The Barnwell people-sentinel. (Barnwell, S.C.) 1925-current, November 11, 1937, Image 6
Tilt Barawll P»opl»-8—tl—U Barnwell. 8. C- Thursday, November It 1987
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WITH
BANNERS
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CHAPTER XIV—Continued
—17—
"We talked theater fast and furl-
eusly. It was a wonder that I
could think of anything but the near
escape the party had from a hold* *
*p.
Kowa entered with his quick cat
like tread. His eyes sparkled like
black diamonds as he set a Chinese
teapoy of red and gold lacquer be
side each chair.
"Boy, I’m tired! I feel all In,"
Sam confessed.
•It’s reaction, and Til bet you
haven’t eaten for hours and hours.”
Mark Trent spoke to Kowa as he
returned with a laden tray.
"Serve Mr. Sam first Here you
are, maestro."
Sam’s grin was swift and a trifle
sheepish.
"I'm all right, m’lad; slumped for
a minute, that’s all."
"Don't apologize," Lucette mim
icked.
‘T’m not apologizing. I’m ex
plain—’’ Sam broke off with a grim
ace at his sister. "Humorous, aren’t
you, kiddo? Fuss over Brooke,
Mark, she needs it more than L
What with bracing me every time
I got cold feet about ’Islands Arise’
and getting dragged into the crime
’wave, she’s had a hectic time since
she came to Lookout House to live—
I’ll take another shot at those rolls,
Kowa—I don’t wonder she has de
cided to trek back to the town apart
ment What will we do with the
parrot when we go, Brooke?”
Brooke felt her color rise in re
sponse to the flash in Mark Trent’s
eyes as they met hers reflected in
the great mirror This was as good
an opening as any she could bring
about to tell the story of the paper
Henri had produced. She rose and
stood behind her chair.
"We won’t have to consider the
parrot, Sam. Mr. Micawber has
gone."
"Gone!" Sam and Lucette chor
used.
"Did he make another get-away,
or has Henri kidnaped him?"
"Neither, Sam. He’s in his cage,
Just a heap of green feathers.”
"Poor old duffer. He hasn’t had
any pep since the night he took off
in a hop for freedom. I liked that
bird. Something's always taking the
Joy out of life."
"Cheerio, Master Reybum, you
still have your option,” Lucette re
minded. "Why can’t we move to
town tomorrow? No more commut
ing! What a break! I suppose you’ll
close Lookout House, Brooke?"
Brooke tried to force a gay note
Into her voice:
“I’U close Lookout House, Lu
cette, because I have accepted an
offer—”
The sentence trailed off as Inspec
tor Bill Harrison strode into the
room.
"Well, Mark. 1 got it!”
"Got ‘it’! You’re too modest. In
spector, you got the whole gang, I
understand.” »
"Cripes, I’m not talking about
those dirty thugs, Mark. That isn’t
what I came for. I got the will you
was telling me about.”
The inspector pulled a paper from
his pocket. Mark Trent glowered at
it as if it were a rattler with head
raised to strike.
“Here it is. The real thing. Sig
natures and everything o. k. I
found it—”
“You found it in my desk, didn’t
you, Inspector?” Brooke interrupted
icily.
Mark Trent’s eyes were stormy,
his lips were white.
“That’s enough. Don’t go on with
this, Brooke."
"But I am going on with it”
"Let her tell her story, Mark. It’s
only fair to her.”
! Sam joined the two men before
the fire.
' "Jed’s right, m’lad. The inspec
tor found the paper in your desk.
That’s your cue, Brooke. Go on
from there.”
Brooke went on.
She told of her suspicion the first
time she had come into this very
library that there was a reason
other than a passion for the sea in
winter which had brought two men
from the city to live in Mark Trent’s
house: and she told of Mrs. Greg
ory’s admission, the afternoon be
fore the Supper club party, that she
had witnessed a will of Mary Aman
da Dane’s and that she had been
warned by Jed Stewart not to speak
ef it And how, almost before Mrs.
Oregory’s car was out of the drive,
Henri Jacques had confrontea her
with a paper and the lie that he had
found it it her desk.
