McCormick messenger. (McCormick, S.C.) 1902-current, October 08, 1931, Image 3
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Thursday, October 8, 1931
McCOknllCK MESSENGER, McCORMICK, SOUTH CAROLINA'
PAGE NUMBER THR1
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MARY ROBERTS RINEHART
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SECOND INSTALMENT
SYNOPSIS
Six people, Horace Johnson
(who tells the rtory), his wife,
old Mrs. Dane, Herbert Robin
son and his sister, Alice, and
Dr. Sperry, friends and neigh
bors, are in the habit of hold
ing weekly meetings. At one
of them, Mrs. Dane, who is
hostess, varies the program by
unexpectedly arranging a spir
itualistic seance with Miss Jer
emy, a friend of Dr. Sperry and
not a professional, as the
medium.
NOW GO ON WITH THE STORY
Miss Jeremy, the medium, was
due at 8:30 and at 8:20 my wife as
sisted Mrs. Dane into one of the
straight chairs at the table, and
Sperry, sent out by her, returned
with a darkish bundle in his arms,
and caTrying a light bamboo rod.
“Don’t ask me what they are
for,” he said to Herbert’s grin of
amusement. “Every workman has
his tools.”
Herbert examined the rod, but it
was what it appeared to be, and
nothing else.
Some one had started the phono
graph in the library, and it was
playing gloomily, “Shall we meet
beyond the river?” when Miss
Jeremy came in.
She was not at all what we had
expected. Twenty-six, I should
say, ^nd in black dinner dress. She
seemed like a perfectly normal
young woman, even attractive in a
fragile, delicate way. Not much
personality, perhaps, the very word
“medium” precludes that. A “sen
sitive,” I think she called herself.
We were presented to her, and but
for the stripped and bare room, it
might have been any evening after
any dinner, with bridge waiting.
We all liked her, and Sperry,
Sperry the bachelor, the iconoclast,
the antireminist, was staring at her
with curiously intent eyes.
Miss Jeremy gave the room only
the most causal of glances.
“Where shall I sit?” she asked.
Mrs. Dane indicated her place,
and she asked for a small stand
to be brought in and placed about
two feet behind her chair, and
two chairs to flank it, and then to
take the black clojth from the
table and hang it over the bam
boo rod, which was laid .across the
backs of the chairs. Thus arrang
ed, the curtain formed a low
screen behind her, with the stand
beyond it. On this stand we plac
ed, at her order, various articles
from our pockets—I a fountain
pen, Sperry a knife; and my wife
contributed a gold bracelet.
We all felt, I fancy, rather ab
surd.
We arranged between us that we
were to sit one on each side of her,
and Sperry warned me not to let
go of her hand for a moment.
“They have a way of switching
hands,” he explained in a whisper.
“If she wants to scratch her nose
I’ll scratch it.”
We were, we discovered, not to
touch the table, but to sit around it
at a distance of a few inches, hold
ing hands and thus forming the
circle. And for twenty minutes wc
sat thus, and nothing happened.
She was fully conscious and even
spoke once or twice, and at last she
moved, impatiently and told us to
put our hands on the table.
I had put my opened watch on
the table before me, a night watch
with a luminous dial. At five min
utes after nine I felt the top of the
table waver under my fingers, a
curious, fluid-like motion.
“The table is going to move,” I
said.
However, curiously enough, the
table did not move. Instead, my
watch, before my eyes, slid to the
edge of the table and dropped to
the floor, and almost instantly an
object, which we recoznized later
as Sperry’s knife, was flung over
the Curtain and struck the wall be
hind Mrs. Dane violently.
One of the women screamed,
ending In a hysterical giggle. Then
we heard rhythmic beating on the
top of the stand behind the medi
um. Startling as it was at the be
ginning, increasing as it did from
a slow beat to an incredibly rapid
drumming, when the initial shock
was over Herbert commenced to
gibe:
“Your fountain pen, Horace,” he
said to me. “Making out a state
ment for services rendered, by its
eagerness.”
The answer to that was the pen
itself, aimed at him with apparent
accuracy, and followed by an out
cry from him.
“Here, stop it!” he said. “I’ve
got ink all over me!”
