The gamecock. (Columbia, S.C.) 1908-2006, April 10, 2006, Page 10, Image 10
THF MTY
Page 10 —I— —I I u A ▼ JL I A » Monday, April 10, 2006
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What’s with all that racquet?
Fast-paced game
requires skill, energy
lots of aggression
Daniel Terrill
THE GAMECOCK
To some, racquetball looks
simple, maybe even easy.
Yet these same people have
never challenged themselves
to fully obtain such a
dynamic skill. Racquetball
players are some of the most
quick and agile athletes.
Even though they may not
be able to prove themselves
on the track or in the weight
room, they make up for it
with their skill and short
bursts of energy.
Erik Vilas, a third-year
accounting student, and
Patrick Kelley, a third-year
political science student,
avidly practice the sport at
the Blatt P.E. Center and
are two of the most serious
racquetball players at USC.
They call themselves Team
Destruction because of the
wear and tear they put on
their bodies while playing.
Racquetball branched out of
its genre of sports between
squash and handball in the
mid-20th century. It is
different from most other
racquet sports because of the
court and lack of boundaries,
creating a fast-paced game.
Daniel Terrill/ THE GAMECOCK
Team Destruction, a racquetball team made up of USC students ErikVilas and Patrick Kelley, practices at the Blatt Physical Education Center.
“Serving sets the tempo of
the game,” Vilas said. “With
a serve you can control
the game because you can
continue scoring from the
serve.”
Serving the ball will
determine whether or not
the round will be prolonged
or ended. The server must
stand between the serving
box, which is designated
by two solid parallel lines
on the floor of the court,
then hit the ball against the
front-wall &nd while the
ball returns to the opposite
side it must land past the
serving-box but not touch
the back-wall.
Players aim to bounce the
ball off the front-wall and
after it does, the ball may
only touch the ground once.
The goal of hitting the ball
is to try and have it bounce
twice during the opponents
turn. If the ball touches the
ground twice, depending on
whose turn it is, the server
either loses their turn or
gains a point.
Meanwhile, with the
return the players are
allowed to hit the ball
anywhere including the
back-wall, side-wall, or
ceiling. And after the ball
RREQUETBRLL • II ^
Blake Arambula / THE GAMECOCK
Euro-rockers, The Sounds, performed at The Masquerade
in Atlanta on Saturday to support their lastest album.
Soothing Swedish ‘Sounds’
Scandinavian rock group’s long-awaited second album is an open letter to fans
Blahe flrambula
THE GAMECOCK
Driving down Atlanta’s
Moreland Avenue in
search of The Masquerade,
a ramshackle venue on
North Avenue that would
play host to The Sounds,
Morningwood and Action
Action, one thing is
certain: Atlanta has to be
the No. 1 consumer of
Manic Panic hair dye in
America. Evidenced by the
crowd waiting outside for
the show to begin, toes
were slowly tapping to the
reverberations of sound
check, asymmetrical haircuts
were on boys and girls alike,
and color jobs with said hair
dye seemed to mix like a
concert-loving palette.
All androgenous aside,
it was the night of The
Sounds
On the last leg of their
second headlining tour,
the Swedish band has been
playing fervently almost
every night of the week to
support their sophomore
release, “Dying To Say This
To You.” Moie hook-laden
than ever, the new album
boasts instrumentals, catchy
choruses and lead singer
Maja Ivarsson’s trademark
throaty, yet angelic, vocals.
For the band, the new
record is like an open letter
to their fans.
“We hadn’t released
anything for three to
three and half years,” said
drummer Fredrik Nilsson.
“We just felt like we had
been away for so long, and
we’ve just been dying to tell
all our fans how we missed
them.”
The reason The Sounds
has been away for so long is
because they were constantly
touring to support 2003’s
debut, “Living in America,”
which was written over a
long period of time in their
rehearsal space in Sweden,
Nilsson said.
“I think the first album
was very naive; we were just
out of high school,” Nilsson
said. “This record, on the
other hand, was written in
maybe four months all in
all. When you go on tour
for two years throughout
the world, you change as a
person and as a band and as
a musician.”
Shortly after Action
Action began their set,
a menagerie of dark
synthesizers with pop
sensibilities, Morningwood
stormed the stage fronted
by Chantal Claret to
give the audience a set of
infectious melody, sassy
vocals and raunchy fun,
climaxing with the crowd
bouncing so hard on the
floorboards of “Heaven,”
The Masquerade’s upstairs
venue, it felt as though the
floor might break below.
Before introducing The
Sounds, it might help to
know how they became one
of the few Swedish bands
that stepped foot in the
U.S. and stuck here longer
than a one-hit wonder.
Guitarist Felix Rodriguez
and Bassist Johan Bengtsson
had known each other from
childhood, and after a
reunion a few years later,
began to form the band.
Johan knew that Nilsson, a
friend of his, played drums
and recruited him as well.
Ivarsson was a classmate of
Rodriquez’s and was asked
to sing. Keyboardist Jesper
Anderberg was found a year
later at a music festival. ^
So how does a quintet of V
Swedish twenty-somethings
from Helsingborg get put
on a label like New Line
Records?
“VVe played 75 to 80 shows
all over Sweden before we
got signed,” said Nilsson,
who also mentioned that
former Smashing Pumpkins’
guitarist James Iha had a
hand in discovering and co
signing them.
This was the moment
everyone had anticipated.
Photographers took their
places on the sides of the
stage, crouching low to not
impede anyone’s view of
the band. Ivarsson entered
the stage to the tune of^^
Journey’s “Don’t Stop
Believing” and the rest of
the band followed suit. Soon
enough, they launched into
sounos • h
Apple’s Boot Camp opens Windows
New software puts
Microsoft XP onto
Mac users screens
Jeremy Turnage
THE GAMECOCK
Apple announced
Wednesday the arrival of
new software that allows
Macintosh users to install
Windows XP on their Intel
based computers.
In a move that has
surprised many computer
critics and pundits, Apple’s
new program, Boot Camp,
opens up Mac users to the
Windows XP experience.
The program appears to
be a part of the strategy
to get more consumers to
buy a new Mac with the
Intel Core Duo processors.
The Intel-based Macs were
released earlier this year.
Boot Camp is currently a
beta version of the software,
and a more complete version
is expected to come with the
release of the next version
of Mac OS X, known as
Mac OS X Leopard, later
this year.
Ever since the release
of the Intel-based Macs,
computer users have
scrambled to get a working
version of Windows XP
on the Mac. Since most
Windows computers
run native with Intel
processors, the theory was
that Windows XP could
also run natively on Intel
based Macs. The release
of Boot Camp not only
officially turns this theory
into fact, but also gives
users the ability to install
Windows XP on the Mac
without any code altering
or installing any fishy third
party programs.
The word from Microsoft
has been “silence,” as no
official statement about
Boot Camp has come from
the company. Boot Camp
could be quite helpful to
Microsoft according to
many critics, as sales of
Windows XP could spike in
the next few weeks.
Currently, it is unknown
whether or not Boot Camp
will support Windows Vista
when it is released next year.
Windows Vista is Microsoft’s
highly anticipated follow up
to Windows XP. Vista was
boot comp • II
Special to THE GAMECOCK
Pick an operating system ... any operating system.