The Abbeville press and banner. (Abbeville, S.C.) 1869-1924, November 03, 1920, Page PAGE SEVEN, Image 7
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Treasurer's Notice!
OFFICE WILL BE OPEN FROM
FRIDAY, OCT. 15TH UNTIL
MARCH 15, 1921.
Taxes Paid From Friday, October 15, j
Until Friday, ' December 31st
Without Penalty.
The rate of State, County, School
and Special Tax including one dollar
Poll Tax, two dollars commutation
tax.
In accordance with an act to raise j
supplies for the fiscal year commencing
January 1st, 1920, notice is here-J
by given that the office of the County
Treasurer for Abbeville County will j
be open for the collection of taxes for)
said fiscal year from Friday, Oct. 15, j
until Friday, Dec. 31st without pen-!
alty.
i There will be added?a penalty of
one per cent, on all taxes not paid on
January 1st, 1921.
A penalty of two per cent, on all
taxes not paid on Feb. 1st, 1921.
A penalty of seven per cent, on
all taxes not paid on March 1st, 1921.
Rates per cent, of taxation are as j
'follows: ,
State Tax 12 mills.
County Tax 8 mills.
Good Roads Tax 3 mills.
Constitutional school t^x __ 3 mills.
TOTAL 22 mills.
In. addition to the above a special
tax will be collected for school purposes
as follows:
- Abbeville City Shops Bonds 1 V& mills
1 Corner 2 mills
3. Lowndesville 16 mills
4 Rocky River 2 mills
9 Calhoun Falls 6 mills
10 Santuc 4 mills
. 18 Bethia 8 mills
20 Sharon 8 mills;
21 Bethel 3 mills.
22 Abbeville 14 mills
23 Warrenton 8 mills
24 Reeds 8 mills
25 Brownlee 4 tnills
26 Campbell 15 mills
24 Antreville, 12 mills
29 Sunny Slope 8 mills
30 Cold Springs 4 mills
31 Long Cane 2 mills
32 Smithville 2 mills
34 Central 8 mills
35 Hagan 8 mills
36 Parks Creek 3 mills
37 Keowee 14 mills
38 Due West 12 mills
39 Donalds 17 mills
Pinovillo g mills
41 Vermilion 4 mills
42 Fonville 3 mills
43 Eureka 3 mills
44 Broadmouth 8 mills
45 Rock Springs 2 mills
46 Ray 4 mills
47 Winona 8 mills
50 Cana 4 mills
54 Lebanon 4 mills
A poll tax of one dollar per capita
on all male citizens between the ages
of 21 and 60 years, except such as
are exempt by law, will be collected.
A commutation road tax of two dollars
will be collected the same time
as other taxes from all male citizens
between the ages of 18 and 50 years,
except such as are exempt by law.
Unless said tax is paid by the 1st of
March, 1921, eight days work upon
the public highways will be required
under an overseer, if so much be necessary.
Taxes are payable in gold and siltt
-'i _ j nx_x__
ver, united ataies currency, roaiiuuai
Bank notes and coupons of State
bonds which become payable during
the year 1920.
At the same time as other taxes are
collected a license of one dollar and
seventy-five cents will be collected on I
all dogs. A dog tag will be furnished
by the Treasurer to each owner paying
license.
Parties desiring information by
mail in regard to their taxes will
please write before Dec. 16th, stating
the location of their property and
include postage for reply.
AN ACT
To Provide an Annual Dog Tax For
The State of South Carolina and a
Penalty for Not Paying Said Tax.
, Section 1. BE IT ENACTED by
the General Assembly of the State of
South Carolina, That from and after
the passage of this Act there shall be
levied on all dogs, six months old or
older, in the State of South Carolina
an annual tax of one dollar and twenty-five
($1.25) cents per head.
Section 2. That upon the payment
of said annual tax of one dollar and
twenty-five ($1.25) cents by the owner
of any dog in the State, the County
Treasurer shall issue to the said
owner a receipt therefor and a metal
tax marked "Dog Tax" and the
year for which it is issued. Each j
County Treasurer shall keep a numer*
? ? 1 J 4-n va/] nvi/1 iw I
JUill recuiu U1 cveijr uug laAcu auu ill |
addition thereto furnish to the owner
of each dog such number stamped on
the metal taer. Which tax shall be levied
and paid to the County Treasurer,
as other taxes are paid: Provided,
further, That this tax shall be exclusive
of all other license taxes, either)
municipal or otherwise. Provided,!
