The gamecock. (Columbia, S.C.) 1908-2006, January 23, 1980, Page Page 11, Image 11
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' From paga 9
her newest paintings from her
"Cliff Series", and with no
reservations, these are the best
works I've seen by her. The
Pollock-type linear elements
contrast wonderfully with the
large stain-washed areas, all of
which suggest illusionistic and
energized landscape forms.
Kathy Brown and Meg McLean
are also painters, and both seem
concerned with colorful, carefully
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plant life. Although the work is
visually stimulating, it suggests a
kind of naive restraint, and leaves
one wondering about possible
avenues for a more advanced
development.
Free-lance photographer David
Lackey has stepped out of his
photo-suedes to create an en
vironmeniai/auaiDie creation
called, "There's Just Something
About That Name." This is one of
Lackey's "seven personalities,"
and it appears we just missed the
Rev. J.C., but left in his stead are
all the cliches: "Jesus" in neon, an
abandoned crutch, wig, and, of
course, pledge cards.
i
The handmade paper works of
Nancy Albertson provide an interesting
integration of design and
surface, with her presentation
(especially in "Systems Exchange
1 /A A * " * *
ami uveriones ennancing tne
overall effect.
Other artists showing include the
ceramic/sculptural reliefs of Geff
Reed; prints by Gloria Clemmensen;
color drawings by Judy
Pitts Stevens; and the beautifully
subtle color field paintings of
Eleanor Byrne.
The Guild's Award Show is but
another example of the truly
professional level of our own
regional art. The show will continue
through Feb. 17.
Silversprinq
in Spur
Considered by many to be one of
the hottest tourning outfits around,
Silverspring is coming to the Spur
tonight and tomorrow night at 9.
This Wachinafnn H P hacprl hanH
barely two years old, is already an
established musical force. This is
due in large part to their classy
blend of American music forms:
rock, swing, r&b, jump blues and
boogie woogie.
Silverspring became a reality in
late 1977. "We left bigger things for
Art," says Haabe with a grin. "By
that I mean we could've taken a lot
of jobs for more money, but they
were boring gigs. We did over 300
dates in 1978 alone, including 28 in
one month, and believe me, it's
been anything but boring."
Flanked by Nat Winer's manic
violin on the right and John FritzSpiro's
energetic guiart on the left,
Silverspring's act is five good
musicians having a great time.
Perhaps the primary strength of
this band is that their original
tunes, penned by bassist Sal
DeRaffele with contributions from
all, get as big an audience response
as their more immediately
recognizable tunes. Silverspring
mixes it up, and the results are
pleasing.
Silverspring has the unspoiled
energy found in the very best
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discipline to make the music
happen without compromise. They
elicit a strong audience response,
and their marathon sets offer a
fine, broad-based collection of
terrific American music. Imagine,
if you will, a dance-flavored
"Summer in the City" with a hot
fiddle break, and you're on your
way to understanding Silverspring's
music.
? I ??-?V
David Lackey's 'There's Just Something About That Name'
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