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f f Make This Bank n Ji n. _ o I. 1700 [ D a 3 r Enlist to-day i Systematic S Savings Accoi to it each wee ' It is your duty ' those depende ) and save a p / each month fc OPEN A SAVING.1 The Exchi f Of Newb "The Bank c i - . ?.! * - PBOGKAM. 1. Trumpeter's Serenade?Spindler The bugle calls, the sound of "the charge," the stirring rhythm of the ^ antire piece forms a vivid picture of |L the joyous "high spirits." g iMaster Paul Denning. 2. Fairy Polka.?Spindler. 1 The light tripping of fairy feet in moon liffht. the far off calling of elfin horns, and the nearer music of the fairy orchestra suggest the very spirit of a midsummer night in the forest. Miss Maude McWhirter. 3. The Mill.?0. Major.?Jensen. The low murmur of the water against the slow moving mill wheel, the occasional splashing against a stone in its course, the quipt and the coolness of the surrounding shadows ?all are pictured in the lovely little ^ song of the mill. ~ Missf Liila Thompson 4. Solfeggietto.?Ph. N. Bach. An old Italian vocal exercise (or "Little <Solfegge " as the name indicates) whose queer turns and thrills and weird minor, carence^. Tiistfit have "been sung toy some Princess of old Venice in the days of her far-off glory?which yet proclaims in every detail, the touch of the master's hand. Miss Maude Hamilton. 5. Traumeri?(Di earning).? Schumaine. One of the <aS?pn?s from childhood" PQf whose exquj^te theme with the slight crescende ferowing louder) at the end of each upward-turning phrase, the minor modulations of the Tr-.iAAio narf ar;d the slightly varied return, expressing so vividly the unsatisfied longings of Schumaine's own rather repressed childhood?are so well known as almost to need no description. Norwegian Bridal Procession.? Grieg. As unlike as possible to the wed^di-m^ 'music of Wagner and Mendelssohn this wild horse procession of ^ all the youth of the countryside, dancing, shouting and singing to the accompaniment of their own wild spirits alone, their wooden shoes making weird and unrhytbimc Accents at unexpected places?this bridal procession is still quite as characteristic of its own national life as are the better known ones of more concentional people. Miss Rose Hamm. ^ 7. Nocturne in E?Flat.?Chopin. Although not himself the founder Jr of this well known form of composif tion, it is nevertheless Chopin and Chopin alone whose name is at the I present time invariably associated '' J 'TVipco hifrh Fvitl cue wuru iiwiuiiio. ^uv.v ?o-serenades, as varied in character as the waltzes by the same master,-yet have a distinct character all their own?the swaying rhpthm of the accompaniment suggesting the tones of a guitar heard against the sustained melody of the right hand, the quick cadenzas in the middle part, and the sound of sleepy bird notes against the slowly swaying tree tops at the close. ^ These are some of the distinguished features of the "Nocturne in E-Flat.'' Miss Bertha Efird. 8. "Sous Bois" (In the Forest.)? Tie spirit or spring, me juvucso upward springing of tiny green flowershoots, the caroling of newly migrated birds, with a clear song-like melody breathing the very spirit of forest solitudes, in the middle part? this is the1, picture conveyed by the 4 *bui " ' 11 * inmmtmmmmmm j"'?l immm , jh Your Business Home 1A /tlr/W I' MUYCi if n the great a/my of avers by opening a int, then add a little k or month. - to yourself and to nt nn vnu to set aside art of your Income ir future comfort. i 5 ACCOUNT NOW ! j inge Bank ; erry, S. C. )f the People99 y t i lovely tone-poem toy this compara-1 tively little known modern composer. | Miss Maude Hamilton j 9. Waltz in C-Sharp.?Chopin. .Some master has said that no one below the rank of Countess would , ever attempt to dance a Chopin waltz. I However, this may be, certainly these exquisite idealizations of the dance seem written exclusively for Counts and Princesses. 1 The slow minor j theme of the waltz with the haunting I ; sweetness of its more "brilliant di. j visions, though in directs contrast to j some of the more widely known j j waltzes, is still quite as characteris-! j tic of the master's to^-h. Mrs. A. H. Bouknight. 1 ? 10. Humoresqae.?-Dvorak. !> : i Possibly no other composition has ( ever become so widely known in so ; s^ort a time as this collection of ( Bohemian folk-melodies fey Antonin Dvorak. The joyous opening theme, the song-like melody of the second division, with the cry of longing throughout the middle Dart, makes a . vivid picture of the every-day emo- j tional life of this much harrassed people, i Miss Maude Hansilton^ 11. To Spring.?Crieg. The -first glad burst of spring mel ody, the wild joy at the close of the long dreary months* of snow and i darkness* the break-up of the ice fields, with the release of the long- ( locked -mountain torrents and the;, sudden rush of summer beauty over j all the earth?this is the picture of, a Norwegian Spring. Miss Dorothy Denning.! 