Cheraw chronicle. (Cheraw, S.C.) 1896-2005, March 18, 1915, Image 2

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The Gall of the! (Cumberlands | By Charles Neville Bock With Illustrations from Photographs of Scenes in the Play CCop/ritiu. (013. by W. J. Watt k CoJ 4 SYNOPSI8. On Misery creek, at the toot of a rock from which he has fallen, Sally Miller finds George Lescott, a landscape' painter, unconscious, and after reviving him. goes for assistance. Samson South and Sally, taking Lescott to Samson's home, are met by Spicer South, head of the family, who tells them that Jesse Purvy has been shot and that Samson is susA# flomann rioniPS it. The shooting of Jesse.Purvy breaks the truce in the Hollman-Bouth feud. Sameon reproves Tamarack Spicer for telling Sally that Jim Hollman is on the trail with bloodhounds hunting the man who shot Purvy. The bloodhounds lose the trail at Spicer South's door. Lescott discovers artistic ability in Samson. CHAPTER V?Continued. The two men had lost an hour tiuddled under a canopy beneath the cannonading of a sudden storm. They had silently watched titanic battalions of thunder clouds riding the skies In gusty puffs of gale and raking the oarth with lightning and hail and water. "My God!" exclaimed the mountain boy abruptly. "I'd give anything ef t could paint that." Leecott rose smilingly'from his seat before the easel and surrendered his palette and sheaf of brushes. "Try It." he Invited. For a moment Samson stood hesitant and overcome with diffidence; then, with set lips, he took his place and experimentally fitted his fingers about the brush, as he had seen Lesoott do. He asked no advice, He merely gated for a while, and then, dipping a brush and experimenting for his color, went to sweeping in his primary tones. Samson, even though he was hopelessly daubing, and knew it, was sincere, and the painter at his elbow caught his breath and looked on with the absorption of a phjphet, who, listening to childish prattle, yet recognizee the gift of prophecy. "TJaet's the way hit looks ter me," 'the boy Baid, simply. "That's the way it is," commended """^*~^^^Mt^SlS55^ttS35aon^roS35ir1 rat the nearer hills, then he .rose. Tjcq done," he said, "hain't a-goin' 'ter Tool with them thar trees an' things. I don't know nothing erbout I can't paint leaves an' twigs nan' birdsnests. What I like is mountings an' skies an' sech-like things." L-escott looked at the daub before him. A less trained eye would have aeen only the daub, just as a po^r of horseflesh might see only I awkward joints and long legs in a weanling colt, though it be bred in the purple. ".Samson." he said, earnestly, "that's *11 there le to art It's the power to feel the poetry of color. The rest can be taught. The genius muBt work, of course?work, work, work, and still work, but the gift is the power of eeing true?and, by God, boy, you have it. You'vtf got what many men have struggled a lifetime for, and failed. I'd like to have you study with zne. I'd like to be your discoverer, look hye." The painter sat down, and speedily went to work. He painted out nothing. He simply toned, and, with precisely the right touch here and there, softened the crudeness, laid stress on the contrast, melted the harshness, and, when he rose, he had built, upon the rough cornerstone of Samson's laying, a picture. "That proves it," he said. "I had only to finish. I didn't have much to undo. Boy, you're wasting yourself. Come with me, and let me make you. We all pretend there is no such thing, '? thoeo rinva an fihppr CPnillS" hllf deep down, we know that, unlees there is, there can be no such thing as true art. There is geni.us and you have it." Enthusiasm was again sweeping him into an unintended outburst. The boy stood silent. Across his countenance swept a conflict of emo tions. He looked away, as if taking counsel with the hille. "It s what I'm a-honin' fer," he ad"mitted at last. "Hit's what I'd give half my life fer. ... I mout sell my land, an' raise the money. . . . I reckoi. hit would take passels of money, ?rouldn't hit?" He paused, and his eyes fell on the rifle leaning against the tree. His lips tightened in sudden