The sun. [volume] (Newberry, S.C.) 1937-1972, September 01, 1939, Image 2
THE SUN, NEWBERRY, S. C„ FRIDAY. SEPTEMBER 1, 1939
CHILD OF EVIL
O OCTAVUS ROY COHEN
WNU SERVICE
By OCTAVUS ROY COHEN
SYNOPSIS
Beautiful, young Kay Forrest has been employed by Christine Maynard,
photographer, to pose for a series of pictures, the background of which will
be exquisite Cathedral Gardens, famous Southern resort. Unknown to them,
one Jeff Butler, mean, unscrupulous "swamp angel.” has led a friend to spy
on the two women. Kay, of necessity, is scantily clad while posing for the
camera studies. Kay frequently stays with Mrs. Ruth Hamilton, her son Bar
ney, of whom Kay is very fond, and her daughter Margaret. Mrs. Hamilton, a
remarkable woman, conceived the idea of the Gardens following the death of
her husband. One night, after a local dance. Kirk Reynolds, a ne'er-do-well
gambler of Beverly, a resort town, and Kay go for a ride. Kirk’s car collides
with that of Harvey Jackson, and during the ensuing argument Kirk whips out
a gun and kills the young, popular engineer. Kay is completely stunned by the
tragedy.
CHAPTER HI—Continued
Kay’s hands were clasped in her
lap, her figure racked by dry sobs.
‘‘Oh, Kirk ... it was so awful . .
“Lay off that. I’m trying to be
Und, but you won’t let me.”
She said, “Will you go away?”
“No. That’d be a dumb play. Then
they’d know I did it.”
“But if you stay in Beverly , .
“I’ve got to. And you’ve got to
play along with me.” His hand fell
on her wrist. “You’ve got to; see?”
His voice frightened her. The kind
liness had gone from it. It had be
come the sort of voice he had used
with Harvey Jackson. Cold. Bit
ter. Inviting no argument.
She said, “I don’t understand . . .”
“Murder is murder,” he explained
flatly. “A man can only be hanged
once. Does that tell you anything?”
“No . .
“Then listen. You saw something
tonight. You know I don’t bluff. If
you open your mouth to anyone
you’ll get the same dose Jackson
got.”
Calmly. Quietly. Just like that.
If you say a word to anybody, I’ll
kill you, too. She was like one
hypnotized . . . but the recent trag
edy had been too vividly seared on
her young brain to admit of doubt.
“I’m scaring you because you
need to be scared.” His tone was
conversational. “I want you to real
ize just what you’re up against.”
“But Kirk ... you couldn’t!”
“No?” He laughed mirthlessly. “A
man will do a heap of things to
save his own hide. You’re just a
kid. You’re all shot to hell by what
you just saw. You’re figuring you’ve
got to talk to someone. Right?”
She said nothing; made no ges
ture. He continued.
“You’d be likely to tell your fa
ther. Or this Hamilton guy. I’m
warning you . . . don’t!”
Still she did not answer.
“Here’s why,” he went on. "And
I don’t want to make it any tougher
on you than I can help. Only you’ve
got to understand. For your own
sake.” His hands were tight on the
wheel. “It won’t be safe for any
body to know what happened to
night. If you tell your old man—or
Barney Hamilton—they’ll try to do
something about it. That won’t be
healthy for them.”
“But they had nothing to do with
it.”
“They’ll be in it the minute you
spill a word. And remember what
I said before; they can’t kill me
any deader for killing three men
than for killing one.”
That damnable logic again. Cold
Statement of cold fact.
“I’d do it. You saw enough to
night to know I would. So for their
sakes . . . you keep ’em out of it.”
A pause, and then, “And one more
thing. Maybe you’ll figure that if
you squealed I’d be thrown in jail
and everybody would be safe. Wei,
that don’t go, either. My dice-deal
er, Dan—I’ve enough on him to
Clang him twice over. If I wanted to
get someone and couldn’t—on ac
count of being in jail—he’d do it for
me. And be glad of the chance."