We laughed consumedly. The sit
ting had taken on all the attri
butes of practical joking. The table
no longer quivered under my
hands.
“Please be sure you are holding
my hands tight. Hold them very
tight,” said Miss Jeremy. Her voice
sounded faint and far away. Her
head was dropped forward on her
chest, and she suddenly sagged in
her chair. Sperry broke the circle
and coming to her, took her pulse.
It was, he reported, very rapid.
“You can move and talk now if
you like,” he said. “She’s in trance
and there will be no more physical
demonstrations.”
Mrs. Dane was the first to speak.
I was looking for my fountain pen
and Herbert was again examining
the stand. *
“I believe it now,” Mrs. Dane
said. “I saw your v/atch go, Hor
ace, but tomorrow I won’t believe it
at all.”
“How about your companion?” I
asked. “Can she take shorthand?
We ought to have a record.”
“Probably not in the dark.”
“W T e can have some light now,”
Spewy said.
There was a sort of restrained
movement in the room now. Her
bert turned on a bracket light, and
I moved away the roller chair.
“Go and get Clara, Horace,” Mrs.
Dane said to me, “and have her
bring a note-book and pencil.” No
thing, I believe, happened during
my absence. Miss Jeremy was sunk
in her chair and breathing heavily
when I came back, with Clara, and
Sperry was still watching her pulse.
Suddenly my wife said:
“Why, look! She’s wearing my
braclet!”.
This proved to be the case, and
was, I regret to say, the cause of
a most ‘ unjust suspicion on my
wife’s ^>art.
“Take down everything that
happens, Clara, and all we say,”
Mrs. Dane said in a low tone. “Even
if it sounds like nonsense, put it
down.” •
It is because Clara took her ord
ers literally that I am making this
more readable version of her
script.
For some five minutes, perhaps
Miss Jeremy breathed stertorous-
ly, and it was during that inter
val that we introduced Clara and
took up our positions. Sperry sat
near the medium now, where Her
bert had been.
The rest of the party were as we
had been, save that we no longer
touched hands. Suddenly Miss
Jeremy began to breathe more
quietly, and to move about in her
chair. Then she sat upright.
“Good evening, friends,” she said.
“I am glad to see you all again.”
I caught Herbert’s eye, and he
grinned.
you can.”
“Sure I can; and it will make
your hair curl.” Then suddenly
there was a sort of dramatic pause
and then an outburst.
“He’s dead.”
“Who is dead?” Sperry asked,
with his voice drawn a trifle thin.
“A bullet just above the ear.
That’s a bad place. Thank good
ness there’s not much blood. Cold
water will take it out of the car-
' pet. Not hot. Not hot. Do you
want to set the stain?”
“Look here,” Sperry said, looking
around the table. “I don’t like this.
It’s darned grisly.”
“Oh, fudge!” Herbert put in ir-
j reverently. “Let her rave, or it, or
! whatever it is. Do you mean that a
man is dead?”—to the medium.
“Yes. She has the revolver. She
needn’t cry so. He was cruel to
her. tie was a beast. Sullen.”
“Can you see the woman?” I
asked.
i “If it’s sent out to be cleaned it
will cause trouble. Hang it in the
closet.” ^
Herbert muttered something
about the movies having nothing
on us, and was angrily hushed.
“Now then,” Sperry said in a
businesslike voice, “you see a dead
man, and a young woman with
him. Can you describe the room?”
“A small room, his dressing-
room. He was shaving. There is
still lather on his face.”
“And the woman killed him?”
“I don’t know. Oh, I don’t know.
No, she didn’t. He did it!”
“He did it himself?”
There was no answer to that, but
a sort of sulky silence.
“Are you getting this, Clara?”
Mrs. Dane asked sharply. “Don’t
miss a word. Who knows what this
may develop into?”
I looked at the secretary, and it
was clear that she wa^ terrified. I
got up and took my chair to her.
Coming back, I picked up my for
gotten watch from the floor. It
was still going, and the hands
marked nine-thirty.
“Now,” 1 Sperry said in a soothing
tone, “you said there was a shot
fired and a man was killed. Where
was this? What house?”
“Two shots. One is in the ceiling
of the dressing-room.”
