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-Trr-*"**0****""* ' ^ 15? ^ . . . , ,, Pprfnrmor< W I I VI II I \JF 1 % Photos by Bar) I A transformation Margot Rogers sacrifices her long f for the slicked back look of a man ii production of "The Club," which tomorrow night. i 'Footloose' Plinltorl UllbllCUf By Robert O'Connor What happens when superb acti teresting storyline and soundtrack? Ross-directed "Footloose," these c an extremely disappointing film. "Footloosewritten by Dean Pi compared to "Flashdance" and "Sa the similarities are virtually nonexist The intriguing plot is marred by c viewing, although the performances faulty cavities. In the role of Ren M gives a stimulating and natural perfc McCORMICK IS a Chicago teena Utah town where dancing and rock m result of a previous fatal car accident small town of Beaumont has morals r cised in the 1950s. McCormick instantly ignites the to Van Halen p By Kim Lawrence The lights were barely dimmed I Coliseum when the crowd roared ticipating Van Halen's appearance c Fane nf the harH-/tril/!nn v. v..v ??UIM vii 1*1115 1 wv,rs. giuu while. Autograph, a five-member basic hard to make the first 30 minutes of ! riMWIIRjHHi David Lee Roth Makes sure he's heard as he rips into \ bnterta . 4.1 : > (jay uib price <^WB - g ------- * zBL 1 USCs ^ yjBP opens *r*> *:HB? IBiiilS - L weak plot foils credulity and unwillingness i ng is merged with an in- The town's righteous minist< In the case of the Herbert heeins a ramnaion aoainct c ~ ombined facets add up to rebellious and headstring dai destined for a romance with tchford, has already been Moore's relationship with i turday Night Fever," but (Dianne Wiest) are overshad ent. convictions. As expected, the liches and an unfulfilled many dilemmas throughout h fill some of the movie's Beaumont, but his determinat cCormick, Kevin Bacon come the obstacles. rmance. "Fooi.oose" has been eage that it would be 1984's most ?er who must move to a However, the emphasis is on usic are prohibited. As a IUIUIT1I15 ittnagcib, nic unUKLUUKAFHtK L.YT esembling opinions exer- audience because of its undel Bacon's solo dance routine, a wn's interest with his in- cannot be fully enjoyed ileases Coliseum ai group presented original bu ?riday night at Carolina muddy vocals and high schoc into a wild frenzy, an- the picture of a small-time be n stage. p, however, had to wait a A 40-MINUTE intermissi< hour show, so by the time t rock 'n' roll band, tried crowd was more than primed the wait worthwhile. The Hundreds of lighters flicke X\ '-jftUSSL look. The lighting picked up < ROHj the entire group, an occasion Ikv M I AND FEW in that audience liL mmkWtm toss*ng "cad singer David Lee LjJl k when he donned a Confederat lengthy bass guitar solo, r'- lPfjP Anthony stood at the top le ^ - ctBB strument to the platform bel< g< > His drawn-out-performance, r' ' trum, was sadly as profession ^/BM Such an annovino intermr Photo by Chip lowed ,N THg wake of Anthony the task of reviving the crowc another hard-driving rocker. for roles in U? Bv John Vauahan Never mind the overwhelming time commitment, arduous rehearsals or demanding director ? some cast members of USC's next stage show will tell you their toughest moment was realized in confronting a pair of scissors. A few weeks ago, surrounded by anxious farpQ nnH pnrnnmoino rnmmpntc in n hasp. ment backroom at Drayton Hall, these performers sat very alone staring into a crowded mirror. They stared straight ahead, focusing on a world of feelings while others saw merely the reflected images of women watching their hair snipped away. THE MOMENT, said director James Patterson, simply had to faced by some of the seven USC women performing in "The Club." The women must dress as men in the musical revue, and getting rid of long hair became just another sacrifice in the rehearsal process. It's the sort of thing that happens often in the theater world, and the actresses traded stories of professionals and amateurs who had accepted similar decisions during their careers. But somehow, the words didn't prevent the nervous swallows or the involuntary gasps at the first snip of the scissors. "I'M THINKING that I'm either real dedicated or real stupid," sighed Margot Rogers, blinking back tears