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' From The Horse's Mouth by Mr. Ed Tuesday, February 7 marked tl Year. This, appropriately enough, that I must express my warmth an< selection committee. I've always appreciated China b carriages. And I'm told that there j must be all right. I guess it's appropriate to devot< blazing concern, the ERA. I am fi that fights discrimination. Equal makes good sense. I only hope thii For example, just because there' doesn't mean we have to open a He PEOPLE ALWAYS SEEM to b< loose" in public. I've heard that i which mandates diaper-wearing fo preposterous. I haven't worn a dij people expect from us. They have i us, yet they become angry when 1 I think laws like that should be wi sensible and fair ordinances. And mishmash. ONE OF THE MOST niiriririTi me is taking notes. First of all, m< interesting as "Name That Tune." sleep standing up, you know), so wh on my feet; the professors emb "Harummph, Mr. Ed, are you wi up!" Those desks are so uncomfoi What I am advocating, since thi that you humans become more sc you. Just because somebody live doesn't mean he doesn't have feelin BITS: Walking through the Russ< watching the Bee Gees, the most r their way through several "songs" am beginning to think that disco is t that the world is doomed to spend el rather spend five years inside a pho STEVE MARTIN IS COMING to Mr. Ed has front row center. Jus should go see Steve Martin. He especially in person. He is one of or laugh out loud. The list includes W Mull, Lisa Smarr, Earl Whatley 2 Let's all chip in a few dollars and either wash his hair, have it cut dil maybe a new pair of glasses. This is As far as your human ERA goes stands up for what she believes, g fights for the ERA, as long as it's ok i Ophuls to i J * _1 UlSLlIlgUlSI By TERRY DUGAS Special to The Gamecock On Wednesday, February 15 at 8:00 p.m. in the Russell House Ballroom, Marcel Ophuls will receive the Russell House University Union Award for Distinction in the Arts. Ophuls will present a film-lecture using clips from his latest film. "The Memory of Justice." There is no charge, and the lecture is open to the public. Hnknlc ic nni. nf tho tnni<l/4'o V/piIUlO AO V7i IV ,V* il Iv VTl/l 1U O foremost documentary filmmakers. Taking material from a wide variety of sources ? newsreels, archive footage, scrapbook photos, and interviews ? he combines them with his own personal vision. 1 i i fefl W f i mm ^ /* JfSrnM IP h<H)inninO nf tka Pliinoon M?UI w VA VIIV/ Vlfll 11V/OV/ l^^YV is "The Year of the Horse." I feel j gratitude to those on the mascot ecause over there people pull the are no discos in China. That place i a column to the current topic of ully in support of any legislation Rights for Animals, to a degree, rigs don't get out of hoof, though, s a Piggly Wiggly in town that >rsey Worsey or a Doggie Woggie. xrome irritated when horse "lets in Charleston there is legislation r horses of all ages. To me this is a per in years. I don't know what 10 restroom facilities available to we exercise our natural rights. I ped out and replaced with more none of this "separate but equal" T tasks about going to college for >st of the professors are about as I can hardly keep my seat (horses len I "nod out" I inevitably end up arass me by saying things like tli us today? Sit down and wake rtable, especially for horses. is is "The Year of the Horse," is ?nsitive to those who differ from s on the other side of the field igs. Be nice to a horse today. ell House I noticed several of you ecent kings of disco, lip synching from "Saturday Night Fever." I he symbol for the anti-Christ, and i :ernity on the dance floor. I would me booth with Ed McMahon. the Coliseum on Thursday night. ;t look for the flies. People, you is the funniest human being, lly a