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I .entertainment 1'Alley compai By James Heath With its second performance at Carolina j Coliseum Saturday night, the Alvin Ailey j American Dance Theatre gave USC's Carolina Concerts series an impressive finale to its 1982-83 season. 1<jp i ne au member repertory dance company , dazzled the Coliseum crowd with a per- , formance that will long be remembered. , Energy of such magnitude is rarely found in j an entire company, but the Ailey dancers all . possessed a seemingly unending source of ( energy, which is certainly the strength of , the unit. Ralph Glenmore, a member of the troupe | who conducted a master class at USC last , week, said this energy is necessary for dancers. He told the class, "The more you < # do, the more you can do ? because the more j you have to do." This statement seemed to be an unstated philosoohv of thp mmnnnv * j ? J and each dancer proved it Saturday night. ] 1 jn*. I r ' r . ;.^ -- H^p' ""'"??* C I 'BP fe < !- '' "-"-'Mr jpflKiSS^^ ^sSh&S^SN ? I g?F SSSSk. ^?WBP c Dance company founder Alvin Ailey \ Play holds ovei By John Vaughan & Any actor hopes to perform before a full especially when it comes to comedy, "there numbers." Bigger audiences give bigger responses. Pe; consciously less aware of their own voices, ant are heartier and more frequent when the who] participating. * Tfeatre has had the misfortune of piayir Tinillf Piin Woit " liofnt-o - ...v??v/, * *V/V* r VI* V/MU TIU11, (JUIVi V/ opal OC OUUJ rather spartan home, West Columbia's Hey ward ' Arts Center. Nevertheless, the theater is holdii ^ over for four performances, tonight through Satu THE FOLKS at Act I decided "Heaven Can W? in competition with the ABC-TV miniseries ' Birds" and with the Easter weekend. And they the theater, in its first real season, should contin itself as much as possible. So far, Act I has done a surprisingly good department this season. "Deathtrap," which season last fall, was a popular and impressive U/pnt ftn tr\ talr? finet nlano in tHn etTIo r>r\r-v-1 P*MV,V ?w own, V.UUI[AFestival of American Community Theaters. "St the winter follow-up, also was held over for an e and received much praise. With "Heaven Can Wait," however, the nun seats haven't been providing much safety, and tion can't be tucked away behind the popularity < predecessors. The comedy itself is not of the caliber that "I> as a thriller, or that "Shenandoah" is as a musii I's production is not of the caliber that the theatei be expected to deliver. HARRY SEGAL'S script is based on anoth * 41-J nr?n pAmnc T o ' Cnrtol 'c? nr\?v\ nrlir /fan Iiici c Vvuiiico lTii . i;ui uau. uu^cu o LI/iiicuj / lan the unusual trail of Joe Pendleton, a boxer who i !0 swept off to heaven by a bumbling angelic mess< Pendleton is not due at the pearly gates for 60 sent back to Earth. But too late! Pendleton's manager has had body cremated. Mr. Jordan, one of heaven's bij find Pendleton another body to inhabit, and th results are inevitable. What is not inevitable is Act I's ability to drav with sound results. While director Jim Quick pacing loose and his blocking active, he cannc tention from the tiny, junior-high-school-pageant I ? The set is ordinary and uninspired, and the ligi no bones about belying the lack of facilities. Tru accept given limitations, but not necessarily wit! the challenge to be that much more resourcefu \h?r&:JVat>$t,tfpp^etot,UhOtfgh; ts'thfc "ShOrl 'cMpf < ny provides ii A UNIFYING theme existed through the WM three works performed at the Coliseum, H [ocusing on the relationships man strives for H in life and the reality he faces when he [ realizes he may or may not achieve these | desires. ! The troupe opened with "The River," choreographed by Ailey to Duke Ellington's music. This work represents the major collaboration between the pair. Com- \ missioned by the American Ballet Theater H and performed in 1970, "The River" was originally meant to depict the course of a g! iver from its source to the sea. Ellington, though, made it an allegory on |3 oirth, life and rebirth, and Ailey shows the H 'elationships one forms during this process. H rhe entire company performed with H strength and skill to visually portray both H evels of translation. H The second work was entitled 111 'Research," and was set by Gary H OeLoatch, a company member and guest H jhoreographer. "Research" demonstrates (HI he relationship of man to his senses. BEGINNING WITH the five senses lancing playfully together, the work progresses as people encounter them and ? 1 -< ? " " ctiiitc uuw uiucn 01 me mey miss without he senses of touch, sight, hearing, taste and >mell. The people, who are greedy, take glittery *** >ilver orbs from the senses and, without IV -egard, run off to enjoy their newly found fin: pleasures. The audience then sees the senses on stage in the dark, wearing form- An itting body sacks and wandering aimlessly, the rying to find any part of what was taken in rom them. rel Through the use of flashlights and sal costumes, the choreography becomes like hat of Polobolus, concentrating on modern tel orms rather than technique. The people Ea igain encounter the senses and realize how gel ost they are without direction. 