“And the other killed him?”
But here instead of a reply we
got the words, “library paste.”
Quite without warning the medi
um groaned, and Sperry believed
the trance was over.
“She’s coming out,” he said. “A
glass of wine, somebody.” But she
did not come out. Instead, she
twisted in the chair.
“He’s so heavy to lift,” she mut
tered. Then: “Get the lather off
his face. The lather. The lath
er.”
She subsided into the chair and
began to breathe with difficulty. “I
want to go out. I want air. If I
could only go to sleep and forget it.
The drawing-room furniture is
scattered over the house.”
“Can you tell us about the
house?” somebody asked.
There was a distinct pause. Then:
“Certainly. A brick house. The
t 3
Sperry threw open the drawing-room doors.
“Good evening, little Bright
Eyes,” he said. “How’s everything
in the happy hunting ground to
night?”
“Dark and cold,” she said, “Dark
and cold. And the knee hurts. It’s
very bad. If the key is on the nail
—arnica will take the pain out.”
Herbert, who was still flippantly
amused, said:
Don’t bother about your knee.
Give us some local stuff. Gossip. If
servants’ entrance is locked, but
the key is on a nail, among the
vines. All the drawing-room furni
ture is scattered through the
house.”
“She must mean the furniture of
this room.” Mrs. Dane whispered.
The remainder of the sitting was
chaotic. The secretary’s notes
consist of unrelated words often
being childish.
' On going bVer the written notes
the next day, when the steno
graphic record had been copied on
a typewriter, Sperry and I found
that one word recurred frequently.
The word was “curtain.”
Of the extraordinary scene that
followed the breaking up of the se
ance. I have the keenest recol
lection. Miss Jeremy came out of
her trance weak and looking ex
tremely ill, and Sperry’s motor took
her home. She knew nothing of
what had happened, and hoped we
had been satisfied. By agreement,
we did not tell her what had
transpired, and she was not curi
ous.
Herbert saw her to the car, and
came back, looking grave. We were
standing together in the center of
the dismantled room, with the
lights going full now.
“Well,” he said, “it is one of two
things. Either we’ve been glorious
ly faked, or we’ve been let in on a
very tidy little crime.”
It was Mrs. Dane’s custom to
serve a Southern eggnog as a sort
of nightcap on her evenings, and
we found it waiting for us in the
library. In the warmth of its
open fire, and the cheer of its
lamps, even in the dignity and im
passiveness of the butler, there was
something sane and wholesome.
The women of the party reacted
quickly, but I looked over to see
Sperry at a corner desk, intently
working over a small object in tjie
palm of his hand.
He started when he heard me,
then laughed and held out his
hand.
“Library paste!” he said, “It rolls
into a soft, malleable ball. It could
quite easily be used to fill a small
hole in plaster. The paper would
paste down over it, too.”
“Then you think ?”
“I’m not thinking at all. The
thing she described may have tak
en place in Timbuctoo. May have
happened ten years ago. May be
the plot of some book she has
read.”
“On the other hand,” I replied,
“it is just possible that it was here,
in this neighborhood, while we
were sitting in that room.”
* “Have you any idea of the time?”
“I know exactly. It was half
past line.”
At midnight, shortly after we
reached home, Sperry called me on
the phone. “Be careful, Horace,”
he said. “Don’t let Mrs. Horace
think anything has happened. Ar
thur Wells killed himself tonight,
shot himself in the head. I want
you to go there with me.”
“Arthur Wells!” ,
“Yes. I say, Horace, did you hap
pen to notice the time the seance
began tonight?”
“It was five minutes after nine
when my watch fell.” \
“Then it would have been about
half past when the trance began?”
(TO BE CONTINUED)
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If yon are not already patronizing us, we both
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Every job must be satisfactory, or we won’t
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Si
FINE STATIONERY
Reflects The Good Taste And Character Of The User
You are judged by your letters as well as your personal
appearance, so guard carefully that you create a good im
pression with your letters. Use our fine stationery and be
sure.
NEW SHOWING JUST ARRIVED
We are now presenting the very newest and smartest
styles and shades of stationery which we have just receiv
ed. Come in and choose a supply and be up-to-the-
minute.
