The gamecock. (Columbia, S.C.) 1908-2006, June 22, 2005, Page 5, Image 5
ONLINE POLL J THE GAMECOCK • Wednesday, June22,2005
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CONTACT INFORMATION
Offices on third floor of the Russell House.
Editor: gamecockeditorOgwm.sc.edu
News-. gamecocknewsOgwm.sc.edu
Viewpoints: gamecockopinionsOgwm.sc.edu
The Mix: gamecockfeaturesOgwm.sc.edu
Sports: gamecocksportsOgwm.sc.edu
Public Affairs: gamecockPROyahoo.com
Online: www.dailygamecock.com
Newsroom: 777-7726
Editor’s Office: 777-3914
STAFF
EDITOR
Steven Van Haren
NEWS EDITOR
Taylor Smith
VIEWPOINTS EDITOR
Patrick Augustine
THE MIX EDITOR
Shana Till
SPORTS EDITOR
Alex Riley
COPY EDITORS
Laura-Joyce Gough
Brindy McNair
PAGE DESIGNERS
Jessica Ann Nielsen
Megan Sinclair
Mary Pinckney Waters
ONLINE EDITOR
Ryan Simmon
STUDENT MEDIA
DIRECTOR
Scott Lindenberg
. FACULTY ADVISER
Erik Collins
CREATIVE DIRECTOR
Susan King
BUSINESS MANAGER
Carolyn Griffin
ADVERTISING MANAGER
Sarah Scarborough
CLASSIFIED MANAGER
Sherry F. Holmes
PRODUCTION MANAGER
Garen Cansler
The Gamecock is the editorially
independent student newspaper of the •
University of South Carolina. It is published
Monday, Wednesday and Friday during the
fall and spring semesters and nine times
during the summer, with the exception of
university holidays and exam periods.
Opinions expressed in The Gamecock are
those of the editors or author and not those
of the University of South Carolina. The
Board of Student Publications and
Communications is the publisher of The
Gamecock. The Office of Student Media is
the newspaper’s parent organization. The
Gamecock is supported in part by student
activity fees. One free copy per reader.
Additional copies may be purchased for $1
each from the Office of Student Media.
GAMECOCK
CORRECTIONS
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I
EDITORIAL BOARD
EDITOR SPORTS EDITOR
Steven Van Haren Alex Riley
NEWS EDITOR THE MIX EDITOR
* Taylor Smith Shana Till
VIEWPOINTS EDITOR
Patrick Augustine
IN OUR OPINION
File-sharing program
would benefit USC
USC’s research into campus-sponsored file-sharing is a com
mendable example of university officials catering to students while
trying to eliminate potential illegal downloading. However, the
price won’t be anything to scoff at, and USC must do its home
work to find the most student-sawy package.
While the University of Virginia directs students to a Web site
and requests they make only legal downloads, USC must look
deeper than an honor system. USC should use North Carolina
schools as ideal models, as many provide various file-sharing pro
grams and allow students to pick the one they prefer.
Since students will share the cost, officials should take polls to
gauge what kind of program students want or how much they’re
willing to pay. If more students are happy with the program, USC
will have fewer headaches with illegal downloading.
The research must be thorough enough to avoid a cosdy invest
ment in an unpopular service. In turn, snidents must recognize that
university-sponsored file-sharing, while reducing the illegal down
loading, will require more sacrifice from their wallets and an adher
ence to legal file-sharing.
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COURTESY OF KRT CAMPUS
Student media shaped
my college experience
When I was a USC freshman,
The Gamecock ran a series of
columns at the end of the year
from seniors who had devoted
their time to student media.
They discussed _
how that
involvement had
enriched — or
in one WUSC
station
manager’s case_
practically saved MEGAN
— their lives. TREACY
As a former 2005 USC
WUSC deejay, P™journalism
’ 7 graduate
The Mix editor
and Carolina
Reporter veteran, I can’t say that
any of those experiences
contributed to one dramatic
change in my life, but I owe
something to each for helping
me learn so much beyond
academics during college.
My WUSC days made me a
flat-out cooler person. Within
the first year, my CD collection
doubled, I had a working
vocabulary of obscure genres
and a knowledge of buzz bands
not being
buzzed
about yet.
People
started to
treat me
with more
respect
because I
wasn’t just
listening to
and talking
about
music for
hours, like
most music
lovers — I
was doing
it on air.
Even a
month and
a half past
graduation, if I mention I was a
college deejay, people look at
me with a sort of reverence that
nothing else I could say would
cause. 1 become “that cool
chick” instantaneously.
When I was The Mix editor,
I finally had the opportunity to
combine my love for music and
writing. I had a clear vision of
what I wanted the section to be
like: more band interviews. I
was using this experience to
build my portfolio, after all.
After that summer, I knew
for sure that I was going into
the right profession. There was
nothing like that feeling of
seeing something that you
created from scratch, published
exactly as you envisioned it.
The Carolina Reporter was
the most stressful and
ultimately rewarding thing I’ve
ever done. My skill levels went
through the roof, and I finally
got to really know my strengths
and weaknesses. I never thought
I’d say I miss it, but I kind of
do.
Every day, I read two
newspapers, researched articles
and listened to what everyone
else in the room was working
on. I have never been so
informed ip my life, and I now
know how much that matters to
me.
We experienced a level of
deliriousness and camaraderie
that I’m sure is not found
anywhere else in the world. No
windows, a small cramped space
and plenty of deadlines will do
it to the best.
It was then that I realized
that us wannabe journalists
have to be inherently
masochistic. We don’t just put
up with the pressure, the lack of
sleep and food, and definite
lack of money — we choose it.