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Album tartbraMl from p?fe 8 festival earlier this year. Their input Gabriel is not the typical "my-waj who must coniroi every aspeci 01 ine THE USE of the Ghanian drums c for example, gives "Rhythm of the K that would otherwise be lost in the s< A schoolyard-like sing-song chant i music's ominous tone. "Rhythm of tl good example of Gabriel's songwritii The theme of "San Jacinto" deal Indian customs giving way to mod This song probably has the album' accessible, lyrics. Thematieally, the individual, str< firm against the impending destru Musically, the technology of the I thesizer is responsible for the tone and indeed, the whole album. This instrument reproduces natu and allows Gabriel, on this song for < blown drainpipe or glass. THE ALBUM'S second side begii "Shock the Monkey," the album's n cut above most pop-synthesizer I A Starrinq Dudley Mcx I No\ Ru: j Admissi A I I I All procee< 1 The ( I I . O ! * , . ' makes it apparent that Gabriel's contribi r-or-no-way" solo artist ceable. creative process. 4 'Shock the Mori drones that charac >f the Ekome Dance Co. and fresh sound bs [oat" nn African fovhira "I .av VrairUanr IVWV MIA 4U?KV?U1 V^/AVMA V <UV)J A WW A AM**V amber synthetic drones, soundscape on th licely counterpoints the Gabriel's "Across he Heat"'s diversity is a WOMAD album. lg ability. sidering that the i s with native American the same ones whc ern world development. THE ALBUM c s strongest, if not most Caribbean flair. . . .... . , cussion in rhumb ong in tradition, stands ^ in some time ction of his way of life. t0 ^0jn festiviti - airtight computer syn- ^ variet o{ and texture of the song, listenable _Jeven work i<s vpnv tac ral noises electronically , ing b $ L sxample, to play a solo on F ^ithsa,j its <fiv one of refreshing i Gabriel's self-exp is with the now familiar His search, ac< rtivit stnwksvtnw*:**! nnnrr A 4 J i _ at iL nuai ?,uuuuciLim SUI15. t\ uui JUM it IUUl li trash on the airways, is, in the end, ver PRESENTS mzzmmmm _r i _ _ -~LZ ~T?~iZ *? * ** * mW: v- ' it.. ' . ^ IN 3 re, Liza Minnelli, John Uielgud; ui SPONSORED BY MMERBU ????????P?M?? ??? 'ember 22 at J in ssell House Be on: 2 cans of I ds donated to ( I /-v C r\ it y \ i *C7UIUtM I OpUl > ition to this genre is pleasing and dan Key nicely balances tne somber, ominous iterize the album's first side. It has an open ised on familiar rhythms. Is On Me" is the penultimate cross-cultural e album and is somewhat reminiscent of i the River" from the "Music and Dance" This similarity is not surprising, connmtciniano rmrfnrmind tha cnnrt nrn mnatlir pVAAVI AilUI^ vllv OUUg QI V lllUOtlJ > helped out with WOMAD. mds with a celebration featuring a Latin"Kiss of Life" relies heavily on the pera-time. Images of a big party on a fishing ! frame are created, beckoning the listener ies. ityle and flavor on "Security" make it very upon repeated play. Larry Fast's keyboard itafiil hq ic thp hn??: nnH rhnnmnn cHr>lr /evin. erse features, "Security"^ final impact is renewal and rejuvenation, brought about by iloration for spiritual enlightenment. :ompanied by diverse music and lyrics, is i-world" investigation, however.4'Security" y lis tenable album. It r w w ^^^BBb^?>\-^^^^raBM hrr r.- c. w? m irected by Steve Gordon: 1981 31 8:00 D.m. I allroom food or $ 1 Carolina Cares e i A/ill cater CAROLINA PROGRAM UNION Amadeus-BIT BY BIT, Mozart was ostraci while Salieri enjoyed success, recognized how beautiful and perf wi?r*? At Inst thf> rrfl7.cd vonne Mm a masked figure cloaked in graj requiem mass ? for himself. Salieri recognized his opportuni costume and visited Mozart evei pushing him over the brink of sanil Before dying from the shock, M the figure pretending to be the Ai words to his wife were, "Salieri kil This is Shaffer's most masteri insinuates that Salien was respp but indirectly. In a wonderful twis in on a secret: that he started murderer, because it was the only a place in history, "if not fame, the THIS IMAGINATIVE conclusioi 1. *1 i ..l 1U ? ? ^1 , WUIIV UIHl &I1UU1U UtXUUlC d 1I1UUC awesome ability for plot twists "Amadeus," the playwright tak serious era and constructs a plaj emotionally overwhelming. REMINDEI you are inviteu to an autograph party hor Dr. DAVID A. RIC today in the Universi Russell House from 3 j PLEASE JOIN US1 ' L 1 Snortewnar* ^ eSm II Custom Printing for Clubs ? Fra I Transfers and Lettering li Special Carolina Design; | ! Ask About Our Same Day Si H 2767 Rosewood Dr. g Phone 254-9580 5 Mln. fror gRdivi ?n LEE JE $18.1 .adias SI jeans $i CORNER OF MAIN Al 1^0 with mustard chili and slaw I! $1. | Gameroom ai Open til LfSS""* Mr 1/8 lb. all bed wiih mustard, h and o ft 79 f jj Gameroomai ; Open til Ljthz jE Topped wrtl JSr Syrup. Watom I GamerootT J Oper Ml fr?? pap ' ized from Viennese society the only person who 'ect Mozart's compositions art began seeing visions of r ordering him to write a ty, appropriated a similar y midnight for one week, ty[ozart saw that Salieri was ngel of Death, and his last led me." :ul stroke in the play: he nsible for,Mozart's death, >t, Salieri lets the audience the rumors calling him a r way left for him to secure m infamy." n is the crowning touch on a irn classic. Shaffer has an and witty dialogue. With es a serious subject in a I that is funny, tender and tend an iorjng ;ks ty Bookstore :30pm-4:30pm | J_ jpaa-amra I zcialty* Co. Iqc. I iternities } j .7 * n jrvice %'?* I n Campus 7M 'iVAr-u'vKla SRNS | 38 I trttch I 22.88 IQ2K. " .. Expires i i Slaw 11-23-82 | * 8 Oscar Mayer ! I .homemade , . and onions ' j 19 1 nd Ice Cream m 112:00 gar?I "ChUi Expiret ! >g 11-23-82 | ?. kj i V./>VCJI rvKiyci y~- i iomcm?de chili. ntom d l(t ' ' 1 ' nd Ice Cream I 12:00 i-i S3rw"ri lg* Sundae I *iUakeC:?*n h MiH< Chocctott i j tt, Whipped Cnfam ? - y a v.miy g m | i and Ice Cream i til 12:00 I MB BHrflNMHHHMBHIBfli