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Band's t\ #} Bv Marr Fink "War," the new album the Irish quartet with a 193 Like the group's previoi "War" features strongly with the magical guitar < releases, it is receiving airplay. Side one of this disk is tl to date, and it includes son ? STAUNCH PESSIMISM Bloody Sunday" leads ofl Bono sings of death and de And it's true we are imm When fact is fiction and No other singer sounds lik< The Edge sings lead vo "Seconds," his voice son atomic bomb. A tape segr Girls" is featured, and the hit, though the lyrics foreti The album's first hit, searing "New Year's Da Solidarity Party, will sure The Edge's best guitar Song This is yet an* tradition of "Stories for B alone shows why The Edg *? VJUItUI 3. CLOSING SIDE one is I love song set amidst the r Fine color is added with passage. ^ Side two lacks the coh Play Continued from p Penelope Jones as Bett< bumbling Messenger 70 success. Stevenson and Re too far and become quite i blandly go through the mi developed love story. I?AI? Timer ...U? - run niuoci wuu t:iij ??? # N c e c E y * MOTCQK * Ci 1 I. Egg t Offer gooc BttHHHWBM lirrl p+rnnn * 111 u on uuy c by U2, is the third strong effort b} K)s psychedelic sound. us albums, "Boy" and "October,' thematic material, sung by Bon( of The Edge. Unlike the previoui considerable commercial radii le tightest side U2 has put on viny le of the better songs on the LP. [ is the album's suit, and "Sunday F with lyrics about Irish troubles ctriiptinn 1 une TV is reality. 2 Bono. cals for the first time with U2 01 iber and his words fearful of th< nent from a film entitled "Soldiei tune might recall a Bee Gees disc( all doomsday. also released as a single, is tin y." This song, based on Poland'; ly be the standout cut on "War." solo on side one is during "Like ? 3ther stampeding U2 tune, in th( oys" and "With a Shout." This cu ;e is nicknamed "The Man of 1,0<X the optimistic "Drowning Man," ? ubble of layers of acoustic guitars 1 Steve Wickham's closing violir esiveness of the flip side, as th< ago 13 2 Logan and Alan Reese as tin 13 meet with considerably less jese try the caricature route, but g< rritating, while Webster and Jone: otions of playwright Segal's poorly oyed Warren Beatty's 1978 filn low you con enjoy o offee for the change ii ggs, o toasted English akes with syrup servec aa McMuffin" Sandwi ou choose, there's nc IcDonald's breakfast. ;es only and coffee 694 (plus tax) ~ u . ;v McMuffin and coffee^ \ 994 (plus fox) J only of McDonald's, 921 Sun ilhiim hpnnmp' : ^ ^ i ; Disturbing, pessimistic images are a h content of U2's latest album, "War." i * ^ album revi material is less interesting. Neithe \ "Two Hearts Beat As One" are as go( mentioned, although they are far from 1 "Red Light" is unusual for its open for U2's adoption of trumpet, which i other new music bands such as Th 3 version of "Heaven Can Wait," Segal s share of the blame for this or any prodi 3 Beatty, a gifted actor and filmmake s Henry) a superior screenplay from y That, bolstered by Beatty's sensitive fine performances (by Beatty, Henn Cannon, Charles Grodin and Jack i movie an Oscar nomination as Best Pi .KFASTI delicious McDonald's" br< t your pocket. Take your pic i Muffin ond coffee or three J with coffee. And, of cours ch and coffee, perfect for >ver been a better time tl \ ' ' * / M rtfer Street, Columbia, SC s first to receive r ||Q^H9BflR?SK61 Teardrop Explodes. Kenn VMV highlight. ''Surrender" is the best * I ffl -Mr fingering on this tale of the 'v- ? . I ':{T TT LIKE SIDE one's 'Drowi . - " - Wk an optimistic mood, and Bloody Sunday.'' The dens< to feeling of a hymn. m'I Em ' * "War," like the band's ] w Eire, rather than in Englai wSg9 M switcher Steve Lillywhit matrading, The Brains, ti Lilly white projects an c 4 recorded without overdubs AffHIflBono adds background { Edge's backing vocals are guuar ai nmes reminds tn as best American bai ^|BB| W Jefferson Airplane, f ^gr BWt Larry Mullen's drums p Sg^R foundation for many of the | | often leaned on The Edge's irge part of the thematic upon the release of Chris Blackwell predicted the '80s as King Crimson, '70s. Bono has said that t 0YV helped, the band. The richness of sound 01 ????? and critics, and the rush r "The Refugee" nor carried the band even furl >d as the songs already foundered in the United throwaways. * problems. ing female chorus and "War," therefore, shouli has been featured by The album recognizes th< e Jam, Soft Cell and style. should be given a fair At any rate, it's a disap) notion's failures. year, but one the promis r, co-wrote (with Buck surely overcome. Segal's campy mess. "Heaven Can Wait" ri direction and several formances at 8 p.m. Ticl< /, Julie Christie, Dyan students, senior citizens Warden), earned the specials are available. Fo cture of the Year. office at 796-7550. eakfast entree and If nf frock crv/>mkl/\#l iwi nvifii >iMvaia buici> > fluffy buttered hote, our world famous ' take-out. Any way ion now to enjoy a Scrambled Eggs ond Muffin and coffee 794 (plus tax) fcVonafcl'sf \ J SC/ou J M Y Itm pal airnlav rf y Fradley's blowing is the song's :ut on this side, with flashy guitar downfall of "Sadie." ling Man," "40" closes side two in includes a refrain from "Sunday * j, echoed chorus gives the song the previous releases, was recorde in id or the United States, by master e, producer of XTC, Joan Arhe Psychedelic Furs and others, imazing sound on this album, guitar for overall depth, and The his best yet. Adam Clayton's bass is listener of Jack Casady, touted >s guitarist in his days with the p from the speakers, setting the ise tracks, whereas on "Boy," U2 guitar patterns. "Boy," Island Records founder that U2 would be as influential in another Island band, was in the ype of publicity hurt, more than i "Boy" woke up staid rock fans ed "October," cut in one week, her in the British Isles, though it States because of distribution i be U2's first American success. ? conflict, and confronts it with jointing moment in Act I's rookie irirt n nrl ^>.-4 il* 4 nig anu uctci illllicu UlCdtUI call ins through Saturday, with perets are $5 for adults and $3 for and military personnel. Group r more information, call the box CANCER. NOT KNOWING THE RISKS IS YOUR GREATEST RISK. A lot of people think cancer is unbeatable. That simply isn't true. In fact, over two million people have had cancer and survived to lead happy, normal lives. And not only can cancer be beaten, it can also l^V piVTVIliVU. There are definite precautions that have been proven to decrease your risk of getting certain cancers. 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