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More Dylan fan To the Editor: r Now,, gee whiz, altogether very con to run Ed Turner's n..i ' ~ i i r\ n wyiuii s Lft:sire, you could have in flesh out his argi "Desire" may very effort to date. Yes,i be a classic. But dicated why he had (hie ii/ai; IllilO ** ? J . It is because "De departure from h recording that it is That's not to say ths was of poor quality I mean simply that t example of how matured. Instead oi w i* 2 Shoney'j America special i seed bui this sup< Inside, C From 5 j s. Belt > Letters desires more or a Dvlan I we have folks, it was sharing vo siderate of you switching review of Bob Emmy lou 1 but I do think be the feme sisted that he the chorus t iments. Yes, the upper o well be his best in his norm t is destined to elegiac ten: he never in- Listen to reason to feel "Romance Spanish fla sire" is such a there's soir, is method of lines also, Dylan's best, clouds itT it his past work This is, a: by any means, my memor; hisrecordis an writer's cn Dylan has most of the r the solo Dylan violin, you Monday Nigh SUPEV t HMH reciA ! BIG BOYS F< s famous twin beef | n cheese, lettuce, ai 3ig Boy dressing on i. Double up tonighl er special at Shoney )n the Curb or Carry s.m. til close Sp11 # RESTAURANTS line*Charleston Hwy?C Dutch Square > /F774 awvti P &AIA \ ,..ooP 3SK bolstered by Joan Baez, a clearvoiced Dylan ft/#5 cals, sometimes even jfiH to harmonies, with -1 arris. Her voice has to I ile twin to Dylan's. On o "Joey," she sails into IT , ictaves while he labors authorii al range, and there'san on the sion between .the two. the basi "mozambique" and the bas: in Durango" for the reedy h vor she adds to them; Sister." lething of it in Dylan's Dylar but his lazy phrazing women the gra s well, the first time in and "Li / that Dylan has shared he was Bdits with anvone On Tomoc ^ ? ? -- UUIIIVO songs where you hear in their find Jacques Levy co- and re: ? protagi - gonna s It want m obvious >own wif mentioi ahrmt h wants t< Eof the women, of the v Ronee ] T4)? : ~ ' 11 & in has exf k are his: ^ lyrics a Ulike th( never c, descrip detail c first he; ^ Jack of ^ >\ Tracks, tlVCVHl I movie i mm 5?r HB j ; ^ ^ s ! id our fig | a sesame t and enjoy out all )entsville ng. He fixes a counterpoint Diamond violin, lets it wind around quality to c melody line or dip far into ture and s clef while Dylan blows a Allen Gin armonica on top, as in "Oh Hentoff reading , i s lyrics are deterential to tory" and in a way that runs against style. Co in of "Just like a Woman" Dylan to ke a Rolling Stone." Where precision once the short, defiant No, I c Dean, mocking his women Turner. H Hpfonlc ho ic nn\n L - ~ !i! iiv iu uw*? 11uiuuici nib crmq spectful. On "Isis," his writing on anist's wife asks, "You But I belie tay?" His answer: "If you want to e to, yes." And "Sara" is so knows th< ly a paean and a plea to his than "hu e that it hardly needs to be nrossinu r* -o led. He is not all bitter Tim Hedg er leaving him, he merely 3 understand why. In light , way he is singing about IntrQI , I think it no coincidence r is supported (in every sense TGTS I yord) by Harris, Rivera or Ulol/lo.. L>1U1\1CJ Ull CVC1 ) dUIlg. nportant to note that Dylan To the Ed )anded on the ballads that strength as a writer. These In resp re not "quasi-surrealistic," Little's ase of the Dylan Turner assault on ared for. They are strongly basketball tive, razor sharp in their speak fc ind entirely real. When I tramural ard "lily, Rosemary and the most of Hearts" on "Blood on the human ju " I told my roommate error (unl hat it was not so much a vultures \ is a screenplay for a "truth" ic Western. (I felt a glow of pedestals :tion when I found out that a will alwaj is now in the works based questions on the song.) "Black several ca T ib ^j? jy tdJtk 1 Bay" has the same T1 it but a stronger struc- plaj a more dynamic plot, botl sburg recently told Nat evei that Dylan has been Ms. Joseph Conrad's "Vic-, figu admires his narrative thoi nrad has clearly taught sucl recognize the beauty of not in language. cori lon't want to put down call e filled up the columns of snip ue as well as anyone flav the entertainment page, of t :ve in complete justice. 1 pla< ensure that the world spol jre's more to "Desire" ball rricane" and a clean seal Thanks for the listen. giar [ecoth pjn^ cha "nural 0m, ranlw can ' ^ 1 J tim war Yoi litor: thei reft onse to Ms. Barbara of it somewhat venomous the the quality of intramural Ir officiating we feel we jers ... l-" .? ~ - r n me inujuriiy 01 in- mai referees by saying that droi us are human. Since Ion* dgement is subject to stin ike that of self-appointed Ir vho always scream the ora from thpir nrnlprtivo r. ? v. 111 V J in the bleachers), there DO rs be discrepencies and regarding the validity of Bill Us. Joh V72TTT3 LTBrVjHn \ o -J ?? here has never beei ^ed, to our knowledf l teams involved ag rv single whistle blow T liil- 1 inline nas some ires to refute our ji jgh. But for someon i accusations as "fou! fouls were called" -ect walking violati ed" suggests to us >er possesses infinite /less judgement and he Bionic Woman. ' ze for your talent Ms t at center court, t< amid a sea of Ling, screaming, s its who wouldn't n ; on you if they ha( nee. emember too that i zials are students w not afford to devote e to the art of referei it perfection? Go to i'd be hard pressed *e too! Not mar ?ree for the sheer < , and we certainly w< mint on our salaries i fact, wearing a ;ev rominHs us nf fV riner who had the de oping around his m *er you wear it, thv ks. 1 the words of the old nge juice man we wo ite Ms. Little "C< WN". y Cox n Fuhrman li w^l aSSSSW * 1 1 n a game *e, where ;reed with n. Maybe facts and udgement, c iu matte Is thatwere and "in10ns were that this ? wisdom, the vision fhere is a . L.mie - a jssing the swearing, crambling riind stepj half the nf tv* linnl mi aiuui a 1 ho simply s all thenping. You the NBA. to find it ly people enjoyment on't break >. referee's le ancient ad seagull ick. The e more it Tropicana uld like to 3ME ON