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* *1 v^uart< food ,p? By Ward Bordc (iaint'cwk Staff Wrii Rivers Scarborough has a spite of the fact that it is ban it already outweighs him b and puts out sound equalled o Scarborough and Bob C owners of a new restaurant Quarter Moon, formerly CI at 900 S. Main St. Accordinj The Quarter Moon pron Columbia acoustic entei matched anywhere, in ai conducive to listening. Scarborough explained, Columbia up to now hav< oriented. 1 don't mean they' but they have been oriente meet people. This is the type someone can bring a dat( music comfortably. People they? The Quarter Moon opens k a.m. offering salads and a > wiches. At night they serve The prices at The Quarter IV higher than at other local c borough hopes this will not away. The prices may, ho insure mature crowds willi performances. "Most campi country have coffeehouses place. Most of them don't ev Our prices are a little highi want to push our tood. said: The Quarter Moon has a s nsnc Gilbert Moses' The Fist equivalent of a pimpmobile of trashy people, all of who music and yell "Get down! drop of a pink fur beret). The plot, to which aboul devoted, concerns dissenti Pythons basketball team. ' ving), is taking home a bur isn't producing enough poin IM ? - -1 A I A - f At. LJisguJsieu, me resi 01 me the towel boy, Tyrone (Jar with the idea of replacing astrological sign as Guthr complete with sequined su blue and hot pink. It goes without saying tha remainder of the season. Woll nvpr two-thirds nf F Moses never fails to mak< photographs the action fror top of the arena and from i it's sleep-inducing. w Moses evidently knew thi annoying array of actors e1 audience awake. Most had things, most will never act c Bond is the most repulsn little epigrams like "Get do nn nf vnur standard nreroc ? J 1 word with an unsavory smu Gary Coleman. After wat wanted to see one of the dis$ The only actor in the cast herself, as the case may be, roles has reached its nadir, who lives only to chart horo! Totally wasted in the roJ Winters, who, for the first ti ? - 11 i A iL. . J ? ? ?. ino macier wnai iuc ?u tt? Pittsburgh is one fish that s a School Of piranha. ir Mnirit ^JL lflVV/I erfect a '? of about 2(H !?> 1 r.l\ 1WWM\1/1 i.ii/ new baby. In stage is loc; ?ly a month old the ground y several tons arranged ii nly by a studio, cover one \ seating is a -lancy are co- balcony wl /bar called The the stage, ancy's, located seat in the! J to its owners, lises to offer Some re< 'tainmnet un- the sound : ti environment deservingl Coakley, 1 "Most bars in designed tl e been singles Altec spea re singles bars, housed in 1 r 1 a 1 U . a lor people 10 wooaen u< ? of place where Sound for i and listen to Tangent m still date.don't In additioi the mater >r lunch at 11:30 listening i /ariety of sand- The stage i > "good pizza." Scarbon loon are a little tertainmer ?lubs and Scar- organizatii keep students The Quart< wever, help to Bays, And; ng to listen to Group. M jses around the player nc similar to this beginning en serve booze. who with < ir here, but we become st; Scarborough. hope peop nolinfl nnnonil \r hnf a rn ho r idling l u pel v 11 y u\.iv/i v.- lit ij ]?d Hft L i1 >\VV ^L. HL'i!1 iibA <?^'?^ u -i'v ^dR'< - an't sw By David Kaker (iameuK'k Film Critic i That Saved Pittsburgh is ? loud, tacky, covered with | m do nothing but listen to moi " at the drop of a hat (or, in tl t 15 minutes of the movie's I on among the members of t rhe star player, Moses Guthi idle of cash and mononolizinp ? 