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r*?> Homec Evi Even * *De< By David Oamocock PI The most dc adaptation of Aj Murder on the Orle a beautiful bore. It to quarantine no suspects, none of guilty and all of wh aboard a snowbo with Belgain sleutl badgering them \ tless questions relationship with party. Even with Sidne I helm and the hott (Jacqueline bj Bergman, Sean Cc Widmark, Michael front of the earner proved (to be was a for insomnia. What little life possess came fron as the talkative mi the murder weapo last half of the mo everyone else km fortune. Death on the Nil< version of Christie its similarities to < fares much beta costumes and beat .tin +i sew me oiui w somewhat over-t cast. The charact deeply drawn thai film, and like M filled with an nostalgic affectati There are, how portant differenc two films ... < oming festr song... weathe . * atti on n ? ??!>. tL. ?. DHKer UW&C UK IK Iimcritic palatable. \ ipular screen only to tell? gatha Christie, produced as fit Express, was Christie. All la plot managed claustrophol less than 12 by John G whom could be tourism. 10m were guilty, unrf Wnmnflvo niTTV.f 1T1 l Hercule Poirot really been vith often poin- African lc about their resembles n the deceased as an Egypt that has a film's critics y Lumet at the take? ? est cast of mn l^ow^erV ?t, Ingrid the film its ranery, Richard York, et al) in Where M as, all the film Express kep , cinematic cure various ti Death on t the film did place on tx 1 Lauren BacaU Karnak, tal atron who found outside as w n and spent the vie making sure GuillermL sw of her good and about o off to the a Nile River u, the latest film sphinx, the 's works, for all even the the earlier film, mysterious, sr. The period Placing < itifully designed strange loa here, as is a an uneasy he-hill all-star Therefore, Mrs are no more bitchy ingi i in the previous practically j order, Death is the air. abundance of ions. THE DIM ever, some im- on the Ni es between the elaborate tl differences that on the Oi iy tunti Brtl r too cold to rock ai the Nil ewer film much more Vhereas Murder tried story, Death has been more an hommage to to, Lumet's mock-chic iia lias uocu * cjiuitcu uillermin's free-lance *MIN MUST have 1st CjJ? enthralled with the ications, as Death |* lothing quite so much # flan travelosue. a fact tigered many of the iJlUtf IB "7 rseaf to the scenery, precisely what gives jgM urder on the Orient jLj3| >t the action confined to | g||t?fl ain compartments, he Nile, which takes >ard the luxury liner, . jpljri lies its action to the ell as the inside world. n's cameras move in ?? *1 UK; CUIU MWU 5^ ncient ruins along the . The pyramids and iPilBlil barren sand dunes, Cast oi oases, are naturally :haracters in such a Lumet refus .t it 11 A _ _A # aie gives me auatence 10 stray iron feeling to begin with, could see tin when Lois Chiles' deduce the i mue is murdered, it well before I puts a kinetic charge in By giving pretty see kMATIC riddle in Death Guillermin !e is also far more looking for 1 lan the one in Murder murderers i rient Express. Since you rememt ert only Homecoming featuring Even Green Street ment so they a first song, it wa had to be adjust recognizable. On that firsts while Paul Rue saved them wai JULIE CAM McVie of Flee imitate. The ba enjoyable. 8 The Roadai well with a goo< the intensity of ] in Browne's ve une ot uie dc Enough." Susa nature. The blu vocals. The second s numbers and n the slow start c disappointed al t ?w*w ? uahiicwck evensong 8 o id roll first setf a am ^9 ^ K a yui .. *. ' : ' ''..'.....\ ' * < ' " "v s - ~ ? ~;"" - -;: ^ r jjj ?^XS?*2 .*?? 3?iks***&~]:~;:&ki^. L*4flWT: - > ii^^HI ed to allow your eyes .. . you just i the train, your eyes nect them. 3 clues well enough to Guillermin Identity of the killers along beautil filrm '6 Anil Potoi* TTotinnu iiuu a vnu. ? v portrayal of the audience so much best perform* mery to look at, While Albert takes your mind off Poirot all th< leues. Thus, when the natural mann< are finally identified, penguin, Ustii >er seeing all the clues traits of Poir > medioi isyKoMitrattenoB Oemececk Staff Wrtttr 1978 began Monday night with a dance a song, a Columbia band. traffic hindered the band from setting jeded three or four songs to balance th< s obvious that the balance of the instrum ed. Their version of "You Make Loving F ong, Joe Taylor's guitar could only be he tso's bass was non-existent. About the i the strong vocals of Susan Taylor and. PBELL'S VOICE is amazingly simile twood Mac, the group Evensong defi ind fell short of that desired sound but id the Sky/' a Jackson Browne number, 1 driving beat even though Susan Taylor Browne. Joe Taylor threw in a good guiti rsion. itter songs of the set was Paul McCarts n Taylor's voice was at its best on roc es touch in her voice was really good foi et brought more Fleetwood Mac and J lixed reaction from the crowd. Cool wea lampened the spirits of some of the crov : the band's mellowness. riginal songs were some of their bettei I written by Julie Campbell was excel! See Eve )d my st MVM -Wv W<.-. . . * . . . "W '?* ^ VN?X??< .^ws^i^Wv Bi iniB -> 1 :^v .'; K|HBB^m * igS . :x*SB&:.^H^3^^^^^^M^:;-:> ?k:.V beautiful scenery adds t< weren't able to con-j comic strengtlu ; Smith's bitter s oirecuon cups, angeia L.ansou fully in sync with nographic novo '8 charming, hearty steal his spoUigl Hercule Poirot, his ince in many years. IN THE OH : Finney gave his roles, David I* i looks, timbre and Farrow are go erisms of a demented supplying much mv adapts only those ot that suit his own . 8* **' VIM f T| - ^ -** Y *r ) nsnuMv I I m i ~re v:' n Green Street, up their eauii> i sound. On the ente and vocals tin" was barely ard on the solos only thing that Julie Campbell. it to Christine mtely tried to manages to be , was done very couldn't match ur solo that isn't ley's "I've Had k songs of this ' the screaming ackson Browne ther along with rd. Others were * efforts. In the ent. Again, Joe naiuitf 1A d> r-?v " ery 1*m 11 mi,i ?>??>>> KWOOW^OWfrW^^ ^ * '^^.vA^y * . v.^v..w *> TT.; --vK7. ; V ^' "- ; ^ ^ : wH A -^H[ >: 9K I. Only Maggie nursemaid and iry's tipsy porlist threaten to it. i HER supporting liven and Mia od, with Niven of the film's t Death, page 14 'J~* t"