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enteri Ligh (nr 1 W B By CHUCK CROMER Entertainment Editor Campus HELP (1965) ? Ar spoof of spy films, mad dirwtpd hv RinhnrH Day's Night," "The T] "The Four Musketee Marian"), and starrin this, their second film chased around the wor want to sever a sacrific pinky. Thursday $1. MOONFLEET (19 Granger, whom MGM ti Errol Flynn of the 1950* nf hflH pharn^or anrl t V??Ml MVVVi U1IU \ this 18th century swasl Jeremy Fox, Granger smuggler who reform protector of an orp Whiteley). Fritz Lang venture that, believe it the best foreign film of press, This movie will 7:30 pm July 4, at E Lodge. MOGAMBO (1953) films of "the King," C second half of his care? Army in 1945. Directed is a soulful remake of " that starred Gable, Je whore, and Mary Asto bigot who falls for Gabl Ava Gardner plays a ton Harlow, while Grace K r\Q**+ 'l*V^n rirtkl/\ /lUnun pui i. i me uauic Ulldl ttct a plantation ms Hemingwayesque white was shot in color on loc; Film Daily wrote, "Mo Ency WSSK?:: KT}^ I 1 J tainment its out 'Midni tongue-in-cheek through most of . and which make HImS the film quite a Tuesday. i ingenious comic scientists, etc . . ., rpup Lester ("A Hard i " hree Muskpfppr?i " ^onacior uurt '. comic farce tha r?s\. R?b"> a"Jd "MASH." Reyni th* r^h quarterback wh< i, the Beatles are ; , , , ... . . guiiiiciiu o tai J Id by villains who warden (Eddie i lal ring off Ringo s organize a convi< prison guard te t ce," this is prob 56' 7 Ste.wf,rt for what that's v ned to turn into the Aldrich. Cominj s, stars as 'a man ivil reputation" in tibuckling tale. As l/OWIf ' is the supreme s to become the haned boy (Jon STAR WARS directed this ad- George Lucas, or not, was named faraway, exotic 1955 by the foreign imaginations to be shown once at becomes a $3 spa tell Camp's Main the viewer fastei from Columbia t universe. The e - One of the best young Luke Skyi lark Gable, in the extraordinary ir ;r after he left the kidnapped rebel ] by John Ford, this the qualities that Red Dust" (1932), consciousness ol 0^ ?A:? <<< uu uai lUty eta II12> IliapildllUll 111 i r as the beautiful firmation of relig e. In "Mogambo," that if one lives i ed down version of God), will guid? elly has the Astor reassuring conc< er is changed from prophet for the s inager to a Spring Valley, ai ! hunter. The film ation in Africa. As ROLLERCOAS st engaging is the toms meander: clopedi By Garni ! Kai tj n Br?w ^ Ji I n enorr devils _ ms3&m types jfkHBb essaj fflffivf - ^agLy^ElilK creai Su< from ' weav liters ilMlHHlHMi plus wmmmmmaM ,egen To serp< filler gnt attitude which is evident the unfolding of the plot, is considerable portions of cceptable light comedy." EST YARD (1974) ? 1 ?A. > ivcyiiuiiu> biurs in " inis it is basically a ripoff of olds is an ex-pro football o is jailed for running his into a river. In prison, the Ubert) forces Reynolds to ct football team to play his am. Next to "Deliverenably Reynold's best film, vorth. Directed by Robert [ July 6, 7. $1. town Films - Directed and written by this film gives us a environment for our i uii iree. aiar wars" ce fantasy that transports r than the speed of light I o the outer limits of the IV entertaining plot follows r walker and friends in an itergalactic rescue of a j princess. Philosophically, ? stretch across the social the universe serve as star Wars" ? the reaf- i [ion, faith in the principle t right the "force" (Jesus, l j your destiny and the i ;pt of self-sacrifice of a t alvation of the believers. ( rid Columhin : ITER ? Timothy Bot- < s around blowing up \ a surv ERRY DUGAS ecock Staff Writer therine Briggs's "Encyclopedi nies, Bogies, and other Super nously entertaining source of ir of the supernatural which is s, or ghosts." nnt hp mislpH hu tl>n tula tkn., ises that the book is intended al scholarship, and she has