1 n ts for the team to win. players walk out, leaving on nes Bond III, I kid you not), [ them with players who an ie. Thus, the Pittsburgh Pis its and a home court decora t the team almost goes withou ish takes place on the basket F? thp mncl f>vr*itino nlu\/c lr\ ? - - -' f-, n the sidelines, from center c inder the floor, but every frar s was going to happen, so he ver assembled, presumably ji never acted before and, froi igain. /e of the lot. Half of his lines ?wn, Pythons!," while the oth< i AI O ?4 D IUU3 V-IIIIVJ suyillga. DUl DUIiU gness unknown even to the eq ching Bond for 10 minutes, jruntled players stuff him thrc who does not make a total foo , is Stockard Channing, whose She plays the team astrologe scopes and wear eye makeup, le of the pea-brain club owm me I can remember, is not fun mpaign urges you to do, The F hould not be caught. Avoid it a i* nffprc coustics ) but Scarborough adds, "I think here would be a crowd." The ated in the corner of the room on I floor. Tables and chairs are ti front of the stage and booths vail and part of another. Ample ilso provided on the second floor lich forms a half-circle around Claims that "there's not a bad louse" seem valid. :ognmon nas aireaciy ueen given system at The Quarter Moon and y so. Skippy Beach and Frank experienced sound technicians, tie system and put it all together, kers aimed in four directions are two large, customed designed, )xes suspended over the stage, each performance is mixed on a lixing board by Beach or Coakley. 11 In Inn.nntph cnnnH onninrnonf ials and design of the stage and irea emphasize good acoustics, s as dead as a dried-up cod. )ugh gets a line on his enit from the NEC, a showcase jn, headquartered in Five-Points. ?r Moon has already featured Tim y Wahlburg, and The Rob Crosby ike Cross, a guitar and fiddle ted for humor, will perform Tuesday. "We're getting people one hit single, or one break can ars. They're right on that level. I le can say, yeh I saw that guy nade it," said Scarborough. \ :!i Fea L i j k JS but * * a AV B Leonard Featl session produce! ture, as well as performances oi House Ballrooir which had been Student Union disappointment. ?-? Several factoi presentation \va: ? une uiiii?, me* Mi % 1fin| ? many of the s 1111 them, were emp of the audience esoteric quality people like Diz the cinematic exposure of roc! glitter and full has attracted a notorious disco audience, lis case, at the Another facto two hours are was the quality < he Pittsburgh times he exhib *ie (Julius Er- though he obvioi the court, but Feather left a g With his somet ly Guthrie and seemed a little n who comes up Finally, there 7* nf f h f? 1 " T7* l, vst tut ocuiiu iiim?> which r ua >ces are born, for example, thi ted in electric the jazz piano ir first two films it losing for the formances by Duke Ellington, ball court, but the fine saxo| ok boring. He ourt, from the ne is so static, ^ hired the most List to keep the Monday, Nov m the looks of on a new visua 1 QfiFi R nc?i a are innocuous Shakespeare's jr half is made Grigori Kozint delivers every Prince Hamlet ually revolting much by jealou: I desperately outrage at tyn mghahoop. justice. 2:30 anc 1 of himself, or Tuesday, Nov taste in movie filmed Dead o r, a slutty sort 1946), a first about a man wh ?r is Jonathan dream. He and i my. fire and recour >ish that Saved Hr?ut*ie ? like you would reality for ( ;?&- -, \^k B1 *r SB Ip^ Scarborough feels the new unlimited possibilities as to w offer. It can be a showcase fo formers, a coffeehouse, and a si concerts. If the receDtion is even stand-up comedians could ther lectw featured i By Henry Green Gamecock Staff Writer tier ? the noted jazz critic, autht r and composer ? presented a 1c > several short films featuring ti v ~n i (jicdi di iis>is>, iii ine i\uss< i last Thursday night. The ever billed as a part of the Russell Hou Cultural Series on Jazz, was ^s accounted for the fact that t s something less than a success. F ^e of the audience was pitifully sm; eats, perhaps a little less than half ty. One could explain the sparsene i, perhaps, by calling to mind t of the world of jazz. The music zie Gillespie has never gotten t k'n'roll, and so it happens that ja relatively limited, though faithfi r helping to tarnish the presentati of Mr. Feather's speaking. Though ited a great sense of humor, a asly knew a great deal about jazz, 1\ ;ood deal to be desired as a speak imes halting, tentative delivery, icrvous or under the weather or bot was technical trouble with the shi ther presented. With the second fil ^ distorted quality of the sound ma l'r\rVA Ui lrnn/?