That all such taxes collected here un- j
der shall be credited to the schools of i
the School District from which it is
collected, to be used in support of the
schools of the District: Provided, further,
That said tax shall become due j
and payable at the same time State j
and County taxes become due and j
payable.
Spftion 2 That everv owner of a i
dog shall be required to collar and,
place the aforesaid dog tag upon the j
said collar. Except when such dog I
shall be used for the purpose of hunt- j
ing, when such dog shall be upon a j
chase or hunt.
Section 4. Any person owning,
harboring or maintaining a dog,
failing or refusing to return and pay!
the tax aforesaid, shall be deemed <
guilty of a misdemeanor, and, ? upon |
conviction thereof, shall be fined not I
less than five ($5.00) dollars norl
more than twenty ($20.00) dollars. I
one-half of which shall pro to the per- J
son reporting said failure to pay said tax.
and one-half to the public school
fund in which such derelict occurs.
J. E. JONES, p
County Treasurer.
Oct. 27, 1920. "n
NEW MUSK
CARUSO GIVES
IMMORTAL LIFE TO
DREAMS OF SPAIN
Other World-Famed Artists Heard
In New and Delightful
Numbers
URELY there
/ /[(whose voice anc
ft/ V , methods are sc
s familiar to th<
^""n^X world at large
t\ A | ?yet E n r i c c
_ \H3kSl*/ / Caruso weave;
j such a s p e i 1
about us thai
1 nm*^! even *'1C we"
known tunes oi
vKilJfi 9^ 0 u r childhood
take on new life
J Ji \/1 i|Aj||pjn and vigor at
\JJ *< *'AK,vss?23 h's fifSt note
Such will be
the verdict ol
those who hear bim in his most recent
Victor success issued with the
new November offerings. it is just the
type of music that shows to the best
advantage the great tenor's lyric powers.
"Granada!"?the very name is
evocative of t'rz sr>e!! of beauty thai
has fallen for cer.turie3 about that last
strcnjrheld of the Moors in muny-castled
Spain. As one listm1; to the dazzling
rhythms, the icng-Urawn, full-throated
f hrasres cr.c receiv es an impression thai
is consummately beautiful and realizes
that here is the purest genius.
Another great artist, this time instrumental,
is Sergei Rachmaninoff,
who has this month offered us his
own Prelude in G Major (Op. 32,
No. 5). True lovers of music cannot
fail to be stirred, for here the great
pianist has revealed a new side, which
if suspected has been perhaps obscured
by the more vigorous rhythms and
passions of his earlier records. This
rendition begins with a clear, tender,
liquid melody ; repeats with embellishments
in the treble and ends in new
and unexpected forms, as though spiritualized
by beauties of experience.
Rightly has Rachmaninoff called it a
"Prelude"?for if you but listen well
it leads gently to a train of thought
that endures long after the last noies
have faded away to nothingness.
Even a rascal may surter tae panga
cf memory. The truth of this is made
clear in Leoncavallo's "Zaza," where,
in "Zaza, Piccola Zingara," Dufresne,
the weak lover, pours out his heart
in a torrent of love and remorse.
Renato Zanelli has attempted this difficult
interpretation and the result has
been triumphantly successful. His
clear, full-chested baritone soars high
above the accompaniment with all of
the fire and glow of his maturing art.
As for the music itself, it has all of
the melodic quality of the older Italian
operatic arias, to which has been added
modern harmonics.
Quite different in nature is "When
"Your Ship Comes
In," a charming
little ballad that
has been entrusted "
to Orville Harrold.
singer would / ^
iorejjone conclu- ^
admirers, but even ^ jy
to this new record
Ej&sS JJE?3i
has infused some.
thing of the great
open spaces of the sea; something of
the tossing billows and the playful
trade winds. It is a son-j for a sailor
?a song of promise and of hope.
There is a fine melodic interlude, too,
for the united trumpets accompanied
Dy lull orcnestrs.
