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Von Her from page 8 key New Wave compared to New Wave bars like Lillie's in Detroit, Hurrah's in New York or One Flight Up in D.C.," said Steefan. Von Henmon's Germanic personality needs no explanation, but one added dimension to the atmosphere :vXvfrft4*?NIJIWiMIMMMMNim imon's is Burghard Fleisgher, a retired North German living in Columbia, who frequently, goes to Von Henmon's. "I like to be around the young people that come from the colleges," said Fleisgher. Fleisgher added that the bar has a very distinct Germanic Xn'I'X-;/! ? x:$^ B If you're under th Which means on a Young BudgeterAo With it, you get fit could save you enoug The BankersTru: money on checking.! ^ ?Bank atmosphere, but that the music "definitely is not of German origin." If you like the New Wave sound or the basement garage band atmosphere, or you're just curious about the New Wave crowd, Von Henmon's is definitely the place for you. I personally prefer something a little more luxurious and something with a lot more class. wk imBHraa^H^<::;::C' :^HI i v ' IflU V M mP*:? PBiF 7<?# <> * , L?y| : i s& ':':'v''' * :*< lirty, you know what you ie of the things you don rnunt frnm Rankpr^Tri teen checks per montt >h money to buy some r st Young Budgeter Aco So you can spend moni ersTrustYni Sounder; from page 9 optional. "The Dogtrot" employs images of childhood, which dance upon the wallpaper, now deteriorating, like the loss of memory. A return to the harder, more calculated divisions of space in the fourth print, > I s Ijf/' .> i need? Everything, 't need is unnecessary e jst makes sense. 1 with no service charge, lice clothes orsomethinj ount for people under th ii' n ey on inings you reaiiy n< ngBudgeter s' divis "The Stable", makes thi weakest in the collec But in "The Guardian" work that won last y< Springs Mills graphic a\ ? the montage of im blend across the w< f KrAA AArtf MAI vnt^c v villi ClI VII V IO beautifully. i?ll ? ; fi6& .1 - T?^-'_7\V . >, . ' xpenses. I hat s wn Over a year, that g else you really nee lirty* It saves you eed. Account p ions sthe Like the fade-out at the tion. end of a movie, the final ? a print, "The Cistern", relies jar's almost entirely on line. The i _ I a i> vara aoonaonea iarnri receoes ages from our view. >rk's The Boyd Saunders ions Retrospective will continue through Sept. 30. ?'? ?" ^HTB ^**>0^ ] >;r<''; ' 'Wf ' : *'" '" B#^| I 15 sd. roof of age required Member F IXC