The gamecock. (Columbia, S.C.) 1908-2006, June 23, 2004, Page 7, Image 7
Wolfe
CONTINUED FROM PAGE 6
the extra revenue, and of course
the kids love it. Certainly there
are those at USC loved being
able to grab a Coke out of the
vending machine or a bag of
chips while they were in mid
dle school and high school.
Then there’s the smoking
ban. Los Angeles did it, New
York did it and Dublin did it.
Now. Prime Minister Tony
Blair wants all of the UK to ban
smoking in bars, clubs and
workplaces. Now, most people
would certainly be behind ban
ning smoking at work. You
have to work, and it shouldn’t
be a problem for one’s smoking
co-workers to take their smoke
break outside. But bars and
clubs? When the clientele is al
ready going for the poison be
hind the bar, what’s the prob
lem with allowing other cus
tomers to enjoy a cigarette and
put a little poison in the air?
People are becoming so regu
lated in Britain as to how they
do things and when they do
them, it should be perfectly fine
for any self-respecting Briton to
enter a pub, have a plate of
bangers and mash, drink a few
pints and smoke like a chimney.
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Beastie Boys
CONTINUED ROM PAGE 6
always keeps the Boys fresh: irrev
erence. Their maturation into po
litical rhyme-makers is easily di
gestible, but fun still rules and
rightly so. Even though the Boys
now want to “party for your right
to fight,” the songs still move.
Icarus Line
CONTINUED FROM PAGE 6
to terms with it, North reconsid
ers and again points out his objec
tions to the term punk.
“Ninety-nine percent of the
bands who are waving the punk
flag are dorks,” North said. “I’d
rather not have anything to do
with that label.”
As critics and journalists alike
can’t come to a consensus as to
who The Icarus Line are, neither
can they.
It’s arguable that their behav
ior and attitudes are as attributa
ble to the punk branding as their
music. North himself made music
headlines during 2002’s South by
Southwest music festival in
Austin, Texas. While performing
at the Hard Rock Cafe, North spon
taneously smashed open the glass
case containing one of Stevie Ray
Vaughan’s guitars and attempted
to plug it in and play it. Security
guards took over, and the band
At 15 songs, “5 Boroughs” stretch
es too long for its own good. If the
Beastie Boys had.chopped ofF the
last three songs, they would have
created the perfect addition to their
catalog. While two of the final three
songs, “The Brouhaha” and “We
Got The,” start with catchy key
board grooves, they fall into the
same lyrical topics done better in
was kicked off stage.
Message boards are filled with
stories of swinging mic stands, fly
ing guitars and the warning of not
standing too close to the stage at
their shows. But North gets frus
trated with the attention.
“I think it’s overblown,”
North said. “It’s boring touring be
cause you do the same thing every
day. You’ve got to do silly things
to keep yourselves entertained.”
North retorts that when Keith
Moon or members of Led Zeppelin
were taKing advantage oi groupies
or acting crazy while high on
drugs, no one called that punk.
“No one said it was all about
antics,” North said.
“We’re definitely not trying to
be badasses. We’re trying to make
the best music we can.”
North brings the same ambi
tion to his other job, as the co
founder and one-half of the noto
rious Web site Buddyhead
(www.buddyhead.com). North and
friend Travis Keller started the
the previous songs. A 12-song state
ment capped with “Open Letter”
would’ve kept the bodies moving
and the discos breaking just as well.
“To the 5 Boroughs” requires a
few listens to get adjusted to its
drums-and-synth sound. The pro
duction never reaches the hugeness
of “Intergalactic” or “Sabotage,”
and many will have to rely on the
Web site in 1998 as an artistic out
let of sorts when Keller, as a pho
tographer, and North, as a jour
nalist, got fed up with being edit-'
ed. They decided to start a Web
site where the content consisted
of what they liked and what they
wanted to do. That meant inter
views and photographs only of
bands they respected and eventu
ally a gossip page where celebrity
cell phone numbers are posted
and bands they don’t like are giv
en scathing jabs for laughs.
“People take the gossip page
so seriously, and it was really
more of an afterthought,” North
said. “It’s just super-inside jokes
between me and Travis.”
North and Keller have gotten
plenty of criticism from people
who are offended by the Web site’s
content.
“We get so many people who
are like ‘do this or that,’” North
said. “We started it from nothing
and we’re going to do it how we
want.”
Boys’ creativity for good hooks.
They don’t disappoint, slaying
Styx, saluting Star Trek and ridi
culing their own insanity. The
Beastie Boys might be old-school
masters, but they still cut up with
feropious folly.
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North explains that people
who want Buddyhead run differ
ently should start their own Web
site and do it their own way.
“To me that’s what punk rock
is all about — it’s doing it on your
own,” North said, all of a stfddeii
comfortable with the term punk
again.
rne memDers oi rne icarus
Line seem to approach all aspects
of their career with that same ir
reverence towards appeasing an> -
one but themselves.
When shopping for a label,
most bands pick their best and
most concise songs as examples of
their work to impress the powers
that be. When contacting prospec
tive labels for their latest release,
“Penance Soiree,” ultimately re
leased on V2 Records, The Icarus
Line offered up one 12-minute
song.
Now that’s punk, right?
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