The times and democrat. (Orangeburg, S.C.) 1881-current, October 16, 1909, Page 2, Image 2
The following was published ia
"Augusta about the Wayne Musical
Company, which wit' appear ? here
this afternoon and tonight:
"I've seen many a $1.50 musical
show that was not nearly so good
. as this." This expression was heard.
last night, on all sides as the audi
ence filed out of the Bijou after the
performance of "The Circus Girl" by
the Wayne Musical Comedy Com
pany. The word large is used here
9 advisedly, for the pretty play house
was literally packed with an audi
ence representing every class of peo
ple in the city, but an audience con
genial in its -universal approval of
the heautiful surroundings in which
it found itself.'-ahfl ^r the entertain
ing show it enjoyed so thoroughly
as to make the wistaria-hung walls
echo again and again to the tempes
tous bursts of laughter constantly
indulged in by young and old. im
pressionable and unimpressionable.
There is a marked improvement in
the organization' since at the casino
last summer, when it played to au
diences almost as large and enthu
siastic as that of last night. The
chorous ? works together better, dis
playing more finish, while at the
. same time it has lost none of its
distinguishing vim and go; the prin
cipals have become more subdued
and dignified, while apparently as
whole-hearted Interested in their
work as forraerty, and. the costumes
and the stage settings are quite be
yond crlticims. And speaking of
costumes, the company must have a
thorough capable designer of gowns,
for some of the effects are thorough
ly artistic, and the color combina
tions are almost pleasing to the eye.
' Everything is fresh and dainty, and
much care is given to every minute
"detail..
"The Circus Girl" is a bright lit
tle opera, full of laughoble situa
tions and with a dialogue sufficiently
mirth-provoking in itself to make as
unnecessary as objectionable the vul- j
gar interpolations that several times
marred the general good taste of the'
performance. The songs are wonder
fully catchy and bright and for the
. most part were well sung. Among
those who sang and acted to excel
lent effect, were Miss Aimee Travis
Mr. Fred Wayne; Mr. Harry Crib-;
non. Miss Loretta Marshall and Mr.'
Chris AHsworth. There were somr;
beautiful dancing specialties by the
Sisters Lamere.
Scene from "The Circus Girl" Played
? by the Wayne Comedy Corpany. . .
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Charleston Drug Manufacturing Co.,
Charleston. S. C.
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For sale by all druggists.
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We have on hand about
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Now is your chance to get a
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iE COMEDY
Scene from "A Knight and a Girl'
Angelica
of Michigan
By CAROLEN BATESON
Copyright. 1909. by Ameriun Pre?? Asso
ciation
/_vsTIK Florentines were proud of
Giuseppe. To tourisi? the Inn
I keeper pointed bim out along
, J with the city's curios as the
painter who was to equal Raphael and
revive in Italy the glories of bygone
centuries.
"His faults?" And for once the iun
keeper's rhapsody halted out of defer
ence to the well bred young lady at
the wludow. "It is true.Giuseppe has I
faults. But. signorlna. what will you? j
He Is young, and geniuses are uot |
found under every bush even in Italy, j
Mnrgharita. Florla, Beatrice, Frances- i
ca"?the fingers of both hands thrown
out and a despairing shrug Indicated
the iuaccuracy of the count?"they all
have spoiled him. itut look for your
self. Could you Ida me theinV"
Angelica looked: Besides being a
conscientious traveler auxious to miss
nothing, she was a painter, too. in her
prim, orderly way aud, before her Ital
ian sojourn could boast an occasional
premium at a county fair. She had al
ready heard of Giuseppe at the studio
in Rome, and her Interest grew now
thut she saw the man. Her trained
glance noted his perfect proportions.
The soft roundness of the figure
matched with the handsome head, in
which, she could swear, no concrete
fact bad ever found lodgment. Such a
bel?g should be care free, a ward of
the uature he Interpreted. He needed
blue sky and sunshine for a back
ground. Hts, faults?well, who could
rebuke the lightness of a butterfly?