They passed a big white house set
far back from the road. A planta
tion. Kay saw people on the broad,
high veranda; heard snatches of
laughter and the syncopation of a
jazz orchestra playing in some gay
New York night spot . . . and in
truding into this southern tragedy
through the loud speaker of a radio.
“Put yourself in my place,” said
Kirk. “Then you’ll know I’m not
bluffing.”
She could put herself in his
place; that was the staggering
thing. She knew that he was telling
no less than the truth. She, of all
persons in the world, had reason to
know that he was deadly and cold
blooded. She felt terribly young and
alone.
“This,” Kirk said, “is between
you and me. There are liable to
be questions. And you’re not to
know the answers. Is that perfectly
clear?”
She said, “I can’t think ...”
“You’ll have time enough for
that.” His words were close-clipped.
“But whatever you think—always
remember this, anyone else who
knows about this is going to find
himself in a lot of trouble.”
i* • • •
Beverly is bisected by State High
way No. 11 which runs due east and
west and digresses only briefly at
Monument Square to circle the
venerable two-story brick court
house which stands solidly and sol
emnly under benevolent old oak
trees.
At either end of the town on this
highway are new and impressive
archways, designed by leading car
penters and flaunting to the tourist
world sentiments collaborated on by
prominent* members of the local
Chamber of Commerce who daily
view the fruit of their literary ac
tivities with pride.
Entering the town from east or
west, you are confronted by this;
WELCOME TO BEVERLY
Pop. 6,500
Departing, the tourist glimpses
the reverse side of the same arch
way and is edified by another lit
erary confection:
PLEASED TO HAVE MET YOU
COME AGAIN TO BEVERLY
Pop. 6,500
Artistically and perhaps estheti-
cally the signs are ^intriguing, how
ever little they might seem to blend
with the sleepy tranquillity of the lit
tle southern town. They are wrong,
however, in one important respect,
the optimistic Chamber of Com
merce being inclined to ignore cold
facts.
Some few persons resent an ex
aggeration which defies the Federal
census of 1930. Government figures
proclaim to the world that the mu
nicipality of Beverly has 4,376 resi
dents. Members of the Chamber of
Commerce declare frequently, offi
cially and vehemently that this
count is untrue and that there has
been deliberate and unforgivable
discrimination. They appear to be
lieve that such an undercount is a
cataclysmic thing, affecting the
well-being of the entire world, and
their assertion that sixty-five hun
dred persons reside in the little town
is merely a method of answering
this libel. “All right,” is the effect
of their statement, “we’ll tell the
world how many people we think we
have.”
These sign-boards are a direct and
proximate result of the successful
launching of Cathedral Gardens.
With the Gardens completed, the
gravel road leading to them freshly
scraped, the White Star Hotel newly
papered—in spots—leading citizens
and business men conceived the idea
that tourists might come to visit
awhile. _ The signs were therefore
erected’ and casual arrangements
made to entertain a few strangers.
But for some reason which Beverly
never could quite understand, the
fame of the Gardens spread over
night. There were other beautiful
Gardens in the South, many of them,
whose fame had been broadcast for
decades, but there was something
about this new place of Mrs. Ham
ilton’s which intrigued the fancy of
tourists. They came not singly, but
in battalions. They descended upon
the somnolent little town and
swarmed about its streets. And
since Beverly was a considerable
distance from any large city—being
therefore a metropolis of sorts—the
tourists usually remained for two,
three or four days.
They visited Cathedral Gardens in
the early morning. They flocked
there during all the daylight hours.
And, almost invariably, they re
mained in anticipation of moonlight
nights when the Gardens reached
the zenith of enchantment. Visitors
wrote to their friends:
“Of course Cathedral Gardens are
beyond description. You must see
them. But when you do come, plan
to stay a few days. This is a queer
little town, but lots of fun. The ho
tel isn’t half bad and there’s danc
ing every night. One good picture-
house, and several places along the
roads serve barbecue sandwiches
which are worth driving a few miles
to get. There are other things, too.
The proprietor will tip you off if he
thinks you’re safe—believe it or not
—to a dice-game on the second floor.