1 The work ends with both groups reaching the in understanding and enjoying the benefits pui )f the precious senses. Wc mu 1II AILEY'S IMMORTAL "Revelations," fee 3ased on the motivations and emotions of mz r with higher he i ; || |^ |:f IV|': ; > house, but | | j \ | is safety in j ^ j| | ^ tition of the lenandoah," J|| xtended run fl -should now Debra Leopard appears as Julia Fa plays Tony Abbott, Larry Webster is ier, entitled Jones portrays Bette Logan in "Heavi tasy follows s too-hastily THE BEST thing about the sho\ ?nger. Since Jordan. Canaday's unique physic; years, he is are especially suited for this role ; h voice make Mr. Jordan thorough the boxer's quietly and modestly upstages ever gwigs, must Canaday is supported by Debra e humorous sworth and Perry Simpson as Mc fidently caricatures her character v the humor spotlight, and she earns plenty of has left his posing and affected accent and as >t divert at- pointed gun. atmosphere Simpson is much improved ovei ?... i ?4 a?i ? it;vicwt;i iuis auenueu, primarily iting makes suited for the role. The tall, lanky e, one must as Max, and his confusion as he c loutafight; Farnsworth's body provides sonv 1 is not met moments. *rgot>d yt't * * * La?Yj wteftf-"a$\n*.\Jerry-s& npressive se BBMHBBB^Hk>fB^ ^^MMBBa 0?$&?&U W,wwi,i j^yyjrMembers of the Alvin Ailey American Dance Thea al number in the troupe's Carolina Coliseum show "lerican Negro religious music, served as ; evening's finale. This moving work, set M three sections, shows man and his G< ationship to God, who provides hope and vation. 'Pilgrim of Sorrow," the first section, th Is of the troubles one must endure on ov -iL ? *? * ' ?*???? run wrnie asserting tnat laith will help to su : man through times of hardship. of rhe second section, entitled "Take Me to M i Water," portrays baptism and the re rging of one's sins. Sharrell Mesh, Donna co >od and DeLoatch were memorable here, e dancers' sincere joy enveloped the foi ling of religion in the hope it provides Cc in. hi] moc I nro! v? ; j! . H i; k: debUtS' From Staff Reports |yj I j; Zylofonia! Jlfck . ^ I [j | r j Now that the na 1^ . c*e^n^on s^ou^ ^ ^ ^ U a BARKY BRIDU and Donna Webb w a concert of diverse The first half of three classical wor marimba quartet. fThe second hall ragtime music of I "Xylophonia" by "Chicken Heel" ai IB I and "Yes! We Hav< The performance and Stripes Fore cornpaniment arra rhsworth, Jerry Stevenson THE QUARTE'I ; Joe Pendleton and Penny Percussion, nn S ? laf _ ? and Herbie May on an Can Wait. J The performance v is Bill Canaday as Mr. according to the q i\ presence and delivery catchy phrases. It's is dancing eyes and lilting ily fun to meet, and he " >'one Jl -nI nAr\o rrl oc? Inlin K* A^v/pu i v* ao ./una rani" 2fsra H I ^ ^ ix Levene. Leopard conwithout trying for center From Staff Report laughs with her constant she dodges a carelessly Johnathan, a p in a solo act, 1 " past performances this Ballroom, because he, too, is well- Sponsored by actor seems comfortable Programs Comm onfronts Joe in Jonathan billed as "a hare-i e of the play's funniest The performan the gene^l publ eVSrtsbfw aVTohj'-AtrtwW ' * - mVreiVfbrmatltfn See "Play," pagu H ! iries finale > % *M,,#00U ^ ^ Jfy. ter perform a section of "Revelations," the The third section, "Move, Members ove" shows that though man may stray, )d will grant salvation. NOT YET satisfied with a final curtain, e coliseum crowd gave a standing ation, and the constant cheering peraded the company to perform the last part the third section again. Entitled "Rocka y Soul in the Bosom of Abraham," it ceived an enthusiastic replay by the mpany, which never seemed to tire. Both inspiring and enjoyable, the per~mance by the Ailey company brought the irolina Concerts season to a close G?i a gh note. /iophone quartet tonight at (JSC me lias earned the reader's attention, a )llow. Zylofonia! is a USC student quartet ime marimba music. ns play that unusual instrument known as 1 the group will make its debut tonight at ELL, Joey Henderson, Mike Van Eaton 'ill each perform solo on the xylophone, in ?musical influences. the concert will feature transcriptions of ks, as well as one original composition for Prokofiev's March from "The Love of ' a prelude by Stanley Leonard, ka from "The Golden Age" and Haydn's is 33, No. 3 will be performed. of the concert will be devoted to the :he 1920s and '30s. with suoh nnmhpr? a? Joe Green, "Nola" by Felix Arndt, 'Cross Corners" by George Greene, id "On the Woodpile" by Harry Breuer, ; No Bananas" by Horace Silver. j will close with a rendition of "The Stars iver," with the unique marimba acnged by Bridwell. ' will be accompanied by Jim Hall on >trong on string bass and Susan Jeffcoat marimbas. s is scheduled to begin at4'8:02 1/2 p.m.," uartet, which seems to have a knack for > free and open to the public. t for Ballroom S erformer who mixes comedy and magic iri 11 or\rvAar ~1 1 *T rvm Hi rvub?>eil House the Carolina Program Union's Special ? ittee, Johnathan's performance is being raising experience." ce begins at 9 p.m. Admission is $1 for t(,' angl cen^s .tyr JJSf,student^v Fpr ; crfir 777-7 no