remembrance. He went over and picked up the gun, and, as he did so, he shook his head. v "No," he stolidly declared; "every man to his own tools. This here's mine." Yet. when they were again out sketching, the temptation to play with brushes once more seized him. and he took his place before the easel. Neither he nor Lescott noticed a man who crept down through the timber, and for a time watched them. The man's face wore a surly, contemptuous grin, and shortly it withdrew. But, an hour later, while the boy was still working industriously and the artist was lying on his back, with a pipe between his teeth, and his halfclosed eyes gazing up contentedly through the green of overhead branches, their peace wae broken by a guffaw of derisive laughter. They looked up. to find at their backs a semi circle of scoffing humanity. Lescott' impulse was to laugh, for only th comedy of the situation at the m< raent struck him. A stage directoi setting a comedy scene with that mof ancient of jests, the gawking of boob at some new sight, could hardly hav improved on thie tableau. At the fror stood Tamarack Spicer, the returne wanderer. His lean wrist was stretche out of a ragged sleeve all too short, an his tattered "jimmy" was shoved bac over a face all a-grin. His eyes wer 'blood-shot with recent drinking, bi his manner was In exaggerated an cumbersome Imitation of a rural mas ter of ceremonies. At his back wer the raw-boned' men and women an children of the hills, to the number c a dozen. I "Ladlee and gentle-men," announce Tamarack Spicer, in a hiccoughin voice, "swing yo' partners an' sasha forward. See the obly son of the lat Henry South engaged in his mar-vt lous an' heretofore undiscovered occr pation of doin' fancy work. Ladies ani gentle-men, after this here show i concluded, keep your seats for the cor cert in the main tent. This here fa I nrvi '^BBK^v. :^fl| "Ye're a Truce-Bustln', Murderir Bully.** mous performer will favor ye with i little exhibition of plain an' fane: sock-darnin'." After the first surprise, Sameon ha< turned his back on the group. He wa mixing paint at the time and he pro ceeded to experiment with a fleeting cloud effect, which would not outlas the moment. He finished that, and reaciung lor toe paieue-Knne, scrapei nTT.JUi trousers^ legs! Then, he deliberate!; rose.. Without a word lie turned. Tama rack had begun his harangue afresh The boy tossed back the long loci from his forehead, and then, wit! an unexpectedly swift movement crouched and leaped. His right fls shot forward to Tamarack Spicer'i chattering lips, and they abruptl; ceased to chatter as the teeth weri driven into their flesh. Spicer's heat snapped back, and he staggered agains the onlookers, where he stood rocking on his unsteady lege. His hand swep instinctively to the shirt-conceale; holster, but, before it had connected both of Samson's fists were playing i terrific tattoo on his face. The in glorious master of the show dropped and lay groggily trying to rise. The laughter died as suddenly ai Tamarack's speech. Samson steppe< back again, and searched the faces *i the group for any lingering sign o mirth or criticism. There was none Every countenance was sober' and ex pressionless, but the boy felt a weigh e\f uniiifaro/1 Hlconnrnval onrl ha crlami defiance. One of the older onlooker spoke up reproachfully. , "Samson, ye hadn't hardly ought to a-done that. He was jest a funnln with ye." "Git him up on his feet. I've go somethin' ter say ter him." The boy'i voice was dangerously quiet. It wai his first word. They lifted the fallei cousin, whose entertainment had gon< astray, and led him forward grumbling threatening and sputtering, but evint: ing no immediate desire to renew hoa tilities. "Whar hev ye been?" demande< Samson. "Thet's my business," came the fa miliar mountain phrase. "Why wasn't yer hyar when then dawgs come by? Why was ye th< only South thet runned away, whei they was smellin' round fer Jessi Purvy's assassin?" "I didn't run away." Tamarack" blood-shot eyes flared wickedly. " knowed thet ef I stayed 'round hya with them damned Hollmans stickin their noses inter our business, I'd hur somebody. So, I