The gamecock. (Columbia, S.C.) 1908-2006, April 23, 2004, Page 9, Image 9
Debate
CONTINUED FROM PAGE 8
must argue against the resolution.
After assignments,.the topic is an
nounced and teams are given any
where from 15 to 20 minutes of
preparation time. The govern
ment speaks first. The debate usu
ally ends up taking about 45 min
utes total.
“You won’t really have a reli
gion debate or one on abortion or
gun control,” Dickson said.
Teams do have to debate for a
resolution to an issue they are
t '
ueuauuB against something
that we don’t agree with happens
often but it usually falls along po
litical lines.” Prince said. “But we
are so well read that we don’t have
such staunch opinions on most is
sues.”
Teammate Maggie Brock
agreed: “You get to a point where
you can look at both sides of it and
take different viewpoints than
what you would normally have.”
The debate team “season” lasts
throughout the year, running
from September through the end
of April, Prince said.
And while debate might seem
as simple as getting up and argu
ing, team members agree it is
more than just standing at a
lectern and going back and forth
with an opponent.
“Just like I can’t play basket
ball, there are people who can’t de
bate. You just have (to have) cer
tain skills,” said Prince.
Being a member of the debate
team is more than just traveling
and taking long weekends. It’s
also more than being able to ar
gue for the sake of arguing,
Shipman said.
“Debate is sort of like a varsity
sport. People don’t realize how
much time we put into the cases,”
Shipman said.
Next year, the team hopes that
their work throughout the season
will pay off — ideally with another
national championship.
Comments on this story?E-mail
gamecockfeatures@gwm.sc.edu
Bands
CONTINUED FROM PAGE 8
hall the tour plays. He and other
young activists are energized that
such numbers could swing
November’s presidential race.
At last month’s South by
Southwest Music Conference in
Austin, Texas, the nonprofit
Music for America was spreading
the word at a “Rock Against
Bush” showcase coordinated
with Burkett’s Fat Wreck Chords
label and punkvoter.com. The
show featured punk bands such
as Gainesville, Fla.-based Against
Me! and Minneapolis-based
Dillinger Four.
On an outdoor patio, Molly
Lewis, a representative of Music
For America, was handing out lit
erature about the organization,
which aims to motivate at least 1
million young voters to go to the
polls in November. Like Punk
Voter, Music for America por
trays the Bush administration as
wrong on education, the econo
my, the war, health care and oth
er social issues.
It’s a different approach from
the longstanding Rock the Vote,
which takes a nonpartisan stance
on candidates when pushing
young people to vote. Lewis, 25,
claims that method is becoming
outdated.
Music for
America also is
sponsoring and
participating in
national rock
tours. The orga
nization, online
at music
foramerica.org,
has been in
volved in more
than 250 shows
this year, including 65 concerts
during the Super Tuesday pri
mary week.
Anytime a musician exhorts
an audience to become involved,
the group’s registration numbers
increase dramatically, Lewis
says.
At least one rock historian
says prospects for lasting politi
cal songs now are much less
promising than in the Vietnam
era.
“It seemed to me that, back,
then, the anti-war sentiment was
much stronger than it is now,”
says William McKeen, chairman
of the journalism department at
the University of Florida, who
teaches a
course on
rock history
and has au
thored books
on Bob
Dylan and
the Beatles.
“The
country is
very divided
right now,
much more than before, about
supporting Bush and the war or
not. I don’t think that this period
is going to produce the kind of en
during anti-war anthems that we
had out of the 1960s.”
McKeen thinks it would re
quire a pop star such as Britney
Spears to take a political position
before the level of activism could
“I wouldn't want to be
part of a movement that
didn’t include music.
Right now, we don’t need
a movement, we need a
crusade.”
JOAN BAEZ
MUSICIAN
reach that vplume. And he
doesn’t see that happening.
d don't think that the artists
today want to be that political.
They are too career-conscious. In
that sense, I have to admire Joan
Baez or Bob Dylan, because you
knew they didn’t put their ca
reers first. Instead, it sort of be
came Joan’s career.”
Baez was among the featured
panelists at South By Southwest
(SXSW), and her session was
steeped in anti-Bush rhetoric.
However, she also expressed her
disappointment that musicians
are often charged with a higher
social responsibility than those
who listen.
“The trick is that the responsi
bility is for everybody,” she says.
“Everybody has a constituency,
whether it’s one, or a dozen, or 15
or 1.000. That obligation, I feel, is
something you are born with —
to be decent.”
“I wouldn’t want to be part of
a movement that didn’t include
music,” Baez says. “Right now,
we don’t need a movement, we
need a crusade.”
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