“Don’t speak! Don’t!" She inter
rupted her story sharply as Mark
Trent opened his lips. "Let me
flniah!
*1 took it with the idea that if I
didn’t, be might make more trouble
With It 4 let him think that I was
Mnaldeetaf his proposition that I
ya# Mr* Mr keeping quiet Of
' 'Emilie
\ Lorincj
course I wasn’t but I can’t expect
you two men who have been suspi
cious of me from the moment you
learned of my friendship with Mrs.
Dane, to believe that I was com
ing directly to this house with it
First locked in my room, I looked
at it to be sure it wasn’t a black
mailing scheme of Henri's. It
wasn’t It was Mary Amanda
Dane’s will leaving all her prop
erty, except legacies to the Jacques,
to her nephew, Mark Trent”
"Stop and get your breath,
Brooke; you’ll crack-up if you
don’t” Sam warned.
"I won’t crack-up and I won’t
stop till I get this thing off my
mind. It has been a hideous night
mare, holding back that paper, I
mean. Of course the contents of
that will were a shock for a min
ute; but I knew that Mrs. Dane
had been Just Then I thought of
the play, that the sudden appear
ance of a missing will—there’s
drama for you, Sam—might upset
th* performance; so I locked the
ti. ,ig in my desk. I had planned to
bring it here this evening. When I
got back from headquarters to
night I went to my desk to get it
The drawer was empty. Now I know
that Inspector Bill Harrison, your
sleuth, had found it Mr. Trent.”
“That’s enough, Brooke.” Mark
Trent’s voice was low and authori
tative. "I don’t believe that you
have had that will. I know—”
“Wait a minute!” Inspector Bill
Harrison cut in." Come over here.”
He spread out the paper on the
desk. He drew a flat leather case
from his breast pocket and removed
f-om it a white scrap.
"Exhibit A. Watch!”
The scrap fitted into the tom cor
ner. There was a glint in his eyes
as they passed from face to face
of the three men bending over to
read the finely written lines.
"I don’t know what the rest of
you folks think,” his voice was as
soft as velvet, “but, in spite of the
fact I found it in her desk, I’m
sure Miss Reyburn hasn't had the
will in her possession ever since it
was signed, because—”
He laid the tip of a square-topped
finger on the tom-off corner:
"Because I found this scrap
caught in Mrs. Hunt's bag the night
her diamonds were snitched.”
CHAPTER XV
For the length of time it took the
.old clock in the hall to chime the
quarter hour, there was silence in
the library, a silence as tense as if
the still body of a black-haired wom
an with the open bag gripped in
one bruised hand lay in their midst.
Inspector Harrison broke the spell.
"And that ain’t all I’ve got to
show you. Bring him in, Tim!”
Brooke’s breath stopped as a tall
policeman with huge ears pushed a
cowering figure into the room. Hen
ri! Henri here! Would he dare per
sist in the lie that he had found
that will in her desk?
"Sit down, Brooke.”
With hands on her shoulders Mark
Trent drew her from behind the
chair and forced her gently into the
seat She felt his presence behind
her as he said sharply:
"It’s your move, Inspector. Let’s
get this thing over with.”
“It ain’t my move, Mark. It’s
Henri Jacques’. He’s going to tell
you what’s kept him the busiest but
ler in the U. S. You’re on the
air, Jacques. Spill it!”
The command held the crack of a
lion-tamer’s whip. Henri drew his
fingers over his slack lips. He made
two attempts to speak before he
produced a voice.
“I’ll tell the whole story, Mr.
Mark, and It isn't so bad as the in
spector’s trying to make out, I
swear it isn’t. I didn’t kill—”
"Start at the beginning!”
"I will. Inspector, I will.”
Brooke looked down at her
clenched fingers. She couldn’t keep
her eyes on Henri. Once she had
seen a dog being beaten who grov
eled as he groveled now. His voice
shook as he went on:
“It was like this, Mr. Mark. Ma
dame Dane sent for Cldtilde and me
to come to the living-room one aft
ernoon. It was the nurse’s day off.