rel >riginal tales. NCENTKATING ON British iries, the book has lists of in< > of fairies, writers or collect /s on the society, culture, econ ures. :h a volume is the ideal reading beginning to end or opened 'es into the factual informatio iture and folk tales. The entry tple, contains exerpts from foi a retelling of a Devonshire tra id that entraps the reader. pics such as "spells to cal ent maidens," and "supemati I with accounts of the beliefs & |NBf 1 i,<T^ Years after their first me ,arry Douglas (John Beck) loelie (Marip-Frannp Picior eunited under very diffi amusement parks to the rhythm < surround. So what! Spring Valley. THE OTHER SIDE OF MIDNIGI "omantic melodrama based on a bes hat has met with bad reviews. A si ove, revenge and power set betwee .946 in Greece, Paris, Washington ina Hollywood, rne heroine, Noell< Marie-France Pisier), rises fro nnocent girl in Paris to become 1 luential mistress of a Greek million >rder to get revenge on the only m las ever loved, Larry Douglas fevs lec atteir comp imagi a of Fairies, Hobgoblins, enteri ?? 5- -- naiuiai \>(cuiiues lb tin iformation on "that whole Till . not claimed by angels, givinj Thi gh. In the Preface, Briggs schol for browsing rather than listini tained the enchantment of index show dividi legends of the last ten The dividual fairies by name, brief, ors of stories, and short occas Amu Qr?rl nAiimwo ??? V.../I ">i" punciD ui uicac art:, adapt companion. It can be read A bi to any point. The author a guii n relevant extracts from existii for "fairy morality," for ir collections of fairy lore AT dition. It is this wealth of origin For 1 up fairies," "stories of with ? iral guessing games" are at the held for centuries. The aloud ?L -JIhRK : M* mLjg^g eting circumstances in 4 and of Midnight" now I Qro *mi.? -? - * - -- ? v inn atic iiicaier. icult )i sen- Beck). Miracle Theati THE SORCERER IT ? A of mysticism or the s >tseller its title Instead the s< Lory of Green, based on Geor n 1939- '<The Wfiges of Fear , D.C., strangers trapped in i Page American backwater, m an escape is to volunte< the in- dangerous job driving aire in nitroglycerine across ilinclp fprrain Tliic I an sne j?o? * (John William Friedkin and s Jefferson Square. lends ipts to explain the unknown and to liv rehension provide delight with [nation. Indeed, most fairy legend tain while rationalizing the fearson ERE ARE also 21 black and white pi I visual interpretations of these m s volume also provides an excellei arship. The most valuable section is g of entries using the Aarne-Thomi .. Motifs such as "mortals capture the growth of legends and the rela ual folk tales. ? research is adequate and the entrie The work is especially thorough in C iionally cites American and Cnntin* however, weaknesses in Medievf tations of foreign legends. bliography of works quoted, cited, o de for further research and a coi ng folk collections. ITS BEST, the entries will motivate al folk tales which form the basis for no one who has read a fairy story or iccounts of elves, dwarves, or goblin s contents. This is a book to be rea 8|Br 'The Other Side playing at the re. - This is not a story uppmatural despite :reenplay by Walon A i gca mutiuu s novel, centers on four a primitive South Their only hope of er for a suicidally a cargo of volatile 200 miles of wild film is directed by itars Roy Scheider. a iiiltK U? I v "iui iuitea wyuiiu i their ingenuity and s were designed to le power of nature. ates and 39 drawings ysterious creatures. nt starting point for ' fKn ? vAienaive crossison Type and Motif d by fairyland" can tionship between in^ PYtpncivA nhUAn^fL ^"WIIUIIFV UllllWU^li faelic references and ntal parallels. There ?1 lore and British r consulted provides nnprehensive list of someone to read the the work. has been enchanted s can merely glance d, reread, and read