<\ rr iiw ov/iiiv;11111hum c ill\c cl rvu/.UU. 1 , incidentally, presented short p several keyboard wizards such , Count Basic, and Stan Kenton, a f)honist, Cannonball Adderly. 1 Russell H . 19: Hamlet takes Redgrave, S< 1 dimension in this Googie Withe in version of Free. play directed by Sunday, N sev (King Lear). (U.S., 1965) is motivated not so drama starr sy or revenge as by Paul Scofield my, crime and in- Michel Simon 18:00. Free. Frankenheim . 20: Five directors May, Frencl f Night (England, courageous -class spellbinder resistance fij o has had a strange German plot friends sit around a French art it their frightening officer and S ame too close to are excellent, jomfort. Michael direction. 7:3< x. y v 1 H^^raHkSll|i l. aA ijmMm P B >;M:lw^lU^ 9k tMIIMHK Hi club has Pointing at a Billboi 'hat it can Mike Cross, Scarbor it*IIOW IWI'- Kn ?lawin? i ? ? f ? /-??-? I til ? ? ?- " f piaj tug in 1 & v^ftft 1 v/i te for mini- could even get Rich ood enough well enough! Can be booked, here? He'd blow ther *e had pro interesting projector finally broke down audience in darkness while t >r, put their heads together to ;c- solution to the technical diffi he main uoint of the film, was unl E?ll it, To be sure, there were a f< se Feather's presentation. He tal a He first became interested teenager in England, (Feathc he walked into a music shop he recording, Louis Armstrong's or spoke well about his as [ill luminaries like Benny Good of cidentally, the first jazz ar ss Union; and Billie Holliday, of he so highly that he named hei of daughter. he Feather also spoke of the pi izz of music, acknowledging the i ul, of radio stations that are dev taining that, even with the lirr make what he calls enduring on cites as an example the case at an early jazz instrumentalis nd Louis Armstrong, who now te; Ir. er. The films had their momeni he of a Billie Holliday perfor h. covered a multitude of sins. V ort as ners it is easy to see why sh m, These shining moments, th ide too few and far between to sa\ 'he rather tedious evening. The er- Feather's lecture and his filrr as circumstances in which they i nd unfortunate difficulties witl 'he blighted the affair. louse Filrr illy Ann Howes and Monday, >rs star. 7 and 9:30. director Je films befor ov. 25: The Train age 29, I is a World War II cinema. T1 ing Burt Lancaster, work in c , Jeanne Moreau and propos de 1 i and directed by John expose of ler (Seven Days in silent but s i Connection II). A almost he< Frenchman leads kooky doci {hters in thwarting a ming chan tn cloal a Vmarrl nf ?? ? wv uvv%?a M I1VMI \4 V* warning at Scofield as a Nazi Conduct (1 imon as an engineer the French , as is the suspenseful O and 9:45. Freev See BHpM.,o* ^c-:>.Mf"-:" -;*j kh&* f r Lisst'll K. I'iHM-<;AMK< <>( K ird Magazine review of ough says, "He's gonna Richie Havens soon.We lie Havens if things go vnn iinnflino Haironc n away!" 'blems films altogether, leaving the he Russell House crew come up with a quick culties. The music, the fortunately ruined. *w shining moments in Iked about his early life. I in jazz when, as a ?r was born in London), and heard his first jazz ; "West End Blues." He >sociations with jazz man, who became, intist to tour the Soviet whom Feather thought r the godmother of his lace of jazz in the world elatively small number roted to jazz, but mainlited exposure, jazz will contributions. Feather of Mary Lou Williams, t and contemporary of acnes ai uuKe. Is ot glory, too. One clip mance, in particular, /ith a voice as heavenlv e was so popular. ough, might have been re what was otherwise a subject matter of Mr. is were not at fault; the vere presented, like the h the film projector, IS Nov.26: French an Vigo made only four e his tragic passing at 3ut he revolutionized tiis evening, his entire hronological order: A Vice (1930), an abstract the resort town. It's o alive visually you can ar it. Taris (1932), a umentary on a swimnn iiiKA AM/4O f?1 Lftp, *TIIU tuun UIC illftll toss the pool. Zero for 933), cries out against school system and was 1RH films, page 9