Regular crap-table, and it’s fun, pro
vided you don’t mind losing a little.
We have stayed five days and we’re
coming back when the azaleas are
over and the lotus season begins.
They say that’s going to be breath
taking.”
And, on more than one occasion,
letters were despatched from gen
tlemen tourists to other gentle
men who might become tourists.
These letters touched on another
point:
“. . . And in addition to all that,
Jim, old man, there’s plenty of hot-
cha here. If you’re lonely, meet
Miss Henkel, the beauty operator
in the hotel. She’s easy on the eyes
—and boy! how tropic! The rest is
up to you. As a matter of fact, the
whole thing is a miracle. I can’t
help wondering what the old-timers
in this burg think of the jazz inva
sion.
“P. S. This Henkel dame answers
to the name of Babe. What she
answers is something else again. A
word to the wise is foolish.”
It had taken Beverly no time at
all to become tourist-conscious, nor
to exploit its visitors. Robbie Morse
raised the price for his best rooms
to two dollars a day, and never
quite oriented himself to the fact
that it was paid without question.
Pleasant homes on streets jutting
off from Monument Square placed
signs in their front yards: “Tour
ists Accommodated” and some of
them assumed names: “The Gray
House—Meals & Beds for Tourists,”
“Welcome to Ye Olde Inne. Chick
en Dinners and Comfortable
Rooms,” "Rooms. Meals. Free
Parking. Make This Your Head
quarters While Visiting Cathedral
Gardens.”
And all of this had happened sud
denly and bewilderingly to a town
which for more than two hundred
years had dozed placidly under
southern skies; a town which was
bordered on the east by Big Moc
casin Swamp and on all other sides
by tradition; a town where busi
ness had been depression-proof and
boom-proof; a town unaware of the
outside world except on those in
frequent occasions when the na
tion had indulged in warfare. Bev
erly was startled, business men ap
plauded.
A littlfe roadster, having as pas
sengers Kay Forrest and Barney
Hamilton, approached Beverly from
the east, bumped across the rail
road tracks and moved slowly up
Palmetto Avenue toward Monument
Square.
The Square was crowded. Out
side the White Star Hotel was a fleet
of cars, most of them wearing the
license plates of other States. The
general trend of passenger traffic
was eastward, toward Cathedral
“A man can only be hanged
once.”
Gardens. Farmers, in from the
country in rattle-trap flivvers,
searched despairingly for parking
space and cursed Beverly’s new pop
ularity. The Constable on duty at
the Square made large and frantic
gestures in an entirely futile effort
to regulate traffic.
Barney asked a question. “Home?”
“Yes.”
“Right away?”
•.‘Yes.”
He said, “You’re funny. You
haven’t even been to town in two
weeks, and now you have to run
home. Why?”
“I must. Really.”
“Before you get out—” he started.
“What?”
“Well, I suppose it’s none of my
business and I swore I wasn’t go
ing to butt in . . .”
“Go ahead, Barney.”
“All right.” He drew a deep
breath. “What’s wrong?”
“What’s wrong with what?”
“With you?”
The smile died from her eyes. She
said, “Nothing.”
“Tell that to somebody else. I
know there is.”
“What makes you think so?”
“Lots of things. It started the
day after you went to the dance with
Kirk Reynolds two weeks ago.
You’ve been different. And you
haven’t even wanted to come to
town until this morning. It’s almost
as though you were afraid of some
thing.”
She said, “Maybe I am.”
“Then spill it. You know how I
feel about you.”
“How?” She tried to relieve the
tension.
“Let’s put it that I’m a sap, which
might explain why I love you . . .’’
Her face flushed and she touched his
hand ever so gently. “But darn it!
don’t you see where that puts me? I
want to help and you won’t let me.
You’re stalling.”
She said, earnestly. “I’m not—
really. There’s nothing wrong.”
He shrugged. “You win. I’ll check
out.”
“Barney! Please . . .”