went over inter th? next county fer a spell. You feller mout be able to take things offen th Hollmans, but I hain't." "Thet's a damned lie," said Samson quietly. "Ye runned away, an' yi runnea in me waier 50 mem aawg couldn't trail ye?ye done hit becausi ye shot them shoots at Jesse Purv; from the laurel?because ye're a truce bustin', murderin' bully thet shoots ol his face, an' is skeered to fight." Sam son paused for breath, and went 01 with regained calmness. "I've knowei all along ye was the man, an' I've kep quiet because ye're my kin. If ye'r got anything else ter say, say hit. But ef I ever ketches yer talkin' about me or talkin' ter Sally, I'm a-goin' ter taki ye by the scroll of the neck, an' draj ye plumb into Hixon, an' stick ye ii the Jailhouse. An' I'm a-goin' ter tel the high sheriff that the Souths spit: ye outen their mouths. Take hin awav." The crowd turned ?nd lef to the place. When they were gone, I e son seated himself at his easel* aj >- and picked jup his palette. [t * CHAPTER VI. iS e Lescott had come to the mount anticipating a visit of two weeks. J accident had resolved him to she d it to the nearest day upon whlcl d felt capable of making the trip 01 k the railroad. Yet June had en e July had bu.-ned the slopes from ,t erald to ruseet-green; August d brought purple tops to the Iron* ]. and still he found himself llnge e And this was true although he it d nfzed a growing sentiment of dl d proval for himself. In Samson thought he recognized twin gift) d spark of a genius too rare to> t? g lowed to flicker out, and a potent! y for constructive work among his e people, which needed for Its perfec y. only education and experience. i. "Samson," he suggested one d when they were alone, "I want yo s come East. You eay that gun is' L. tool, and that each man must stic t. his own. You are in part rt$b< part wrong. A man uses any tool ter lor understanding other tools, have the right to use your brains talents to the full." The boy's face was somber in intensitv of his mental strucele. his answer had that sullen ring w was not really sullennesa at all, self-repression. "I reckon a feller'g biggest rigl to stand by his kinfolks. Unc' Spi< gittin' old. He's done been good me. He needs me here." 1 "I appreciate that He will be c later. You can go now, and come 1 to him when he needs ypu more what I urged meant disloyalty to ; people, I could cut out my tongue fore I argued for it You muit lieve me in that I want you to*t the fullest sense your people's tot I want you to be not only their f son?but their Moses." T. f: The boy looked up and nodded^, "I reckon ye alms ter be trlei all right," was his conservative sponse. The painter went on earnest "I realize that I am urging thini whiph your people disapprove; but ,? only because they misunderstand: they do disapprove. They aro,t?^d Samson, to see the purple thatijj i tains have when they fasr Awnn; y .want you to go where ypu .^ah the purple. , If you are the eort df; i ] I think, you won't be beguiled. 3 won't lose your loyalty. ' You-Woil' i- ashamed of your people." I I "I reckon I wouldn't t said the youth. "I recken^^^M , no better folks* nowhar." i 'I'm sure of it. There are-1 I immutably changeless themselves for a hundred ye<^H day te at its . I i know what I'm talting al^^H i state of Kentucky is lodkin^na ' 'The state must develop, and it li ! t alone that it can develop. Ilei i' s virgin forests and almost inex u Y ihle coal veins. Capital is tt ra 9 from an orange squeezed dry, an< * 1 ing about for fresher food. CafeUfel t seen your hilla Capital is inev|ti I relentless, omnipotent Where It Coi t it makes its laws. Condition^ i 1 have existed undisturbed will^ai . The l^v of the feud, which militia i courts have not been able to at . will vanish before capital's breach , the mists when the sun strikes'tt Unless you learn to ride the wi j which will presently sweep oveV j 1 country, you and your people wll f under. You may not realize It, f that is true. It is written." 