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" " "" I ? I Page 10 ? November 2, 1984 E n tertainment THE GAMECOCK I USC an shows i By Maria Baens Teachers, take heart. T1 Ishow-and-tell. The most recent work: display from Oct. 15 to Nc breathtaking review of p? Columbia's finest artists, images and forms. A huge close-up of sing It is one of Gunars Strazc mixture of colored pencil tatious facial expression es interference. NELL LAFAYE'S co beckon viewers to a "Tri "Banos" and "Where i< glimpses into a world both Whoever thought there i? graphs from Dow-Jones ] think again. Roy Drasit< wonderfully executed ink i graphs. "The Astro Ap because it appears to be a into empty space. A sad looking toddler w Philipp Mullen's charmini other works are of an ei Seasons" is a series of thi The series depicts the warn Truman Teed's fascin "Sunset" are rendered > Rickie Lee By Robert O'Connor Rickie Lee Jones is p respected, but least know today. , "The Magazine," Jones' of creative surprise and clu stands out among other rcl is almost peerless in music* When Jones burst onto t i ... I wan ner only hit single Love," in 1980, her biz, creating romantic images a ratives raised curiosities. Ea< especially last year's "Girl A broadened her eccentric ha and lyrics to produce a taler viable music. "THE MAGAZINE," i< Center Stage ' The 11SC Dflnrn Hnmnanu ^ill . ?w..ww wwiupuiiy ww 111 | Nov. 7 11 at Longsteet Theatre. choreographer, Ann Grimes, ct choreographer, Tony Roe and Nc program. I t faculty and tells lere is nothing more dramatic than j of the USC Art faculty are on >v. 14 at McKissick Museums. It's a timings and sculntures hv snm<* of It is a rich array of real and surreal er Madonna awaits at the entrance, iins television images captured in a Is and watercolor. Madonna's fliricapes the realistically-simulated TV lorful and odd-shaped ceramics bal Toast." The artist's paintings ? the Trojan" depict captivating i enigmatic and beautiful. > nothing artistically inspiring in the Industrial Corporation had better is sparks up his creativity with drawings based on Dow-Jones >proach" is particularly striking plotted descent of heavenly bodies ith a ^ ~ - - * A-- * u uuigmg Luuniiy is* capiurea in ? pencil drawing "Vanessa." His ntirely different style. "Southern ee frames spanning a whole wall, n hues of the Southern climate, ating works "The Quilt" and /ia an unusual use of oxidized Jones offer: cellent album erhaps the most put an emph n female vocalist trends. Each which Jones fourth exhibition desires. The 1 nice taking, easily and the voc eases because she interrogation il standards. "Magazine, he national scene filled story o "Chuck E's In tune is beauti arre manner of walks throno! ?O" nd personal nar- you're reading :h album release, life. As the all t Her Volcano," cements a I ndling of vocals confusion, it of intelligently "The Real single. Jones h duce a music i simply an ex- many images t i/v fyifit M . present its annual Fall Dance Concert Libby Bourne Alewine, (foreground) )t, Elliot Bradley (center) another mcy Ferrara, will be featured in the Free standing sculpture Cynthia Colbert's sculptures are titanium. The striking prints j frames. Teed also has soitu niobium that has a magical, Boyd Saunders' "The Gat poignant etchings that captui rural life. "Air Battle" is fillec winged sign saying "DeKalb, bottles, a barn, the well-groo pilot. The battle ensues betwe two long poles and a fleet of > creative, n wf , although Jones has decided to asis on her already-established song is a lush melodrama in questions her motives and lyrics are rarely straightfoward als sing these tales of selfwith amazing passion. the title song, is the painf Jones'search for love. The fully intense as the songstress 1 the main issues ("all that is the braille night") of her >um's title song, "Magazine," temper of complete inner End" is the powerful first las even gone as far as to provideo, but the tune evokes ty itself. "The Real End" borExpression gro use bal From Staff Reports An ambitious program plan USC's Dance Company w presented Nov. 7 through 11 choreographer and dance pr< Susan Earle and Eleanor Fear: the Fall Dance Concert at Lon Theatre. . The 10-part program, which presented at 8 and 3 p.m. Nov. eludes movements inenrnn ? - ~ ^ ^ modern dance, ethnic forms, classical and modern ballet abstract. "There's really somethin everyone here," said Fears, wh ed the faculty of USC's Departn Theater and Speech this summ< dance instructor and mov specialist. FEARS, ACTING as the com associate director and prod coordinator, has choreographc works for the program, includi opening number, which will fe< dozen dancers, four of whorr never performed publically. The performers are in her beg and intermediate modern dance < and will be taking part in "< Dance," a piece whose choreoj is based on improvisation and e sion rather than technique. Th<* nnmhor *- ' - ..U.nuvi I cpf C5CI11S 1 philosophy of dance. She sai* ^ KA ' . L , ^JMliilSllR j - (1?