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Gable. Har ? m ? ? ? team togei 'Hold Your /Dinner our soft to dimension IT hi s is the dress ? foi dining or disco danciny. I you through summei into it up or down. Easy mo with shaped bodice in Bl of polyester, sizes 5-13. I G / a our a summer \ j)& (Off??? i Al! Stores Downtown Richland By Chuck Cromer low CAMPUS FILMS CHINATOWN ( . ^ Nicholson was nom P mm mm m gm Best Actor for his p f II | III 1.930's private del meanders through a with political corru M M - ? 9 murder, mistaken id jTira fS H violence and sexi Ivlll I I Nicholson is hired t sexual activities of Los Angeles political * Dressing- -^lE^ ?uch in night ^5i& s from restaurant I It will carry Ipllll viiuj shape ack ar Tan i2. *\r j= OF CALIFORNIA / g ? 1 -N HH ^JiP jllSP^ JiRR$SSaB?S\-'r' .s : - >:< A AHIN Square A / ""--J ll surveillance leads him on t preposterous political scanda some sharp millionaires to corporate most of the land in Angeles County under t! supervision. The intriguing 1974)?Jack and the exceptional performai A- 1 - - maiea ior a by Nicholson and Faye Duna ortrayal of a make the film a pleasure to i tective who again and again. Thurs( plotline filled Friday. $1. ption, incest, entity, greed, HOLI) YOUR MAN (193 lal ecstacy. Clark Gable and the sensuous ^ o spy on the Harlow were teamed together a prominent times in films between 1931-] architect. His This movie, their third appear. y{ DERRYS ) sr \ on main J - ?CT? * 0 a together could have been their 1 by finest screen moments if it had not in- been for the increasingly hardLos nosed Depression morality code heir that began to dominate film plots plot in the early '30s. Still the film is rirtoc i n fnrnc 41-? -1 *" >ivvo uuvi V0UU5 ucs(iiic me cnasuty way belts imposed by the moral sanc/iew tions of the day. iay, "Hold Your Man" is a love story that radiates the charisma of two of Hollywood's most memorable 3)? stars. The story is simple enough, fean Gable plays Eddie Nugent, a slick six young confidence man, who after L937. being pursued by the police, takes ance refuge in Jean Harlow's apart?| ment. Harlow predictably falls in lnup with HoKIn ??tV?ll.#> ? v<v nun uautc vrimc iic remains aloof and initially disinterested. As the film progresses, his resistance weakens as he realizes that he is in love with her. The rest of the story follows their search for peaceful companions despite such outside disruptions as murder, fraud, imprisonment, and pregnancy. T~> 'A ?_ A*- ? 1 ^ * ?- - occciuse 11 is ine last uaDie tlick to be shown here for quite some time, I'd like to quote what film critic Charles Champlin of the Los Angeles Times wrote about Gable several years ago. "Clark Gable was the greatest heroic male star of his time, and to think about him now, at the beginning of the 1970's, is to realize with sorrow, and a double sense of loss how much we and the world have changed and how distant and uncomplicated his time already seems." Sunday. THE OLD FASHION WAY (1934)?W.C. Fields, a name that immediately suggests laughter, wrote and starred in this excellent comedy. Fields is The Great McGonigle who leads his turn of the century troupe of thespians across the country performing "The Drunkard" and staying one step ahead of the law, who always seems to be after Fields in most of his movies. This film has two classic sequences where Fields battles Baby Le Roy to the death at the dinner table and the exhibition on stage of some of Fields tremendous vaudevillian talents that initially made him famous. As Fields once said, "Anything worth having is worth cheating for." In this film, you'll understand why. Monday, 6 p.m. and 9 p.m. .. THE GOLD HUSH ( 1925)?"This is the picture I want to be remembered," said Charlie Chaplin?whom George Bernard Shaw called the only genius developed in motion pictures. Possibly the most endearing and enduring of his comedies, it is the story of a forlorn prospector who 1 - -1 L 11 * ? loves a aancenan gin aurmg tne Alaska Gold Rush. Full of wild story twists, profound pathos, and hilarious comedy this silent movie gives us Chaplin at 'his best. Monday 7:30 p.m. only. SUSPICION (1941)?-Considered to be one of Alfred Hitchcock's best efforts. Joan Fontaine won an Academy Award for Best Actress for her role as a paranoic newlywed who is constantly becoming more obsessed with the idea mat ner nust>and, Gary Grant, is trying to murder her. In one excellent film sequence, Grant is moodily driving Fontaine, at an incredible speed, down a coastal road and when her cliffside door comes open, it is impossible to tell rirant if >f nvviivi VII nut Id n uti 11 JM JII^ tu push her out or hold her back. In another famous sequence, Grant brings Fontaine a glass of milk to her bedside which may or may not be poisoned. The suspense is further enhanced because Hitchcock placed a small light inside he milk to make it glow. Tuesda\