She was in the wheel chair and Ma
dame Gregory was there. Your
aunt said as how we were all to
sign a paper in her presence and
then she was to sign in our pres
ence. She laughed kind of shaky
and said:
" T don’t know much law, Anne—
Anne was Madame Gregory—but
I’ve learned how a will has to be
signed to make it lefal’ ”
"Did Mrs. Gregory say any
thing?”
"Yes. Mr. Mark. She said, ’Do
you think you should do this without
consulting your lawyer?’ and your
aunt said that Mr. Stewart was
away and she didn’t dare wait till
he came home because she hadn’t
been feeling welL We wrote our
names. Mrs. Gregory left. Clotflde
went back to the kitchen, and then
the old madame handed the paper
to me and said:
” ’Put that in my safe upstairs.
Henri. I’ll give it to Mr. Stewart
when he gets back, but first bring
me a glass of sherry. I’m tired.*
"She looked so white I thought she
was going to faint I Jammed the
paper in my pocket and ran. When I
came back with the wine, Miss Rey
burn was standing by the mantel
laughing; you remember that after
noon, don’t you. Miss?”
"Yes.”
"Direct your question to me, not
to Miss Reyburn, Henri. What did
you do with that paper?”
"I was coming to that, Mr. Mark.
The old madame was taken very
sick that night Not until after she’d
been gone a week or two did I think
of it”
"Theh of course you read it?"
"Yes, sir.”
"You showed It to Clotilde?”
"Yes, sir.”
"When did you and she decide to
fasten the theft of it oiv Miss Rey
burn?”
The voice which came from be
hind Brooke’s chair set her a-shiv-
er. A steadying hand rested on her
shoulder.
••We—we didn’t think of it, Mr.
Mark. Mrs. Hunt suggested that”
"How did she know about it?”
Henri passed shaking fingers
across his lips.
"Some way she found out that we
were going to sell your aunt's sil
ver. Clotilde and I thought we might
as well have it as the strange girl
she’d left it to.”
The glance Henri Jacques cast
at the inspector was green with
venom.
"Mrs. Hunt said, if I’d get the
silver to the white cottage, she’d
dispose of it; that it was rare and
worth lots of money, that a dealer
would believe that it was hers, that
he might suspect me. That seemed
reasonable. Mrs. Hunt knew of a
man to help. She said she’d take
care of that will, too, she’d get mon
ey out of you for it and we’d go
fifty-fifty.”
"Go on, Henri!” Mark Trent’s
voice was hoarse.
' "I gave it to her. The afternoon
before the filling station mur—hold
up, I showed the man she sent
where the silver was, forgot the
keys and left them in the doors. I
remembered them in the middle of
"1 Won’t Crack Up and I Won’t
Stop.”
a movie, came home, went upstairs
very quiet and got them. The man
who was to move the silver to the
old limousine was waiting in my
room. While you were all laughing
and eating downstairs I let him
through into the Other House by the
upper connecting door. He took the
stuff through your house—the Japs
were out, and I pretended to go to
bed. He was to make a cross on
the white cover when he had it in
the car. I drove it to the cottage.
I went in to tell Mrs. Hunt the sil
ver was outside, ready to take to the
city. She—she was on the floor. I
swear she was. I swear I didn’t
touch her.”
"But you took that paper over
there on the desk out of her bag,
didn’t you?”
"I told you once I did. Inspector.
I felt it belonged to me. But I
swear I never touched her.”
“Take him out, Tim.” [
Henri stopped to hurl defiance at
Inspector Bill Harrison.
“You think you’re smart, but you
wouldn’t have known anything about
this till we were safe out of the
country. Inspector, if that expert
thief Mrs. Hunt brought into the
game hadn’t stopped to wash and
shave in Mr. Stewart’s bathroom.
Pretty snappy guy he was. I sup
pose he had to dress up fine before
he called on her. She paid for
pulling him in. He got her jewels
all right, and he was out to get Mrs.
Gregory’s tonight. I wasn’t in on
that deal Mr. Mark.”