In thorough hurmony with the foregoing
is another lovely ballad which
gain? in effect from its very simplicity.
Sophie Bra=lau he*1 rc'Jrcd her whole
heart into "Ever of Thee'I'm Fondly
Dreaming," and as a result we have
something that takes the front rank
with her more pretentious work. Here
ar^slow, brooding melodies sung with
a human sympathy that is far finer, far
truer than is conscious art. Perhaps
the moFt beautiful effects are secured
when Miss Braslau's voice sinks to a
soft and velvety pianissimo.
* *
Fritz Kreisler Touches
New Heights of Art
An interpretation by Kreisler is always
a matter of import but doubly so
is the appearance amidst the new Victor
Records for November of brilliant
rendition of the "Chant Intone," the
gem-like composition of Risnsky-Karsakow,
greatest of the Russian ni'.derns.
This work takes on added i:.trrt>i when
one realizes that through tl.? medium
of music one is given a gumpsc or trie
Indies seen through the introspective
eyes of a Russian. Singular harmonies
and wonderful chromatic passages
flit hither and*yon, shuttle-like, and
are held together by the skilled mastery
of Kreisler's finders and the result is
wonder at the genius that makes such
beauty real.
When we settle in our S?nts to listen
to the melting voice of Galli-Curci,
we know in advance that now will
come a treat?that for a few minutes
at least the world may be left behind
and that our souls can delight in the
splendid gift of song that is being offered.
So it is when wc hear her sing
"Clavelitos," a Spanish melody?coloratura,
lyric and poetic to the highest
degree. It is difficult to realize that
human throat can enunciate such swift
flying notes, yet thick and fast the
great diva pours fortli a bewildering
succession of magic tones that cause
the heart to beat fiercely to this lovedeclaration
of old Spain.
"Thank God for a Garden!" This
is the title of John McCormack's most
recent offering, and as his masculine
notes ring out the hearer can but echo
"amen." Here, indeed, is a rare and
beautiful song, sung with an artistic
certainty and sureness that will not
fail to awake latent enthusiasm in
even those breasts least susceptible to
music. This sonu is nature itself; na
ture made superlatively real and
broupht home to the consciousness of
all. The world at large owes a great
dfbt of thanks to John McCormack
'or tV'r ?oMl ctirrin?i record.
The first cannon to be cast in on
iece was made by an English iron
".aster in 1543.
i
: IN REVIEW | I
An accompaniment of ravishing
loveliness?then the clear, bird-Jike
tones of Francos
uic j:rcai nnisi J
could make plain rlHsBflHp r
its haunting mvs-_rc||| , '..am /
dream one is en- * /
abled to see a '
vision of those """1
[ long dead forest ?s&jiiHSHe!
1 lovers, who, these
\ many years have
; slept beneath the surface of the silent
: pool. One need not be a musician to
| Rive oneself to the spell of this song;
j it is as pure and sweet as the frosty
! air of the North woods.
? * *
i New Victor Dances
Are Sure Fire Hits
Paul Whiteman and his Ambassador
Orchestra have already worked wonders
in the dance world?therefore he
* is to be found on the exclusive list of
Victor artists and makes his bow on
November's list of new records. What |
he gives us are three wonderful foxtrots
and an inspiring medley onestep.
"Whispering," "The Japanese
Sandman" and "Avalon" are the foxtrots,
and they're the kind that won't
be forgotten in a hurry. "Best Ever"
is the one-step and it's well named!
These records will be responsible for
a lot of dancing this winter?you can't
heln liking them.
Memory songs are certain in their
r.ppeal, and Elsie Baker sines one of
, the very best when she sings "The
i Afterglow." It is a song in the mod,
cm style with modern harmonies and
emotional type, but is not one whit
more appealing than is "Drowsy Boy,"
sung by Elsie Baker and Olive Kline.
[ Here we have a lullaby?and just such
a one as will delight thousands of
; American mothers.
, Aileen Stanley, a new Victor artist,
makes a smashing hit with two
contributions: "My l.ittlc Einibo" and
"The Broadway Blues." Miss Stanley
comes to swell the ranks of Victor
artists fresh from her success in "Silks
and Satins." Her's is a remarkably
strong vcicc?her enunciation is peri
feet. Both s^nfs are models of just
what grrd catchy songs should be,
i and in bofi there is enough rhythm
to make even m octogenarian prance!