few who have ever made me nnHv Allpn RnKnrf Wlain Moxfi? ind Wayne Doleski. see if we can convince Joe Loy to Fferently, or have it drained. And ; 1978. The Year of the Horse. , I fully support any woman who oes out and gets "that job," and ay with her husband. eceive led award HIS FIRST TRIUMPH was with the epic "The Sorrow and the Pity." Almost 4Vfe hours long, the film destroys the myth of French resistance during World War II. Through interviews, Ophuls reveals that the majority of Frenchmen not only passively accepted the Nazi occupation but also adopted much of the Nazi antiSemitism. Originally - commissioned by French TV, the film was banned for some time because, in the words of one snnkpsman "fhu populace was not yet mature enough to accept the idea that during World War II most See OPIIULS, page 14 ?ci eacnpi r Ztvr/o^*., <*>? / jo^f 57)4/ "JL'f- bnoi^/vt fiv ^fiCL11 "MpL "fo ialk^ "/<"> yoc ' -n iffl ar>, "ke.i/ Dato'T BE /A?/m. stupid IT'S r PEFMlTEU-y '-m9 /v?w/ tbstam^ mt' / A~T Blw Calcut Ity SKOT GARR1CK Gamecock Staff Writei "Oh! Calcutta" pren shocked audiences with the stage than any other It has been protested debut. The productio Wednesday night and, e had little appeal. "Oh! PnlmiHo" i? Ull . UU1CUIU.I YSj p sixties' various sexual i to be bold and exploit th< looking beyond the nudi humor the play was or Most of the Wednes Township was surprisi Apparently few studen The aucutorium was fill After college, wh That's a questioi ask themselves the But a two-year / ship can help provk ful completion of tl Air Force commiss lent starting salary, i Wi If d' AltSO D*t, You MoitvT JUMP MfiTTHERHooo C-Afvi 6t A NOMDEfWol"THiNS1 \ I jW :-m mmm mm m ui.i 'IP !ta uroc X liered in the late sixties its display of more nudi 1 previous theatre produc and fought against sine n finally hit Columbia xcept for the nudity, the i robably the epitome ol evolutions. The show int 3 very touchy area of sex. ty, coarseness and sugge ily mediocre. iday night audience at ngly middle-aged or ol( ts attended the product: ed almost to capacity bj UN us at will I do? i a lot of young pe< rl AtXA an uaya. \\r Force ROTC scho Je the answers. Succ< le program gets you ion along with an ex , a challenging job, \ Air Fim Way ~1b JUMP voooco OL To LpCjrtda. { DESTROY A NEW life - - /Vox* St?. i A Mtvsj SooiJ ccmr' v SoiC 'd*. / fa tt?i. | "vr ri? /?. hut iKi fi ?i [p,r i? ?- m n"" "" W>J5 IT /orv>y . 50H?WIN6 * ' fJtCjrris" J[ SAID? '*'* iuction met mi/1/lU ??l i . iiiiuuic-agmj assemDiage. THE PLAY CONSISTED of humorously dealing -vith the sul and were relatively funny, but not ty on aisle-type material. The good j tion. between and many of them wer e its the dialogue was little more tlu last, of foul language. show The play began with the r walking onstage fully clothed the several bathrobes which hunc j ^ ends The crew then came forwa But They proceeded to go into a stive strips which resembled flashii else. Suddendly the stage L , l"e actors and actresses dropped ler. on. See ' the >ple motion opportunities, and with a modern Air Force, lar- academic years remaininj >ss- about the two-year Air Fore an shic Proaram It'R a nr? - ?? ? ? ? v eel- your country and a great >ro- for your college education rccRHTC 7 In I aw mm wh of Life BY GLENN RAWLS I ./ &UEVE 'y 7HAT'*, MATWEH/ vnzn ' fa?as < /' ?r *"V diocre a COPIOG ftf clrifo all M w* AW W* UCVAU1) CI 11 bject of sex. The skits exactly rolling in the ! okes were few and far e rather old. At times m an endless barrage nembers of the cast and .gathering behind from clothing stands. rd donning session of tantalizing lg more than anything j ights went up and the their robes. What 1 I a secure future If you have two I 3, find out today I ;e ROTC Scholar- | at way to serve I way to help pay | I < .