He turned on her then, his blond,
boyish face serious. “Let’s talk tur
key, Kay. Something happened
when you came into town two weeks
ago. When I drove you in, you
were bright and happy. The next
day you came back to the Gardens
all shot to hell. Mother and Mar
garet have both noticed it. I’ve seen
it in your eyes. You’re scared . . .
and don’t say I’m wrong, either.”
She shook her head. “You may
not be wrong, Barney; but I still
can’t explain.”
“Kirk Reynolds is mixed up in it,
isn’t he?”
She was startled. “What make*
you think so?”
“I’ve got to think it. Whatever
the trouble is, it started the night
you went to the dance with him.”
“Yes.” Her eyes were somber.
“As a matter of fact, Barney, that’s
why I’m in town today.”
“Why?”
“To see Kirk.”
“But why? What’s the big idea of
wasting your time on a louse like
him?”
She said, “I’ve got to talk to him,
that’s all I can tell you.”
The boy’s eyes narrowed. “That
telephone call you got last night,
was that from him?”
“Yes.”
“He told you to come in this morn
ing?”
“He asked me to.”
“And you won’t explain what’s
eating on you?”
“Barney! I can’t! It isn’t that I
don’t want to.”
“I see.” He spoke gently. “Lis
ten, honey—there’s a lot of nasty
talk going around regarding Kirk
Reynolds. You haven’t heard it be
cause you haven’t been in town in
the last two weeks. And I haven’t
told you. But I’ll tell you this much
—I don’t like the idea of your play
ing around with him.”
She said, “I don’t either, Barney.
But this morning I’ve got to see
him.”
“Check! I wish you’d tell me
what’s what.”
“I would ... if I could.”
He lighted a cigarette with fingers
which were none too steady. “Go
ing back to the Gardens tonight?”
“Yes.”
“With me?”
“I hope so.”
“I’ll pick you up here at five.
Oke?”
“Right. So now . . .” She put a
warm hand over his in brief caress.
Then she jumped out of the car and
moved up the walkway toward the
veranda of her home. He looked
after her with troubled eyes.
“Something’s awful wrong,” he
told himself, “and I’m going to find
out what it is.”
CHAPTER IV
Mrs. Emma Forrest was a fine
woman. Her friends agreed that
she was fine; that she had an over
plus of those stefling and pious qual
ities which make for social success
and domestic happiness in a town
like Beverly.
No one, or at least very few, per
sons ever criticized Emma Forrest.
She ran her home immaculately,
dressed) well and plainly, did ardent
church work, belonged to a reading
circle, and was inordinately fond of
helpmg neighbors when there was
illness in the house, though it was
not unknown that after these neigh
borly excursions she invariably had
something to talk about: something
personal and intimate, like the
dearth of bed linen or the condition
of kitchen plumbing or the shocking
failure of the ill woman to have
stocked her pantry shelves with pre
serves.
Mrs. Forrest was forty-eight years
of age. She was not fat, but she
definitely was heavy. Solid. Not com
fortable at all, but solid. Folks as
serted that her face showed strength
of character. Her manner was pos
itive—so positive that Andrew For
rest, her rather smallish husband,
had acquired a chronic submissive
ness. He never—or very seldom—
argued with Emma, and on such
rare occasions as he did, he never
won. At least Emma never ac
knowledged that he had. She was
that sort of a woman: a thing was
right because she said it was right.
The good upper - middle - class
housewives of the town admired
Emma Forrest. They admired her
sterling qualities, her goodness of
heart, her efficient management of
her household, her success in having
molded her twenty-two-year-old son,
Andy, into a stalwart masculine edi
tion of herself. And they wondered
why a thoughtless Providence had
inflicted upon her such a daughter
as Kay. “She’s wild, that’s what she
is—in spite of everything her moth
er has tried to do for her.” They
said, “She’ll come to no good end,
mark my words.” They said, “It’s
a pity Kay couldn’t have turned ou'
to be a fine girl. Emma didn’t de
serve to have that sort of daughter.”
By that, Beverly did not mean to
infer that Kay Forrest was immor
al, although there were some few
who, without particular conviction,
hinted that they wouldn’t be so ter
ribly surprised to learn that she
was.