-'o * '-^ yj 11 '"-J ' ^||| * i w i some of the many art works featun are small and set in wide purple ; jewelry made from ( ..dized light-radiating luster. t,orlnn" ??a:_ ?-? ? ?? i iv a 1115 aiiu /All Dei 111C clTC re the drama and simplicity of I with many interesting details: a a windmill, lids from Pepsi med moustache on the wooden en two wooden planes set atop crows. lusical 'Mag rows from Jones' earlier moi material, and one cannot helj songs energy. Somber best describes "De simple song that finds Jones answers to her constant, bu ("your dreams are like marbles of a little boy"). "RUNAROUND" IS anima den misery. ("I can't take the paints a particularly lovely herself, though the listener will be invited into her personal desolation. "Theme For The Pope," i: unavoidably beautiful. The soi track on "The Magazine," but ten by Jones, who authored the Up let to be believes a company ned by should include s i|j be tcchnl . - .?v....ivui, CIWIUIVC it! when that individual danc lessor eient in each area fc s stage of performers. gstreet Both Fears and E; tor of the compan will be and will be fetured i: 11, in- of the program, ,4Tv rating to the music "Tiny jazz, John. , and g for 'There's really rcem'of everyone here." er as a ? ement use Di pany's "IT'S MAINLY luction said, but they also da ;d two few steps. The eho ng the E^arle's classical and j mire a Fears' modern style. ? have The associated choreography on inning "Kaleidoscope," an classes piece. "It's just al Group shapes," she said. jraphy liarle has chore xpres- numbers for the cc "Norwegian Melody, Fears' classical and modern d she by student Amy Sim* W M \ lisip^islpa?lfl^. .^Pr v^pfe-l ^pjgasgSsM I' JHB. "vi^BEl ^^^^reaa^S^ferSfe- m 'mSBm SEaP-1 L' : <>JK|! ^^gggyl^jjgr'.; I BBS StEfc: 1 9? SH 8 ' M JH SS ~ IB' >d at USC's McKissick Museums Departmt a v/ mi i in/1 UUL1DC1KI 9 "bOUt marvelous set of sculpture. It featur women, seashells and roses intricatel inside and outside what seem like h Two large monoliths of handn threateningly at the center of the w< paper, Barbara Layne's untitled wc of broken glass, mirrors, metals ai mysterious; it is foreboding. There are a host of other awe-in this exhibit. This show is a definite azine' for listc e commercial other tunes. This 3 but fppl thn mirtol/nUI.. r? ?: _ ? _ - .... 1111oiurvai>iy rm IMill ep Space," a Jones calls the al . probing for "Rerschachs," pos rning queries to derive his own i i in the pocket Painting" present: "The Wild Beast" ted in its hid- The three remai tears") Jones "Juke Box Fury" portrait of are also excellent cc feel lucky to another statement visions and writer ("people lool see ? there's so rm 5 hauntingly, Rickie Lee Jones ig is the best in her own timeless 1 was not writ- a lovely but fascii : albums nine litpmtiirA ain fall st 's cast of dancers Pas De De everal layers - classicasl ball id expressive - and Ball,' a comi ers who are profi- elements that irm the best blend gram and pro mood. arle, artistic direc- Lucretia Mc y, choreographed in USC's eveni n the one segment ed and will < /o dancers," done lyrical jazz pie Dancer" by Elton ELLIOT BI ed another lyri ed "Mystery,' something for music of the Transfer." Two other st Eleanor Fears gram win be "i ince instructor number desigr and "Under created by gr two solos," Fear Young and i ince together for a Thomas poem reography blends tional Welsh i jazz tradition with modern dance highly dramatic director'^ other Tickets for tl the program is at the Longstn abstract modern sion will be $4.! bout colors and day and Saturd Other ncrlVirir rw. .VI II :ographed three citizens will p; >ncert, including students, $2.50 " a blend of both Reservations i ballet with a solo 777-2551 or 777 ;; "Don Quixote 5 p.m. Monday Photo by Regg*a Rots ?nt of Art faculty exhibit. hern Decay Series" is a es a multitude of cherubs, ly ana meticulously carved ollow Roman columns, lade paper pieces stand >rks. Looking like granite >rk is completed with bits nd plastic. It is not only spiring artists featured in must-tell-everyone. mers instrumental has an un1 flavor that haunts. bum's last series of tunes sibly to allow the listener meaning. "The Unsigned s snoken vivnlc IADLEY choreographcal jazz number, entitl' and performed to the : group, "Manhattan udent pieces on the proPiL, Too," a punk rock led by Libby Alewine Milkwood Dreams," aduate student Susan nspired by a Dylan . It will feature tradinusic and a jig, plus and ballet steps in a :, storv-like form ie concert are available ;et box office. Admis50 for the public on Friay evenings and $4 for lances, while senior jy $3.50 and $3 and and $2. may be made by calling -2552 between nQon to through Saturday. is mysterious. ining tunes, "Gravity," and "It Must Be Love" impositions. The latter is from a perplexed song c through everything they my other things to be"), is certainly a performer iveb. "The Magazine" is lating piece of musical iason ux," the program's et; and "Belle of the ic spoof with classical will conclude the promises to create a good ick, who teaches dance ng program, has designiance in "Traffic," a ce in the orouram