The gamecock. (Columbia, S.C.) 1908-2006, September 13, 1971, Page Page 7, Image 7
Lee Michaels
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Gig Pigs. That was the
gratuitous insult Lee Michaels
handed the ushers shortly after he
made his appearance on the
Coliseum stage Friday night.
But Michaels was wrong. The gig
pigs were not the ushers. In fact, it
was tough trying to decide who
were the real gig pigs between the
behavior of some members of the
audience - and Michaels lack of
professionalism.
To insult the ushers, who had
done absolutely nothing offensive
was a grand gaucherie on the part
of Michaels. When you don't have
good ushers, a good concert can be
ruined in a matter of seconds. Just
ask anyone who was at the Allman
Brothers - Toy Factory concert at
Township last spring.
At that particular event, a crowd
rushed the stage pushing the band
back and ending the concert.
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Gig F
Even though the remark was
uncalled for, Michaels went on but
not. however, for long. There are
conflicting estimates, but the
outside time for Lee Michaels'
performance, including encore, is
a half an hour.
There was no real reason for his
performance to be of such
diminuative duration unless you
consider the boocish behavior of
certain members of the audience.
They kept yelling at Michaels
asking him where the organ was
- Michaels was playing an am
plified piano).
Some of the choicer comments
screamed at the stage concerned
the amount of illicit phar
macueticals the screamer had
introduced into his bloodstream
prior to the concert.
Perhaps Michaels was upset
because the audience wanted to
stomer..
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igs
communicate with him. Maybe he
was upset because he thought
there might actually be partakers
of illegal drugs in the audience. At
any rate. he breathed "thank you"
and he and his drummer left the
stage.
In a trice. members of the
audience rushed toward the dqis.
This occured after Marc Aren
stein, the promoter, had pointedly
asked the audience at in
termission, not to rush the stage.
There might have been a grain of
pardon granted the audience had
the music inspired them to such an
action, however Michaels had left
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the stage and the only sound
emanating from the vicinity of thi
stage were the screams of "More,
More" from greedy and boorish
concert -goers.
This display of raucousness and
lack of sophistication should have
been a source of embarrassment to
every person at the concert.
After a time. Michaels returned
and did a song that everyone sang
-along to that went "Heighty Ho,
Heighty Hi. Everybody's stoned
and so am 1." The enthusiasm with
which this particular chorus was
received said something about the
audience. After the song, Michaels
left and so did I.
To be angry at an audience is one
thing. but to show it is quite
another. A professional hides his
personal feelings and gives the
best damned show he can. The
amateur stalks off.
On the other side of the coin, the
audience must have
professionalism too, in the sense
that they are there to listen to
music and not to perform mob
tactics.
The night was not all bleakness,
however. Long John Baldry came
on with his 6' 7" frame, played
good music and. 'surprise, sur
prise.' actually acted as though he
was glad to be there.
He not only sang, but featured
his lead guitarist and his pianist in
solos.
There is no doubt that Baldry
gave a very good show and saved
the evening from being a complete
bummer. He was great. He war
med an unresponsive audience and
never let down. He's a
professional.
Long John. come back soon. Ie
Michaels. don't boiher.
R ag
(Wontinued from Pg. 6)
"The Rag." first issue to be
published Setember 15 or 16. will
be printed at intervals, depending
on money and copy. Articles and
editorials on state and national
news will be printed, as well as
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