This morning the family had fin
ished breakfast. They were wait
ing, Mrs. Forrest and Andy rather
grim and pious. Andrew Forrest
who, by original selection and bio
logical chance, had become nomi
nal head of the household, uncer
tain and ill at ease. He knew that
Kay was to be greeted with a bar
rage of criticism, and inasmuch as
there existed between him and his
nineteen-year-old daughter a bond of
friendship and sympathy and under
standing which was beyond the com
prehension of the virtuous Emma
... he waited gallantly to give
such meager support as lay within
his power.
They saw Kay step out of Barney
Hamilton’s little car. They saw her
move up the walk; cross the veran
da. They saw her come through the
front door and approach the dining
room. Mrs. Forrest greeted her with
a remark which was not unobvious.
Mrs. Forrest said, “We’ve been
waiting for you, Katherine.”
Kay caught an almost impercep
tible warning flicker of her father’s
right eyelid. Therefore she answered
meekly, “Yes, ma’am.”
(TO BE CONTlNUEOi
BlaclT or Print Jersey Frock
Is Ideal for Immediate Wear
By CHERIE NICHOLAS
A BOUT the grandest thing that
has happened in the land o’
fashion is the dress of either silk,
rayon or wool jersey. In the rayon
jersies that are printed in discreet
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Note the three jersey frocks in the
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The frock centered in the picture
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and the smart hat is of black satin.
Wear this frock and you will be gra
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Very popular this season is polka
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pictured to the left in the illustra
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from neckline to hem. A crushed
black patent waistbinder adds the
touch supreme from the sartorial
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Something new in a fall afternoon
frock is pictured to the right. The
skirt is a 1939 fashion favorite. It
is of soot-black silk jersey fashioned
according to the latest, which calls
for lots and lots of flare about the
hemline with snug-fitted hips. In
sleek jersey such as this designers
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The emphasis placed on the all
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fall leave no alternative to the wom
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or rayon jersey? The gown of draped
or shirred black silk jersey will
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With it you wear, if you are fash
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splendent with colored stone set
tings. These necklaces are so wide
they remind of deep yokes. And
keep in mind there must always be
added a matching gold bracelet.
(Released by Western Newspaper Union.)
Modish Black
The new blacks impress with their
striking smartness. The chic of a
black costume such as centers the
style stage at present depends upon
the sophisticated simplicity of its
styling. Spongy black wool crepe
has been used for the jacket dress
pictured. The skirt which flares in
latest approved manner is topped
with a pert youthful double-breasted
jacket whifch accents the new brief
waistline length. The vestee of
white crepe shows a tucked front
and Peter Pan collar.
Unrelieved Black
Fashion’s Latest
Black unrelieved, save for a dash
of bizarre jewelry, is being carried
out by those who go in for extremes
in striking ways. For instance, with
a dull black crepe dress a noted
Paris couturier partners a lustrous
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hat with drape-manipulated tower
ing crown of matching satin. The
handbag is also of ^atin. The ef
fect is stunning.
Reversing the order of things with
a lusterful silk jersey frock, smart
accessories worn include hat, bag,
shoes and gloves of soot black ante
lope, gorgeous gold jewelry high
lighting the ensemble.
Many of the new sheer black wool
ens are being trimmed with black
velvet for collar and other details.
Of course, the logical hat to wear
must also be of black velvet.
Black sequins glitter on evening
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glory. French designers are using
quantities of black passementrie and
braiding on black fabric giving an
air of elegance that bespeaks a new
dignity in fashions for the coming
months.
Massive Jewelry
Is Current Style
Jewelry is playing a tremendous
part in current fashion. The trend
is toward massive gold and jeweled
necklaces and bracelets, which,
worn with the new black gowns that
make simplicity their theme, is star
tlingly effective.
Size is all-important in necklaces.
The deep collar types are in the
lead. In other items of jewelry the
idea of size also is stressed.
Brooches are very large as also are
earrings and clips.
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Get at Its Cause!
If constipation has you down so
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If this common form of con
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PENETROmmS
WNU—7
35—39
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