12. Kanrmenio-Custrow.? Rubenstein. j Perhaps the most widely fcnown of the entire series of twenty four tome -portraits of this famous water- j j ing place situated just outside the i I Russian capital, written and dedi- J j /^ted by the composer to twenty four j charming ladies of the Russian j Court, who helped mate the plac*: , delightful for him duiinp; his many j j vacations spent there. The shimmer j j of moonlight upon the water, a son<; j floating out into the stillness of the j night; the exquisite organ tones from J a tiny chapel on the mainland?the I sound of the cathedral bell, with the . j chanting of the mass against the ! dashing of the waves upon the shore . | ?this is the theme of this particular : portait of Kammenio Custrow. Miss Rose Kamm. 13. QPolonaise in A-major (military Polonaise).?Chopin. Although originally lanced at the ! coronation of Polish Sovereign in the I i days of 'Poland's greatest national J r | glory, this expisite idealization of the j ancient court dance has become more !. of a precesional than an iactual dance I today. Liszt, in his description of | this A-major Polonaise of Chopin's | says: '"One can almost catch the 1 j resolute tread of men 'bravely facing i all the bittel injustice which a cruel ' and relentless destiny can offer, with i J the manly pride of unflinching cour-j1 i age. The progress of the music sug- j J eests such magnificent groups as j j those designed by Paul Veronese, 1 robed in the rich costumes of day-; 1 ! long past. We see passing before us brocades of goll, damasked satins, emibossed sabers, boots yellow as gold or red with trampled blood, rustling trains, gloves periuznea wurc luxurious alter from the Orient." The long trill9 suggesting the roll of drums and the roar of bursting shells, tV-3 n::ic;\ bnglrt TV>t*s of the char;?'?, >r the wild joy of hard won and long ? sought victory?such is the spirit of this magnificent ode to irlorv. 'Mr. Fulmer Wells. I 14. "O, Sanctissima."?Spindler. 4iO, Sanctissima, Opurissima, 1 'Virero -Maria \Iateramata. in temereata I Ora, Ora, pro nobis.'* .Hymn to the Virgin. "O, thou purest and most holy Virgin 'Mary, ; Beloved mother, in pity, intercede for us." ! This ancient hymn to the Virgin sung in all Catholic countries, suggasts in its variations of the theme, al! the odd interludes and unusual embellishments introduced into the later church modes. Miss Bertha Efird. 15. March and chorus of the Minstrels from Yannhauses Wagner Bulow. ;A march sn-oall w;n h is roally not a march at all font magnificent processional played during the gathering of all the nobility of the surrounding principalities for the great contest in the "Hall of Song" in the dine and stately old castle of the wartburg ?a contest in which the hand of the Princess Elizabeth, niece of the Landgrave of Yhenringia is to award the victor, and the voice of the well loved and long-lost knight and minstrel, Yaunhauser, is to be heard for the first time in many weary months.? Still, this is the picture conveyed Dy I this well known march from Wagners | most widely known ODera. ; Mrs. Bauknight and Miss Harman 1 On account of the absence of little Misses Elizabeth "White and Elizabeth Harms, the following numbers were omitted from the program, viz: Waltz in E-Major.?Chopin. Regarded by the composer too trival for publication during his life, " J VlTT ana SO discovered aim uiauc friends after his. death, ths exquisite little waltz has (become almost a3 well known in the musical world as some of the most difficult of the master's compositions. Miss Elizabeth White.' "Sea Song/'?McDowell. "A merry song, a chorus fbrave, .And yet a sigh regret For roses sweet in woodland lanesOh, love can ne-er forget." Miss Elizabeth Harms. Dancing Wavelets.?Stephen A. Emory. A little tone-picture in which the dashing of tiny waves against the sands at low tide is vividly illustrated by the American composer. I iMiss -Elizabeth White : tValse Brilleaute in |B-Tlat, Op. 13. ?Chopin. As great a contrast as possible with its orchestra introduction and its brilliant beauty of movement to the! "" waltz in C-sharp minor, yet the won- | derful modulations, and the varied j character of its many themes, surely j could have been written by no one j but Chopin himself. Miss Elizabeth Harms. Of the pupils whose names appear "non the program the -fi^t three little Misses Maude McWhirter and Lula Thompson and Master Paul; ^nnins. entered as beginners under I the student-teachers, the normal de- j partment on November first, and . have had only one twenty-weeks' i term of study with Miss Rawl. Th3 i four third-srade pupils, little Misses | Elizabeth White, Elizabeth Harms, J Dorothy Denning, anl 'Maude 'Hamil- j ton, the first three entered the school as beginners three years ago, while j Miss Maude Hamilton has completed J ber second year of study only. Of j the four fourth-grade pupils, 'Mrs. Bouknight entering in the last term j of the second grade two years ago, is ! completing her second year in the i school. Miss Bertha Efird entering' in the same grade?her first. Mis3 Rose Hamm, for two years a form Wet. T?S>TC1C Br pupa ui uiioio in*., iu, ?r--,-? her first full years' work in the school j and Mr. Fulnier Wells, "who entered the s-chool at its foundation, finishes ; his fourth year of study. rHE STATE OF SOUTH CAROLINA, County of iNewberry. By W. F. Ewart, Probate Judge. Whereas, D. F. Sheely and G. A. j Sheely, Jr., made suit to me to srrant fhem Letters of Administration of the Estate and effects of J. B. Sheely. These are. therefore, to cite and admonish all and singular the'Kindred and Creditors of the said T- B. , Sheely. dceased, that the he and appear before me, in the Court of Probate, to be held on Thursday, the 18tn day of July, next, after publication, hereof, at 11 o'clock in the forenoon, to shov cause, if any they have, why the said Administration should not | be granted. Given under my hand this 28th day of June, Anno Domini, 1918. W. P. Ewart, ^ P. J. N. C. /m % 51 Conde The Natio Newl From repoi Showing Conditio Loans and Ii Liberty Bom U. S. Bonds ^ A 1 i _ v^asn ana au U. S. Trea Capital Stocl Surplus and 1 Circulation . Dividends Ui Deposits Bills Payable erty Bond* Rediscounts \ THE NATION/ b. c. Matthews, t. k President. State, Com Membi * /ll L_??? J At the of a mi Just like a gas stov you get instant he of cooking?with a The gas stove effic 3,000,000 into Am< A New Perfection lig aoot It lightens fuel work in. It saves co? Made in 1-2-3-4 bur oven. 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