Aud yet In his expression there was a
restless hungering that explained the
artist. It was n sorrowful look, but
beautiful nnd In harmony with the fon
'Aures. Its dissatisfaction, free from
plaint or jusotest. bad long been sweet
ened Into aspiration.
"How cold be would look in a Grand
Rapids winter!" she thought. "But
even In Grand Rapids he would still
believe In Italy."
Theu she glanced away. Anglo-Sax
on secretiveness hid her Interest, for
the great painter, seeing her. had
paused nnd was staring up eiirapt fron:
the walk below. The rudeness wa.
unconscious--framed by the window
sash she looked so like a picture in ui:
exhibition. Her clear cut face, all
purity, resembled nothing he had ever
seeu In life. Su? b faces he some
times dreamed of?after confession. II?
loved them as be loved the church
with its poetry and mystic symbol
ism. Her gentle coldness, so differ
ent from Florin, gave her a holy seem
lug, und holiness bad power to thrill hi>
soul, like a violin's harmonics, as some
thing high and tine, almost past tin
sensing. That such a creature must hi
beyond all touch of pnssloti affected
him with ineffable sadness, but to the
artist sadness holds au element of dee|
artistic joy. Her heigh, above him
brought a consciousness of his own si!
oppressed mortality. Her eyes wan
dered beyond him in apparent careless
uess.
"She is an ungej from heaven, and
she knows not that 1 live." he mur
mured. "Yet if
she knew surel\
she would plead j
for me with Mary
and the blessed
saints."
"A stranger*!
Yes. she Is a
stranger." cooed
the best, pointing
to the register
when Giuseppe
questioned. Gen
ius is a hot house
plant that must
be coaxed into
flower. "A for
eign n a tn e --
Ca-art er ? yes
?'arter. Angellea
Carter of Michi
gun."
So?an angel,
even as Giuseppe
bad hoped. It
pleased bim that her home had so
hazily remote M sound. Michigan?no
world pc*ci that?one of those faroff
onkuowjj, un.kri.es. wjbjj^_the_ fancy
Storing ?*/> ctirupL
COMPANY
at the Academy of Music Tcuglit.
loves and the geography ignores. But
the host came presently with further
Information:
"Michigan?a lake, tbey te'l me. big
as a sea. And the lady paints. She
would desire to see your pictures, it
might be?eh??if you asked. You love
her?"
"Yes. I love her." Giuseppe an
swered, "but she is not for such as
me."
That night he had a word for Mar
gbnrita. a kiss from Florla. an appoint
ment with Beatrice. But It was the
last time, for his heurt was with the
saintly one whose lips his might never
press. Henceforward she alone should
be his inspiration. She would make
him great. He would put on canvas
this impossible, ecstatic passion for a
water maiden, an Undine, au angel
from Michigan?that lake, big as a
sea. And perl' ips she would come to
see his pictures.
Angelica came one day. The inn
keeper's "He respects you, signorina,"
gave the most fluttering of safeguards.
In spite of herself she was very proud
of It, this respect of n dissolute man
for It separated her, for Giuseppe,
from earth's other women. It was a
distinction to be valued like all dis
tinctions, according to Its rarity.
Giuseppe received her with few
words aud much humility. His works
spoke for him. She saw there Madou
ua eyes and quiet valleys and that
peaceful calm of evening' when (Jod
walked abroad in the garden. Every
where was faith, tinged by sorrow to
a deeper richness, and poetry aud In
tuitive comprehension of those things
beyond that humankind must strive
for. uever reaching. A despair of her
own poor reasoning taleut seized her.
' The picture s/iaif S"il it 'it'."
Looking, she understood the man and
the strange sweet longing of his ?*ouu
tenance. When he unveiled a sketch
of herself tears ruse with the Inten
sity of her delight, (.'ulinished as it
was, it was the gem of the collection.
But the beauty, the exultation of It.
were such as she had never possessed.
And he believed her like that! He was
great, he was guod, and- she knew it
now with the suddenness of a reve
lation?she loved him.