"Take him away, Tim.” Inspec
tor Harrison’s eagle eyes followed
the two men from the room before
they came back to Brooke.
"Sorry I had to touch your desk.
Miss Reyburn, buj a high falsetto
voice phoned me you had the will—
I know now that it was Henri
Jacques—so I went through your
room while you were all at the
play. I guess you’re glad the truth
is out The minute I heard of that
bath stunt I knew who to look for.
That guy has made a specialty of
breaking into houses week-ends
where the folks were away, of mak
ing himself at home in the tub and
carrying off what he wanted when!
he left mostly men’s clothes.
Maggie Cassidy was right when she
said be was a swell dresser. Be
ought to be. He’s had his pick d
the best. It’s kind of funny when
you think of it ain’t it? When X
accused him of killing Mrs. Hunt
he crumpled and spilled the whole
story. ' He had seen her rings when
she engaged him to move the sil
ver. Wanted them. Knocked Hunt
out first He’s a quick worker.
He and his pals aren’t killers.
There wasn't a gun in the gang
load. There’s a joke to it they
don’t one of them know yet that
the coroner’s verdict was ’heart fail
ure from fright’ I’ve kept that un
der my hat so I could scare the
truth out of them. Well, Mark, your
silver’s safe and you’ve got your
aunt’s money.”
"Thanks, Inspector, I’ll tell you
how much I appreciate what you’ve
done, later. Sam, get Brooke’s
wrap. I’ll take her home. You and
Lucette stay here and get the in
spector something to eat Wait for
me, Bill there are a few points
that need clearing up. I have some
thing to talk over with Miss Rey
burn, then I’ll come back.” *
"You are not going home with me
and we have nothing to talk over.”
Did he think that he could wipe
out the memory of his suspicion of
her in this lordly manner? Brooke
asked herself.
"Oh yes, we have.”
Sam chuckled.
"One of the thirty-six dramatic
situations. •Snap into it, Brooke. It
is apparent even to this boyish in
telligence that Mark wants to talk
to you alone. Fair enough. Why
make him go on the air? Be kind
to him, he deserves well of his
countrymen.”
They crossed the terrace in si
lence. The snow had not been
cleared from before the door of
Lookout House. Mark Trent swept
Brocke from her feet and Carried
her into the vestibule. He kept an
arm about her as he ope^heA the
door. Something turning like the
wings of an autogiro in her throat,
curoff her protest The green liv
ing-room awaited them, softly light
ed, faintly fragrant Above the
mantel the Duchess looked down
with grave eyes; below, coals, mur
murous as purring kittens, gave out
a gentle glow.
"Take off your wrap.”
Brooke slipped from beneath the
velvet and the hands tightening on
her shoulders. She barricaded her
self behind a high-back chair. With
one arm on the mantel, Mark Trent
faced her. His eyes, smiling a lit
tle, maddeningly cool, filled her
with rage. She challenged:
"You would come. Why? Didn’t
you want to tell me before the oth
ers that you had known about that
will all the time?”
"But I hadn’t known.”
"You suspected that there was
one, didn’t you? You and Jed Stew
art came to live in Other House
to watch me, didn’t you? Do you
think that I have forgotten that you
called me a schemer?”
“This seems to be turning into a
question and answer period. Sup
pose you let me tell my side of the
story. Sit down, please.”
“I prefer to stay here. Go on.
I hope it doesn’t take long. I have
a lot to do before I leave in the
morning—sorry to have to ask to let
the furnishings stay here until Moth
er gets back, but—”
"Don’t be so breathless, dearest”
“I’m not breathless, and I’m not
your dearest. I wish you would
say what you forced your way in
here to say and—and go.”
“All right, remember, you asked
for it I came to say that after I
knew who you were that day in
Jed’s office, I didn’t believe that
you had used ‘undue influence’ with
my aunt. I admit that for a while
I tried to fool myself, but I
couldn’t keep it up. I didn’t open
my house because I wanted to
‘watch’ you. I decided to do it on
Thanksgiving day, because I—liked
you and your ‘whole dam family.*
As the weeks passed, Jed and I
were sure that if the second will
had not been destroyed, Henri knew
where it was. Not knowing its con
tents hampered us.”