as the first handfuls of her dark locks tumbled to the floor. For Rogers, a striking, raven-haired llinirtr th A r J JU1UV1 I HIV VApvuWIlWV OVVU1VU tAWCJJUUlIdliy newest rock/d to conform to the town's rules. resemblance to ix, Clay Moore (John Lithgow), uninspiring San the nonconformist, while his Shalamar and 1 ighter, Ariel (Lori Singer), seems very undanceab McCormick. Bacon and Si the minister's daughter and wife ting abilities. E owed by his personal fears and trauma of his pa "new kid in town" encounters from her mistak is quest to restore modern life to vibrant and woi ion naturally allows him to over- Lithgow, in y< or vague as th< rly awaited because of promises knows that he w invigorating rock-dance movie. as the patient n the engaging but weak plot. backward farm superb in their ? . 1 *T f1 HP 1 *rm, i ayior-i^oroett teases the The movie's b livered passion and excitement. a movie that C( release of anger and frustration, Besides being a because of its unmistakable on being boring t uninspired material, and the }1 dramatics didn't help combat ind. f 3n followed Autograph's halfhe lights went down again, the h* ^ d on to welcome Van Halen to Halen shouted, "Hello, Colum:wer was deafening. Mgraaflgffi . the opening number, "Unchain- Halifflffir |||| iborate backdrop that helped iP&i&M' excitement burning through the oiivti iiiuucu across piauorms, WK end the stage a rich, futuristic V ~ ill of these elements to highlight Btp al soloist or even the audience. Mtegji 4 : seemed to want to sit down. By ^ Devil" was played, fans were Roth tokens of devotion ? and H8IP?9i^Gyi l^KIBBSg IBBsS e flag like a cape to proclaim the ichael Anthony launched into a ml ac hie antixe ^ >M> lllvJ I* IlllVi)* ttion slowed the concert's pace . v: at followed seemed similarly in- ! 1 time to change costumes. : v 's hysterics, Roth was left with I Eddie Van Halei See "Concert," page 12 Revels in the cri >C musical demanding, "ine Club" marks her tirst stage appearance at USC. The show opens tomorrow night at Longstreet Theatre, continuing the contrast of styles in the university's 1983-84 theater season. Indeed, at one level, "The Club" differs from any of its season predecessors. All of USC's plays this year have offered heavy drama, while "The Club" revels in musical satire. WRITTEN BY Eve Merriam, the show brings theatergoers to an exclusively male club in the early 1900s, where the men bask in condescending attitudes about wives and mistresses while preparing fur their annual spring revue. More than two dozen songs and dances are dotted about the production, with musical direction Dy Sid Haton and choreography by Gail Freeman. Director Patterson said the playwright pokes fun at mores and stereotypes through her intended use of women in the "male" roles. The seven students in the show are Rogers, Claudia Anderson, Stephany Griffin, Wendy Wolff, Tamra Stephenson, Veeda Griffin and Elizabeth Tucker. TUCKER ALSO had to surrender her hairstyle ? a luxurious, strawberry-blonde mane ? but took some deep breaths and OTPW a little mnrp r?hilr\cr?r*V?ir>ol thin Q. ? .. M .Itt.iv Iiivtv |yiii?VJV/piUV(ll 111U.11 lVV/^Vl "You've got to remember that you chose this field, and if you really want it you'd better start learning about the compromises that come wit^i it," Tucker explained. "A lot of See "Club," page 12 o nnn m HIIIA ciiiug iiiuvic "Flashdance" and its accompaniment by an imy Hagar tune. The music of Kenny Loggins, Bonnie Tyler stand out in the midst of some le tunes. inger create a chemistry displaying strong aclacon's character is running away from the irents' divorce, while Singer attempts to escape es and her insensitive father. Their presence is thy of attention. et another supporting role, is not as a hateable a phorootor ^ !*-**? --1-1 ' - ^ l. vnuiavibi wwy iviuuic Miouiu oe. one ill eventually come to grips with reality. Wiest, linister's wife, and Christopher Penn, as the boy who emerges from his shell, are both mailer roles. anal ending and loose ends ruin "Footloose," >uld have had a serious feeling and message, severe disappointment, "Footloose" borders and ridiculous because of its cliched effect. V ti Sgv \ WHLh ; *l|l|Sf !jl^pii| Photo by Chip Lowell II Dwd's response to his music