"You were so like a picture at the
window." he apologized, "that I stud
led you. You forgive?"
"Surely I forgive. Yuu -you shali
study me again."
"Oh. if I might and here: At the
window yon hung so far ii.bove the
line."
"I shall be on the line hereafter if
you paint me so." And her voice sank
to n reverent whisper.
The artist's face flushed. He was n
creature of emotions too natural to
seek concealment Without troubling
to separate the woman from the con
ception he struggled with an explana
tion.
"Oh, signorina. the years that l have
longed for you! I cannot make words
talk, but the picture shall say it all
how I was weak and wicked and you
mercifully came to be my salvation;
how you looked at me to lift me out of
6ln. You will let me love you? I am
bold to say it. because I ask nothing.
You are so far away that my love can
not offend more thau It does the Ylr
gin."
Angelica passed the night with open
eyes examining her happiness.._j;he
letters or n young attorney in Grand
Rapids had been destroyed, they show
ed so commonplace beside the glory of
this new passion. Giuseppe should
Jove her. as1 he willed. at>d when the:
time came thnt it was not unmaldenly
to yield?in blissful wakefulness she
rehearsed the thousand ways that she
might tell him.. .. .
The sittings hepan. The artist work
ed feverishly and said little. Angelica
beican to find him more complex than
she had thought.
"You are like religion. You make
me sad." be said when asked about
his somberness. But the answer dis
pleased Angelica and filled her with
premonitions. Was It only black eyed
Florla. then, who could make him
smile?
Ells Interest in her personality was
meager, too. for a lover. When she
spoke of Grand Rapids he had mur
mured:
"The rapids?back by the sen where
you live?"
Angelic* remarked that she lived far
Inland and in pi<pie added a reference
to the attorney whose letters bad been
sacrificed.
"One worthy you there? Perhaps
Giuseppe is not. He knows It. After
a time you will return. The great
-apids will swallow you agalr.. and I
shall see you no more." And Angeli
ca's annoyance at the ease with which
she was resigned was only half re
noved by his coiu-!u*ioii as he touched
nLs breast:
' itut I shall have you here always."
Nor would In? let her see the pic
ture. "Wait till it is done." he said.
And he painted so diligently that she
grew jealous. It hud all his attention:
she none. VYhul was it like? The inn
keeper, who had seen it. culled her
Giuseppe's inspiration. But, was she
to be only an inspiration'.' She looked
at hi*'abstracted face, aud a wave of
pain and love overspread her own.
Seeking to make some connection be
tween herself and the painting, she
spoke one day of Pygmalion.
"He kissed tils Galatea Into life, you
know." Her conviction'that Giuseppe
did know absolutely nothing that was
ever clussilled and put luto a book of
reference led her to add:
"She was the startle he had made,
aud after that she became his wife."
The poetry of this appealed to Glu
seppe. nor was the parallel lost. He
looked from her to the picture, then
gave a despairing sigh:
"Ah. but I have not painted a Gala
tea.''
Angelica's animosity toward the pic
ture grew with her love. The day il
was completed and showed to her she
could have cried aloud in despair, even
while she prostrated uerself before the
genius that had produced It. It was
a perfect face- no woman's, but at
angel's. It was the soul of goodness
looking down on sinners with uuscoru
lug piiy. glorious, alluring up steeps
and on to heights, then flitting on be
fore, always unattainable, always ex
alting. So Beatrice must have been
when her eyes drew Duote out of pur
gatory Into heaven.
Giuseppe loved it?not her. There
was no common ground between them,
j The girl's haiids clinched with the
hopelessness .of rivalry against the
nonexistent. And. insult to insult, the
thing had stolen her lineaments!
"She is great." Angelica said, dash
iug back the tears. "She will make
you famous -aud me, perhaps." There
was a Hug ?>f sarcasm in the la?t
words that puzzled Giuseppe.
"She Is great. I have dwelt with her
day and night, until I understood. She
has been my salvutiou. She has led
me on aud on. 1 am no longer a
painter, but uu artist. And she Is you.
