The clothmaker. [volume] (Clinton, South Carolina) 1952-1984, July 15, 1955, Page 3, Image 3
JULY IS. 1955
From
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Cottor
"Terrific stuff ? Nottoc," i
said ads recently placed by a
retail chain of stores in New
York newspapers. After detailing
the virtues of this
wonder fiber, the ads went
on to explain that "nottoc"
was cotton spelled backwards.
A Act ?-* /-l '
ax u/woiun oiuiv: auvci iidcu
a "natural miracle fiber" that
has everyone talking. The
store said that this textile
miracle, apparently extracted
from a wonder plant grown
in the South, is called cotton.
Across the country, retailers
and consumers are rediscovering
cotton at a time
when their cars are full of
talk about test-tube fibers
with imposing names that
sound like so many patent
medicines. Extr a v a g a n t
claims have been made for
many of these synthetic socalled
"miracle fibers." Many
of them have been disproven
in practical use.
Uome-Jback
In the meantime, King Cotton
is making a sensational
come-back in the apparel and
home furnishing fields, as
well as in industrial uses. Annual
domestic consumption
* is running well over eight
million bales, a couple of million
more bales than during
^ the pre-war era when cotton
was virtually unchallenged
by the synthetics.
To what does our cotton
industry owe its rebirth?
Many factors are involved,
with research and promotion,
better styling and better
quality fabrics most often
mentioned. But chemistry
has been a big force.
Through chemical finishing.
cotton can bo made resistant
to soil vvrinkline mil
dew and flame. It also can be
made water repellent. Treated
cottons take on a variety
of embossed, glazed, and
sculptured textures, opening
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jp new horizons for the dress
designer.
With special finishes, one
kind of cotton print cloth can
be transformed into any one
of at least 20 different kinds
of effects ? pique, moire,
crepe, plisse and many others.
Permanently pleated cottons
are one of the latest developments.
Wrinkle resistance is a
spectacular property of the
thermosetting resins ? ureaformaldehyde
and melamineformaldehyde.
In liquid form,
the resin penetrates cotton
fibers and sets or locks them
in position.
II > it II tW II It'll I tUMUIIl iu
glamorize fabrics with sizing
and other materials which fill
up the holes between the
threads, or soften, stiffen or
weight the fabric. These finishing
brews have included
such ingredients as castor oil.
tallow, glue. Epsom salts.
China clay, cornstarch and
tapioca. The trouble with such
finishes is that they are likely
to wash out of the fabric at
the first laundering.
Revolution
Then came the rosin revolution
in textile finishing. Its
origins appear to he obscure.
It has been recorded, however,
that Hanns John discovered
in 1JH.8 that urea and formaldehyde
would combine to
form a resin. He heated one
part of urea in five parts
of commercial formaldehyde
solution to produce a sticks
syrup which hardened into
a clear lacquer-1 ike Mini lie
suggested lliat llie stuff mi.tint
lu> useful for impregnating
the fabric on airplane wings.
() t h v v chemists improved
John's brew and used it as
a stiffening agent for hats.
F. L. Barrett, in the British
laboratories of the Tootal
Broad hurst Lee Company.
Ltd., in 1919 apparently be
HE CLOTHMAKEI
Nature's otvn miracle
fifntr t st/Z/tri tntdnt <i>i /?
long trail between the
time it is seen here in
the Clinton Cotton Mills
Carding Room until it
turns uf) in such a high
fashion dress as modeled
on the right by lovely
I)e Lois Faulkner. / 9.>.>
Maid of Cotton.
} Real 1
came the first chemist to
note the crease-resisting effects
of the urea-formaldehyde
resin. As fellow chemists
improved his process,
melamine was added to the
list of resin-making chemicals.
Tootal Broadhurst
launched its synthetic process
in the United States in
1939 and in England in 1943,
under the "Tebilized" trade
mark.
Meanwhile, Joseph Bancroft
and Sons Company of
Wilmington. Delaware, was
extending the use of resin
applications to include all
mechanical effects on textiles.
starting with the Lippert
patent in 1937. Bancroft,
under W. Ralph Maclntyre.
now its president, came up
\\ ith a process for making
glazed chintz that was washable
and spot and soil resistant.
Instead of keeping its
discovery to itself, the firm
undertook a broad licensing
program.
At the end of World War
11. Bancroft came out with
a whole new family of Everglaze
fabrics that were easy
to cut. sew. tailor and iron.
if i
#
Linda Gail is the five-year-old
daughter of Mr. and Mrs. Joe S.
Caughman. Mr. Caughman is employed
in the Spinning Department
of Clinton Mills.
i
. To
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Miracle
^ SHEETS J
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/ I SHIRTS
N?515,420 BALES
^ DRAPERY UPHOLST
I ^ *AND SLIPCOVERS
f \?X 506-560 BALES
I 6S / V I 474,970
[ SUPPLIES ^
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as well as being wrinkle resistant
Most of the 125 cotton
finshing plants in this
country, as well as many
abroad, now are licensed to
use the Everglaze process.
One chemical manufacturer
has produced 10.000 different
finishes in the past
five years on cottons and
I'lii'iiuaia >ci\ uiuN 11ci\ L tii:i\
scratched the surface of the
job to bo done.
Thermosetting resins already
have given cotton a
tremendous boost in the market
place. At the same time
the chemists warn that the
3
This j
Fabric
The Biggesr Uses
of Corron
in 1954
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I'
day of miracle cottons is not
vet at hand. There still isn't
a cotton that never has to be
washed and never shows a
> wrinkle.
Even the best finish can't
overcome the deficiencies of
a poorly woven fabric; even
the best must be applied
carefulIv so as not to damage
the cloth more than it improves
it.
Textile finishing remains
a meticulous art. and the fii
nal finish is no better than
the skill of the craftsman
i who puts it into cloth.