1 The boy had listened intently, hi the end he smiled, and in his exj t sion was something of the soldier 1 scents battle, not without welcome i "I reckon if these here fellers a-comin' up here ter run things, r drowned out my folks, hit's a r ' good reason fer me ter stay bereholp my folks." t "By staying here, you can't J s them. It won't be work for guns, 3 for brains. By going away and < i I ine back armed with knowledge. a can save them. You will know he , play the game." "I reckon they won't git our 1 i- ner our timber, ner our coal, witl we wants ter sell hit. I reckon ef 1 j tries thet, guns will come in ha Things has stood here like they is i fer a hundred years. I reckon we keep 'em that-away fer a spell lonj u But it was evident that Samson e arguing against his own belief; tha a was trying to bolster up his re< e tion and impeached loyalty, and at heart he was sick to be up and % ing to a world which did not des 1 "eddication." After a little, he wi r his hand vaguely toward "down i' low." s t "Ef I went down thar," he questk a suddenly and Irrelevantly, "woul s hev' ter cut my ha'r?" 0 "My dear boy," laughed Lesco can introduce you in New York stu i, to many distinguished gentlemen e would feel that their heads had I s shorn if they let their lock* gel a short as ycurs. In New York, yr might stroll along Broadway garbe >- turban and a burnouse without gi * ltr nvnitintr onrhnHv I fhitilr mv 1 1J WAVIVIU5 UU/ MVUJ . A ilium Ul/ i- hair is as long as yours." i "Because," doggedly declared 1 mountaineer, "I wouldn't allow,not t ter make me cut my ha'r." e "Why?" questioned Lescott, ami , at the stubborn inflection. "I don't hardly know why?" e paused, then admitted with a giar ; though defying criticism: "Sally 1 i hit that-away?an' I won't let not 1 dictate ter me, that's all." s The leaven was working, and i night Samson announced to his u t from the doorstep that he was "at 1 . i 5 3 ; 7 Sam* In' ferbout goin' aw?j rer a spell., an' a gain, seein' the world." h The old man laid down his pipe. He C east a reproachful glance at the painter, which said clearly, though c ? without words: tain*, "i have opened my home to you and S HI? offered you what I had, yet In my old a irfeu age you take away my mainstay." a h ha "i 'lowed you was a-studyin' erbout li it t^f^thet, Samfcon," he said, at last. "I've a ded;; done thex beet fer ye I knowed. I t< em- kinder 'lowed thet from now on ye'd do had the same fer me. I'm gltttn' along in f< reed, years right smart ..." k ring. "Uncle Splcer," Interrupted the boy, icog- "I reckon ye knows thet any time ye c leap- needed me I'd come back." If i he The old man's face hardened. e i; a "Ef ye goes," he said, almost sharp- E s aE iy# "i won't never send fer ye. An7 ality time ye ever wants ter come back,' ye a own knows ther way. Thar'll be room an' n -ting victuals fer ye hyar." S j "I reckon I mout be a heap more da?' useful ef I knowed more." U Q to Tve heerd fellers say that afore, s your git hain't never turned out thet way ti k to with them what has left tie mount- a Jh lngs. Mebby they gets mors useful, a bet* but they don't git useful ter us. Either: o AUammAa Knr.lp a + oil Ar mohhv a* *ww Uio/ UUU I tULUC UfltA at ail, w* H and they comes back full of newfangled notions?an' ashamed of their kinfolks. h the Thet's the way, I've noticed, hit gen'- g and ally, turns out." s; hlch Samson scorned to deny that such y but might be the case with him, and was 'e silent. After a time, the old man went si it le 0n again in a weary voice, as he bent g jer's down to loosen his brogane and kick | ter them noisily off on to the floor: 11 s "The Souths hev done looked to ye si >lder a good deal, Samson. They 'lowed they a Sack could depend on ye. Ye hain't quite a It ,twenty-one yet, an' I reckon I could a pour refuse ter let ye sell yer prop'ty. But >,be- thar hain't no use tryin' ter bold a be- feller when he wants ter quit Ye si 3in dont 'low ter go right away, do ye?" b er. *T hain't plumb made up my mind > ti Jam- ter go at all," said the boy, shamefacedly. "But, ef I does go, I hain't y ) a-goln'- ylt I hain't spoke ter nobody b >41y. but you about hit ylt." t< Lescott felt reluctant to meet his si host's eyes at breakfast the next morn- ti ing, dreading their reproach, but if a [s of Spicer South harbored resentment he d it is meant to conceal it, after the stoic's Y that code. 