Yoq have tuught me this. I thank
you."
Angelica jerked buck her hand from
his reverent lips and shrieked her ex
asperation. "No, no, oo?she is ugly.
ugly-"
She had hoped to retire with dignity.
The dam once broken, her emotions
poured out In spite of her. "She Isn't
me. You have uo right to paint that
thiug and call It me. When you said
you loved me, I believed It. I loved
you in spite uf your faults. But you
you are wicked and ungrateful. You
demand of nie perfection -und such
perfection."
Giuseppe rubbed his hand across his
forehead, stupefied. The picture and
Angelica, it seemed, were two sep
arare entities. Galatea, made flesh,
was no longer Galatea. Here was a
woman surely, the one he had painted.
But the blessed augels, did they nor
exist?
"Do you love me?" she demanded,
with a stamp uf her foot. "Me or her.
which? Look at ner. She is a co
quette. You will never reach her.
however you try. 1 will make you
happy -nohappy. Giuseppe. But choose
choose."
Giuseppe ->t.>.:ij open mouthed for
few dazed moments till he had stared
her Into foi-us. Not bis augel now. not
above him. lie might touch, possess
A woman this with the features so
d"tir !?> hitxi. r>-d lipped, fairer than
Floria. The earth called loudly to
hicu. Heaven was far off. The clouds
"Me or h>rr?whlchT"
gave way. He was falling like Lucl
fer from a great JieighL swiftly, gld
dlly. And still as he clasped her" iu his
arms she kept demanding:
"Me or her? Prove It."
Giuseppe turned to the picture. In
his glance was the cynicism of an en
lightened century over which unbelief
has swept. He considered the tender
pathos of Its eyes wirb their promises
that .could never be brought quite to
fulfillment. He marked Its spirituality,
pleading mutely against the flesh, sa
cred, distant, always distant and un
reachable. And It was lie who had
painted such a meaning Into those fea
tures. It was he who had cared for
heaven while there was an earth. The
corners of his mouth twitched. With
out warning he burst Into a long. loud
laugh. Its cold materialism startled
Angelica. Before she could prevent he
ti?\d seized a palette kuife and slashed
tJ.o canvas from edge to edge.
"1 have proved It." be whispered.
"She Is worse than a coquette. She Is
a He. But I have you. I am satisfied."
"Yes." the innkeeper was wont to
confide to guests, "that Is Ginseppe,
the painter,
and his wife
They are a pail
of lovers-?so hap
py. Oh. It is most
unfortunate; she
bus ruined him.
If only he had
married Florla?
but how is a bup
py man ever to
be a Raphael?"
When the Inn
keeper one night
came upon his
protege ?piecing
together the
edges of the mu
tilated canvas he
rubbed his hands
in glee.
"Ah. you de
stroyed what was.
Gitueppe ?la?hed the good, and it tor
canvaa. ments you. Tt
takes vengeance. You are troubled
you, my contented one!" !
"Contented; yes. But she wasn't a '
lie." Giuseppe said as he laid away the ,
canvas, "for she comes to me in my j
sleep and whispers of (he blessed un
rest that is the greatness of man. She
made me sorrowful, but she would
have saved me my soul. She was a
coquette; she would never have satis
fied. 1 should have gone on and on!"
"You regret?" eagerly whispered the
innkeeper. "That is good. Regret,
paint again, and you will yet be Giu
sep|K\ the master."
His eagerness was checked by Giu
seppe's smile. "I regret nothing. I am
happy?as contented as an aultual
without a soul. H Is sweet to be so
And a man cannot hau? all tilings. 1
shall paint again, to be sure, but 1
shall never be an artist."
CHARLESTON
Musical and
Festival Week
October 25-30
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SYMPHONY
ORCHESTQA
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1,500 acres highly
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or cut to suit nur
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W. K. SEASE
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Varieties. Three for 5 cents. Simsi
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LOWMAN DRUG 00.
GLOVER'S
FALL OPENING
The most i comprehensive
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