"Tired of Me," sung by Henry Burr
, in his best r'y'e, is tie uircrance 01
a deeply wounded heart, but a heart
that remains faithful, withal. It has
a wallz tunc tJut cin be easily followed
and more tbanjmakes rood in
t the popular manner. The Peerless
Quartet sines "I'd Like to Go to Sleep
and Wake Up in My Mammy's 'Arms,'
which is in ragtime rhythm that dies
away at last with beautiful effect.
* * .
Gabriells. Dcconzoni Sings
Gem From Trovatore
Written in a minor key and dealing
\ only with the tragic side of things,
"Stride la vampu*' (Ficrce Flames I
ere Soaring) is one of the most j
frankly tur.eiul of Iir.lian operatic '
meiuuicj. In s-clceling it as her con- I
tribution ?-? t'.ie n-. v/ Victor Records !
for No\emiicr Gabriella Besanzoni has |
done well. It is set for the deeper
register of the contralto voice, de- I
sccnding to a low B, vhich the singer :
i takes with splendid, thrilling power. J
takes with splendid, thrilling power; I
tfeS one ii.3 the impression of unity
[85 and completeness. There can be f
<p no doubt as to Kcsanzoni's rightful 9
place in the van-guard of high musical ?
art. Ilad she not long before demon- T
strated her right, this record would !
have placcd it beyond the shadow of |
a doubt. m
Out of the most delicately and I
elusively poetic records Mischa Elman S
has ever made is the Nocturne (Op.
54, No. 4) by Edward Grieg which |
Mr. Elman has himself arranged for .
the violin. In his interpretation the |
artist lIso rises to undreamed of
heights. The composition is pure fan- I
tasy?strung 011 a thread of gossamer- j"
like harmonics. J
The famous love avowal from |
"Fedora" has been rendered this
montn oy tiawara jonnson?me nmur
ti vieta di ron amar" that is considered
iiy many as that particular opera's
highest peak. As he sings one fairly
feels that war cf love, hatred, passion
and lust for ven^eamo that makes this
song so thrillingly vital. It is permeated
with masterly feeling; its very
texture is somberly magnificent. Between
ti.e sweeping chords of the orchestral
ledy end the glittering tones
of the harp, Johnson's voice treads
new paths of emotion, until he has
wrought an effect so sweet and strong
that threats of death and calamity are
but trifles in its path.
In the cver-populat realm of the
ballad Lambert Murphy has always an
enthusiastic followinc
which can
and really one ;
need say no more, I
for this is certainly recommendation i
enough. Equally delightful is "I'll Be J
With Yon in Apple Blossom Time," a j
fong sting as only Charles Harrison
knows how to sing it. It is a friendly I
and personal song, written in waltz
rhythm that has a strong r.ppcal. ;
Louise Terrell and William Rofoyn
unite in singing "Tripoli," a sort of
Moresque-Spanish melody that has an |
irrcsistable charm. Mr. Robyn's pre
vious success has already made him a '
host of enthusiastic friends. Miss f
Terrell is a new Victor artist from J
whom great things may well be c
expected.
Month after month the Victor !
r> i_ olufivc tfipre 5
I\ccurub art D?uuu aim ... is
an advance in quality and appeal?
a fact that was long since recognized
by true music lovers. The records for
this month are well worthy of a hearing,
and any Victor dealer is always
ready to let the public judge by playing
over any one or all of them.
e Teak, during tjie reign of the
i- Burmese kings, was the royal wood, J
m
and the king had a right to all teak. I
SE1
That is what
a wagon n,
B
that is what you
as a Farm Wi
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in it an
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art
\
The St;
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j Get Your.
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i w;
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fi we are now re
31
jj five-be
jj Rate 65c per 1
bales; 55c per
S
fi _
I No CI
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>f it. So, when vou
i in the market for
the best wagon
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buy, call
on
ark Vehicle
TTO
f*
ut of the W
*
a State Be
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ady to store 2,0C
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bale for 100 bal<
lartre For Urarlin
& WILLIAM
iKSKSSSyWtfiMfiHiifiifi
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