We also have all other writing supplies, including foun
tain pens, pen holders, desk blotters, pen points, ink, and
letter wax. ,
STROMS’ DRUG STORE
McCORMICK. S. C.
■——— fr'
MAIN STREET
9
33
latest
^LMaru MarsKall
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CHILDREN
CRY FOR IT—
/CHILDREN hate to take medicine
^-'as a rule, but every child loves the
taste of Castoria. This pure vegetable
preparation is just as good as it tastes;
just as bland and just as harmless as the
recipe reads.
When Baby’s cry warns of colic, a
few drops of Castoria have him soothed,
asleep again in a jiRy. Nothing is more
valuable in diarrhea. When coated
tongue or bad breath tell of constipation,
invoke its gentle aid to cleanse and
regulate a child’s bowels. In colds or
children’s diseases, you should use it
to keep the system from clogging.
Castoria is sold in every drug store;
the genuine always bears Chas. H.
Fletcher’s signature.
With one-piece dresses, with
transparent dresses, slips are by far
better than petticoats. With jacket
suits and with many opaque dresses
petticoats are more convenient. So
now we take our choice.
There are taffeta petticoats.
Sometimes these £?re attached parts
of the dresses they are worn with.
They are trimmed with * scallops
and with embroidery' and some
times with tiny frills and pleat-
:ngs.
But the nevter silhouette makes
crepe de chine the admirable fabric
for petticoats. It is so soft and
supple and clinging, it washes so
well, it comes in such lovely colors,
that it combines many of the best
qualifications for petticoats.
These new wash petticoats can be
just as elaborate as you please, and
quite as formal as petticoats of taf-
double hem.
The petticoat in the sketch is an
easy one to make for yourself. It is
made of four lengths of material.
The front length—as long as you
wish the petticoat—is ten inches
wide. The side lengths are eight
inches at the bottom, and are
slanted in at both seams so that
they are four inches at the top. Th&
back section is thirty inches wide
at the bottom, twenty-two at ther
top. The four pieces are French
seamed together, and the top is
turned under in a half inch hem.
A four-inch length of quarter-inch
i elastic is fastened in this top hem
at the seams joining front and
sides, extending about six inches
into the back. This brings the'
fullness at the sides and leaves
front and back smooth.
-IXT-
LeUs Attend More
Fairs This Fall
666
LIQUID OR TABLETS
Relieves a Headache or Neuralgia
in 30 minutes, checks a Cold the
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,6 6 6 Salve for Baby’s Cold.
(
-1X1-
Is Too Much Land
I rong Side Up”?
(•i''
feta. They are edged with lace,
sometimes, with lace insets for
trimming. For more tailored wear
ihey are finished with a scalloped.
It is related that when the white
man was moving west and bring
ing the great plains under cultiva
tion with his big teams and plows,
a group of Indians collected around
to observe what was going on. The •
big chief, after witnessing the com
plete overturning of the heavy sod
of grass on which the buffalo had
grazed and waxed fat for years, ex
amined a slice of the furrow on
both sides, dropped it back as the
great plow had turned it, gave one
huge grunt and merely exclaimed,
“Wrong side up!”
To much land all over Dixie is
“wrong side up.” Through the
growing of good pastures we must
get more of it right side up.—The
Progressive Farmer-Ruralist.
Fewer baby rattles are being, sold,
according to trade reports, all the
rattles necessary being provided by,
the old car.
Wc need more recreation, mor^
fellowship, more time for studying •
the methods used by the best farm
ers and home makers of our com
munities and our states. All these
good results may be achieved by
joining our neighbors in visiting
both the community fairs and the
state fair.
The present prices of cotton and
tobacco also prove again the truth
our paper has long preached—*
namely, that the South has a one-*
armed, “crops only” system of
farming and can never prosper
properly until we add animal pro
duction to plant production. And
we cannot make a better start to
ward “two-armed farming” than
by seeking the stockman and the \ f
stock—the beautiful purebred dairy
cows, beef cattle, hogs, sheep, and
poultry—at our community, coun
ty, and state fairs.—Clarence Poe,
in The Progressive Farmer-Rural
ist.