'There was no hint of constraint ic lose, in his cordiality. Lescott felt however, pun that In 8amson's mind was working l the leaven of that unspoken accuiar i3 ee tion of disloyalty. He resolved to s n?U make a final play, and seek to enlist ti Won Bally in his cause. If Sally's hero-wor- 0 iWbe ship could be made to take the form of g JL ambition fot* Samson, ehe might be tl brought to relinquish him for a time, a and urge his going that he might re- h |^HLturn strengthened. He went down to ti Bthfe creek at the hour when he knew s would be maklhg her way thither u tnf FflnnHiri, iW P ^BTIvOihtLCt Q( B As she approached, she was singing, m land the man watched her from the die-1 v< Be tance. Be was a landscape painter and ja Tf$. not a master of genre sr portrait Yet. g< bete he wished that he might, before going, ir are pafnt Sally. fl< ittsi- fMlss Sally," he began, "I've discerning ered something about Samson." k ast- Her blue eyes flashed oinlnously. e< has "Ye can't tell me nothln' 'bout Sam- hi ibis, son;" she declared, "wl thou ten hit's tnes> somethln'nice." ir that "It's something very nice," the man hi tlsb. reassured her. a and "Then, ye needn't tell me, because 1 >ate, already knows hit," came her prompt n, like and confident announcement. a. tern. LesCott shook his head, dubiously. i ives "Samson Is a genius,-' he said. k pour "What's thet?" tl 1 go "He has great gifts?great abilities a] but to become a figure in the world." s] She nodded her head, in prompt and ^ it at full corroboration. >res- "I reckon Samson'll be the biggest h: who man In the mountings some (jay." M i. "He ought to be more than that." ^ air Suspicion at once cast a cloud across hi an' the violet serenity of her eyes. . hi lght "What does ye mean?" she de- bi -an' manded. "I mean"?the painter paused a mo- tl help ment, and then said bluntly?"I mean ,d, bUt h tt, I ?| Have Opened M> .icme to You and di?8 offered You What I Had, Yet In My w w^? Old Age, You Take Away My Main)een stay." t as rr you that I want to take him back with me d 10 to New York." eat- The girl sprang to her feet with her cl own chin defiantly high and her brown hands clenched into tight little fists, the Her bosom heaved convulsively, and >ody her eyes blazed through tears of anger, si Her face was pale. c< lsed "Ye hain't!" she cried, in a paroxysm tc of fear and wrath. "Ye hain't a-goin' tt He tor do no sich?no sich of a damn m e as thing!" She stamped her foot, and A ikes her whole girlish body, drawn into sj >ody rigid uprightness, was a-quiver with hi the Incarnate spirit of the woman de- fo one fending her home and institutions. For H ncle a moment after that, she could not w* udy- speak, but her determined eyes blazed ct declaration of war. (I tu as .loofb e had posed her as the Spirit of tile lumberlands. file waited until she should l>e aimer. "You don't understand me. Miss ally. I'm not trying to take Samson way from you. If a man should lose girl like you, he couldn't gain enough 1 the world to make up for it. All I rant is that he shall have the chance 3 make the beet of his life." "I reckon Samson don't need no Dtched-on help ter make folks acnowledge him." "Every man needs his chance. Hs an be a great painter?but that's the ;ast part of it. He can come back quipped for anything that life offers, lere, he is wasted." "Ye mean"?she put the question rlth a hurt quaver in her voice?"ye lean we all hain't good enough for amson?' "No. I only mean that Samson wants d grow?and,he needs space and new cenes in which to grow. I want to ike him where he can see more of the rorld?not only a -little section of the rorld. Surely, you are not distrustful f Samson's loyalty? I want him to go dth me for a while, and see life." "Don't ye say hit!" The deflanoe In er voice was being pathetically tanled up with the .tears. She was peaking In a transport of grief. "Don't e say hit Take anybody else?take sm all down thar, but leave us Samon. We needs him hyar. We've jest ot ter hatfe Samson hyar." She faced, him still with quivering ps, but in another moment, with a udden