“But you know now?”
"Yes. And it hurts infernally to
think that you should have been
drawn into this sordid mix-up.”
“Why shouldn’t I be? It’s what
might be called poetic justice, isn’t
it? Didn’t I start the trouble when
I went to Lookout House to see your
aunt the first time? I’d been warned
that business and friendship won’t
mix any better than oil and water.
Now I know it You had suspected
for weeks that I had no right to your
aunt’s money, and ylt you and Jed
Stewart let me keep on spending
and spending. When I think of
those two cars I bought I almost
lose my mind. How can I ever
pay it back?”
(TO BE CONTINUED)
AROUND
th« HOUSE
Items of Intorost
to the Housewife
Scaling Fiali.—Fish may be
scaled easily by first dipping them
into boiling water for a minute.
e e e
A Darning Ball.—A discarded
electric light bulb makes a good
darning ball.
e e e
Save Table Surface.—If you will
place a folded cloth under a dish
which contains foods to be beaten
you’ll find the table surface will be
saved many marks and the dish
Will be kept steady.
* • • ^
Whipping of Cream.—If whipped
cream will not stand up, it is often
due to the fact that the cream is
not sufficiently chilled. It is im-
Jiffy Blouse and Skirt
Done in Plain Knitting
portant, too, to have a heavy
cream of the right butter fat (20
to 30 per cent) and 12 to 24 hours
old. The cream must be cold, and
is best beaten in a cold container.
• » •
Inexpensive Stew.—Chop two
onions and a large carrot finely,
and cut a pound of neck lamb into
small pieces. Put into a sauce
pan with one cup macaroni brok
en into small lengths, cover with
warm water and season. Let it
simmer gently for one and a half
hours.
• • •
Removing Blueing Spots.—Blue
ing spots on white clothing can be
removed by boiling in clear water.
* * »
Shoes Must Have Air.—Do not
keep your shoes in the boxes in
which they were delivered. Shoes
require air to preserve them and
they should never be kept in an
air-tight box. Keep them in a shoe
bag.
• • •
Serving Omelets. — Omelets
should be placed on hot platters to
keep them from falling.
Home Heating
Hints
Pattern 1568
Here's simplicity itself—a jiffy
knit that not only goes fast but is
only plain knitting, no purling,
throughout. Whal’s more, it’s
made in two identical pieces (not
counting the sleeves), seamed up
front and back—no side seams.
Make the blouse with long or
short sleeves and a plain skirt.
Pattern 1568 contains directions
for making this blouse and a plain
knitted skirt in sizes 16-18 and 38-
40 (all given in one pattern); illus
trations of blouse and stitches
used; material requirements.
Send 15 cents in stamps or coins
(coins preferred) for this pattern
to The Sewing Circle, Needlecraft
Dept., 82 Eighth Ave., New York,
N. Y.
•y John Barclay
H—ting Expert
I MPROPER adjustment of the
* turn (or smoke pipe) damper
in your furnace results in "chim
ney” loss of heat. Leave this
damper closed as nearly as pos
sible without retarding free burn
ing of fuel or causing gas to es
cape into the basement.
Once you have found the ideal
adjustment for it, be sure you
leave it in that position through
out the heating season. Do not
attempt to use it from day to day
to regulate your fire. It was nev
er meant for that purpose. The
only time you need move the Turn
Damper is at the start of the very
cold season and again at the start
of the very mild season. These
two times are necessary to meet
the extreme changes in outdoor
temperature.
Use only the Ashpit Damper and
Check Damper for regulating the
fire daily—to speed up or slow
down the rate at which you want
the fire to burn. Rely wholly on
these two dampers, and you’ll get
I the proper fire regulation. I re
peat—do not change the position
of the Turn Damper inside the
smoke pipe. Otherwise you’ll
waste a lot of very valuable fuel
and heat.
ME STAY
HOME FROM
WORK?
wsm
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Hotel Founded by Louis XTV
The Hotel des Invalides in Paris
was founded under Louis XTV as
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also is the headquarters of the
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