W|W?mgh, nirne. sin?le ni?ht much ic Toho ^raSlW'Kooseve roduced ;^e 3nd <3U<J , Seiko Merman and Jaci major ??? appcaranee. ^MMnlno anW aha i ribution ; ': ion film felt that But, while there jm was ->|Km to the natJu for the 'th^Verfspirit Of 1 ppet ex- doing. The fair w hose of from the Great 0 icant in ||^fjp|ne4Mi )n film. v- ' ains cro 1 all age: ointer Sisters' "Slow Hai elvic gyrations reminiscent lg Elvis Presley (Twitty' lodel), the show offered a I 3r everyooay. With a brief rendering of 1 elieve," the 1957 pop hit tl n obscure rockabilly singer snkins (his Christian name tonicker, almost before the 1 ote, the singer was whiski )uring Twitty Bird bus befc jggestion of an encore was Opening the show were a f rig sets by MCA recordin itrait and Reba Mclntire. / ourneyman seven-piece ou ouple of fiddle players and : style derivative of Hank \\ Villis, Strait proved a rea I ii :*L ?i ii < upcwiciiiy wnii me younger /horn presented him with w e a foil wrapped bottle of li f his songs. Performing his ort Worth Ever Cross Yoi mh a satisfying interpretatic 'Cherokee-Red," Strait whc landing ovation, appears de tardom. FOLLOWING STRAIT 01 ttractive Mclntire. Last lusic Association's Female 'ear, whose single "How ] he country charts, lacked th< ort stage presence of Strait heless awarded a standing o show-closing gospel nv iank Williams' "I Saw The tandard "I'll Fly Away." All things considered, de ?r ji in,auiiiici i w iny .> k>uiUCV performance, the crowd, w riore than half the caverr jeats, left seemingly conten ng's offering of some of t lew country music arou natters? on 1939 1 sgs, * \ *i < < m> >W M KiWx > $ 41 | '& ' "I*1' ' ^ < )f Tomorrow," Jason Roba adult remembering what It t World's Fair as a 10-year-' original material from the ision presentation aits at J< nnels. he 1939 World's Pair was ii 'ent into debt, and the repr ppression was very Hi the World's Fair to World V". ..nrnVr rY ''i fV,?, izard of Oz," one of 1939' i of Tomorrow'' combines \ footage. The btack-and?\* the relative antiquity of the then-radical color segments >f the fair itself and underlji t Americans looked to theii ,4 rta^ where froma movii vmw ? iwnwjjtv* nw uw' *), And there was entertain and jitterbug contests abour s a breathtaking amusement f&'mmi anef'tb" be sW fenam$ndAS ^Dempsey cameEvei^Ho* There was a story for the n "'i5* > > was talk of the fair becomi >H8,m tlie wild extravagant* wd s nd," to a few of an aging, ails original role )it of something 'It's Only Make lat transformed named Harold ) to his present ?and hit its final ed away in his >re any possible considered. )air of entertaing artist George Augmented by a tfit including a sieei guuarisi, in rilliams and Bob 1 crowd pleaser " females one of hat appeared to quor during one ; new hit "Does ir Mind" along >nof Bob Willis' ) was accorded a stined for bigger n the bill was the year's Country Vocalist of The Blue" is scaling ; poise and com, but was nevervation following edley including Light," the old spite the brevity vhat perfunctory /hich filled little ious Coliseum's t with the evenhe best old and nd. What else hlilflk 3:00 p.m. Nov. $ most popular )fack-and~white 'bite World of world as it was of the film cap-, lethe hope and 'future* il|P? ^ ' ture^iv General ment marching ided. Out across Dark. As if that MhatPembodied rwffl'6 u? Wtifprovma itional attention War uM?i nm <(*&&&&*>.