sob, she dropped to the rock, nd burled her face In her crossed rms. He went over and softly laid hand on her shoulder. "Miss Sally?" he began. She suddenly turned on him a tear* tained, Infuriated face, .stormy with lazing eyes and wet cheeks and 'embling lips. "Don't touch me," she cried; "don't e dare ter touch me! I hain't nothln' ut a gal?but I reckon I could 'moet iar ye ter pieces. Ye're jest a plsen sake, anyhow!" Then, she pointed a emulous flpger off up the road. "Oil way from hyar," she commanded. "1 on't never want ter. see ye again, e're tryln' ter steal everything I >ves. Git away, I tells ye!?git away -begone!" "Think it over," urged Lescott, quietr. "See if your heart doesn't say I am amson's friend?and yours." ' Ha lrned, and began making bis way ver the rocks; but, before he had one far, he sat down to reflect upon le situation. Certainly, he was not ugmenting bis popularity. halfour later, he heard a rustle, and. lrning, saw Sally standing not far/)ft. he was hesitating at the edge of the nderbrush, and Lescott read in her "I reckon?I reckon I've got tear"ask" ore pardon," she said, slowly and wftfc .bored utterance. He looked up to 5e her standing with her head droopig and her fingers nervously pulling a nwo* tn nlATM ^ ^ "I reckon I hain't a plumb fooL I now 5 thet Samson's got a right tar Idlcation. Anyhow, I knows he' wantt It" "Education," said tfie man, "ldn't gotg to change Samson, except to pake Im finer than, he Is?and more ipable." She shook her head. "I haJnt got o eddlcation," she answered. "Hit's goin' ter make him too good fer me. reckon bit's a-goin' ter jest about 111 me. . . Her lips twisted temselvee Into a pathetic smile* again, ad her chin came stiffly up. "But," 3e added, determinedly, "thet don't lake no diff'rence, nohow." Yet when Samson that evening gave Is whippoorwlll call at the Widow [tiler's cabin, he found a dejected and |iserable girl sitting on the stile, with er chin propped In her tWw hands and er eyes full of somberness and fore ding. "What's the matter, Sally?" queaoned be, anxiously. "Hes that lowawn Tamarack Splcer been round ere tellin' ye some more stories ter ester ye?" She shook her head in silence sually, she bore the brunt of their nversations, Samson merely agree ig with, or overruling, her in lordly revlties. The boy climbed up and sal eside ber. (TO BE CONTINUED.) Wisdom From Thomas. The thoughtful look on young Thorn j' face betrayed that he had a few * *- Mm UeBllOnS IU usa. /id iuuu ao u oardman bad gone, be asked them. "Mother," said he, "do you like tfl [bs Mrs. Boardman?" "No, dear." "Do you think Mrs. Boardman likes kiss you?" "I don't think she does." "Then why do you and she always [88 when you meet?" "I don't know, dear." "Don't you think Mrs. Boardmaa ould rather you didn't kiss her?" "I have no doubt of it."' "Wouldn't you rather Mrs. Boari c-n didn't kiss you?" "Oh. very much rather." "Then," said young Thomas, cod usively, "that must be why." Ancient Servants. Francis Grierson, the English mq cian and author, writes of th? Frenol jmposer Auher in the Century 'or Oo iber that "if.I were asked to lann le most typical Frenchman I evsi tet I should not hesitate to nam? uber." The composer at the tinti joken of was eighty-five, and amoni is idiosyncrasies was his preferenci r servants of equally advanced yeani e had five domestics, "the youngest horn he called the baby, being tfcf >achman, who was se?*nty-flvs" * ImMnoNAL StlNWSOlOOL LESSON (By E. O. SELLERS. Actlog Director of Sunday School Course, Moody Bible Institute, Chicago.) LESSON.FOR MARCH 21 JONATHAN AND HIS ARMORBEARER. LESSON TEXT?I Samuel 14:1-11 GOLDEN TEXT?Let us put on the armor of light.?Rom. 13:12. Samuel's review of his life of integrity his charge to the Israelites, God's testimony of displeasure over their persistent desire to have a king, and Samuel's words of comfort and assurance as found in chapter 12, form an interesting connection with last Sunday's lesson. In chapter 13 we have the record of Israel again in dis tress and of Saul's folly In his assuming the priestly office (vv. 13, 14). I. Saul's Distress, w. 14. That Saul's disobedience, just indicated, had incurred God's displeasure, we know. It evidently had its effect upon the people also, for his army had dwindled during the intervening fifteen or eighteen years, from 330,000 (ch. 11:8) to a feeble 600 (v. 2). They were further handicapped |>y a lack of weapons (ch. 13:19-23). Deserted by Jehovah, by Samuel, Jehovah's priest, and by nearly all of his enthusiastic subjects (see 11:12) Saul was "in the uttermost part of Oibeah" hiding under a pomegranate tree (see vv. 11, 22 and 13:6). This may refer to his being at Rimmon (Judges 20:4347). In thtd retirement Saul retains Ahiah (v. 3) as' priest, thus keeping up the, outward' form of worship. This priest Is hpt referred to as Jehovah's. He wsa a grandson of Phlnehas, one of Ell's wicked sons, and as such was not to be a successor in the high priest's office (cil. 2:3036). Such an outward form of "dead works" cannot take the place Of a Ur- Ing faith. For Saul to consult the oracle of the TJrim and Thummlm. Worn by the priest and later to call up familiar spirits, showa his lack of spiritual apprehension. The references made to Sanl's conduct (obhptera 12, 13) are an indication of his character and emphasi%? the psalmist's words as found in Ps. 119:11,105. II. Jonathan's Victory, w. 4-13. But God had one leader to whom hp could speak, Jonathan, who la one of the finest and most attractive characters ' in the whole Bible. This episode is ITT?i,_\ v. . among tne moat Driuiani in xue ur j Jonathan's dealings with David. There seems to be a suggestion that Jonathan h*>d lost confidence in tils father, for neither he nor the people . knew where Jonathan had gone. Verses' 4 and 5 vividly picture the nature of the location wherein* Jonathan undertook this feat Jonathan clearly counted upon the fleshly covenant sign as ground upon which to expect help and victory over his enemies, who lacked such a sign (v. 6). The army of the Philistine# had been divided'into three sections fCh. 13: 17), and this gave Jonathan his opportunity. The garrison at Michmash was on the opposite side of the ravine from Geba, Saul's headquarters. Hidden by the cliffs it was quite easy to approach the Philistines. It is an interesting and enlightening conversation recorded as ensuing on that Jon* - M aej. M Jonathan?K may be that the Lord will work for us; for there is no restraint to the Lord to save by many or by few (v. 6). Armorbearer?Do all that la in tnine heart, behold I am with thee. Jonathan?We will pass . *. ? over, and will discover ourselves. The test, as recorded in verses 9 and 10 was a real one and a revelation of Jonathan's shrewdness. Nor to be invited up by the Philistines would suggest a desire they may have had to cover up any weakness. To be aBked to "come" suggests their selfconfidence. Today's Message. Two young men of faith saved a nation sunk in despair and disgrace. They inspired confidence in God and his promises. "Youth for battles, old age for counsel" but there are times that demand action more than conference and consideration. Courage is only of value, however, when based upon much training, devotion to God, the interests of others, and a clear vision. It is not a ?- ..thnan Pnliraefl mere nasn iu moo paiun?;. is contagious; Jonathan's feat set on fire the soul of a nation. Read again the roll of honor in the eleventh chap* ter of Hebrews. The highest courage is not physical but moral. This courage is open to all, but it is intelligent' 'ly grounded upon God's sure revelation in his word and in the person of his Son, our Lord. "And his armorbearer after him." Jonathan did not go alone. On the other hand it is not probable this young I lad would have gone up those rocks I had not Jonathan led the way; be- I cause one went before him. he was I able to scale the fortress. God alone I knows the heights to which we may I attain, but does not ask us to go alone. I nor expect us to do the impossible. I The greatest heroes are not military, I they are Christian heroes, who put on the Christian armor and whose 3 "strength is the strength of ten be- I cause their hearts are pure." Such I I Heroes are 1101 aismayea ai iu? n tempt and gibes of the enemy. I