The gamecock. (Columbia, S.C.) 1908-2006, April 16, 2004, Page 8, Image 8
Pratt puts real-life experiences into ‘Everwood’
BY KATE O’HARE
KRTCAMPUS •
In some ways, the stories of both
Bright Abbott, a struggling small
town Colorado high-school senior,
and Chris Pratt, the twentysome
thing actor who plays him on The
WB’s family drama “Everwood,”
are about overcoming expectations.
At 19, Pratt decamped from his
home in Washington State to
Hawaii, where, for a time, he lived
in his car. While most actors try
to get a break working as waiters
in Hollywood, Pratt got his break
at the Bubba Gump Shrimp
Company in Maui, where he met
actress Rae Dawn Chong.
He impressed her so much that
she flew him to Los Angeles to ap
pear in the comedy-horror film
“Cursed 3.” After a role as a snow
boarding secret agent in the unsold
pilot “The X-Team,” Pratt landed
the role of Bright in “Everwood,”
now in its second season.
On the fictional side, Bright dis
tinguished himself on the football
field, only to have his dreams fall
apart when poor grades got him
benched in his senior year. Facing
an uncertain future — and with
his family torn apart by his sister
Amy’s (Emily VanCamp) emo
tional problems — Bright has
struggled to get his grades up in
hopes of still getting into college.
In next Monday’s episode,
called “Last Looks,” he learns
whether those efforts have paid off
with a college acceptance letter.
“What you’re going to see,”
Pratt said, “is how an average
high-school student deals with the
pressure of choosing a college. It’s
that kind of feeling I know I had in
high school. I felt, ‘If I don’t get
into college, my life is over.’
“There’s that pressure for ev
ery kid, if you don’t have college,
you have nothing in your life —
which I don’t necessarily believe
is true. But the pressure is very
real. That’s something the writers
are very smart to bring up.”
Pratt has worked hard to make
the most of his role, and the writ
ers have rewarded him with an in
creasingly layered and complex
character.
“They’re taking chances,” he
said. “My friends have been pretty
excited. My friends are support
ive, and they’d watch anyway, but
now I’m on this cool show, and
they got all hooked.
“They’re like, ‘I don’t know, last
year you just popped in for one
sentence, and I’d laugh and go
back to watching the show. This
year, I’m over the fact that it’s you
and into, what’s wrong with
Bright?’ So that’s great. Bright’s
figuring some stuff out. He’s grow
ing up a little.”
Painful as it is in itself, this pro
cess has brought Bright into direct.
conflict with his father, Dr. Harold
Abbott (Tom Amandes), whose
pride in his son’s football prowess
has masked a disdain for the boy’s
intellectual abilities. Dr. Abbott
couldn’t believe that Bright could
improve his grades — and said so.
“That was some real-life thera
py,” Pratt said, “going through
your parents thinking you’re
dumb. You want to make it as real
as possible, so you have to think
about these things that you’ve
locked away. You go to these dark
places, put your head in the clouds,
life your feet off the ground for a
little bit.
“You expect to put your feet
right back down, but it’s, ‘Oh, no,
I’ve got to reorganize all this stuff
with my own father. Oh, no.’”
Unlike Bright, Pratt has felt
parental support, even when he
was living in a car.
“My mom was always acting
proud of me,” Pratt said, “no mat
ter what I was doing. She just has
this way of making you feel good
about yourself, no matter what.
My dad has always been proud of
me, but isn’t very vocal about it.
But that’s OK. He was the strict
one, with the rules and whatnot,
kept the kids in line. My mom was
all about love.”
The other father/son relation
ship in “Everwood” is between
teen Ephram Brown (Gregory
Smith) and iconoclastic physician
Dr. Andy Brown (Treat Williams),
who is trying to make up for lost
parenting time in the wake of his
wife’s death.
This has led to frequent verbal
clashes, which apparently don’t
sit too well in the Pratt household.
“My whole family hates
Ephram,” Pratt said. “In my fami
ly, you don’t yell at your own dad.
Dr. Brown just caves in, ‘You’re
right, I apologize.’ I’m like, ‘Oh,
God.’ My dad and my cousins
watch, and they’re like, ‘I’d like to
see my kid try to talk to me like
that.’ It’s pretty funny, with 40-, 50
year-old men getting all passion
ate about ‘Everwood.’”
Asked to speculate about
Bright’s future, Pratt said, “He’d
be a great forest ranger or a camp
counselor, maybe a teacher/coach
at the high school, ski instructor
— robot, maybe. Maybe you’ll find
out that Bright Abbott is actually a
robot, like on ‘Small Wonder.’ See,
that’s why my ideas would never
work.
“I tell my ideas to the writers,
and they’re like, ‘Ah, I think I saw
that on “Full House” once.’”
With his head in his books,
Bright hasn’t had much time for
romance, but Pratt thinks that
may change. “I think he will get a
girlfriend. I think Bright has to get
over the surface value. He thinks,
‘If the girl’s hot, that’s good
enough for me.’ He’s going to have
to get over that and find someone
that is more than just hot, but un
derstands him and appreciates
him for what he does, because no
one seems to appreciate Bright.
“OK, Ephram does now.”
Stupidity ample punishment
for uncommon capers, crimes
BY MIKE PINGREE
h'RTCAMPUS
AFTER ALL, HE WAS A
THIEF
A woman in Port Macquarie,
Australia, whose car had been
stolen, sent text messages to the
thief on her son’s cell phone,
which she had left on the front
seat, begging him to return her
vehicle. She told him birthday
presents for her son were in the
trunk.
The thief apologized and told
her in a message where she could
find her car. But he did steal the
. cell phone and the birthday pre
sents.
A LOT OF CRAZY
DRIVERS OUT THERE
An 86-year-old man was
stopped for driving the wrong
way on a divided highway in
Bern, Switzerland. He told the po
lice that he thought everyone else
was driving the wrong way.
SOSAYETHTHELORD
In a light-hearted competi
tion, pub patrons in Britain were
asked to suggest an 11th
Commandment. Among the top
entries: “Thou shalt not con
sume thine own bodyweight in
fudge.”
COME ON, YOU CAN DO
IT! SPLAT!
A man driving down a
Pennsylvania highway at 65 mph
saw a turkey on a guardrail sud
denly take off and fly across the
road right in front of him.putting
bird and windshield on an un
avoidable collision course.
After the turkey made his un
ceremonious, high-impact en
trance into the vehicle’s passen
ger seat, the man said, “I kept
hoping that he would get higher,
but he didn’t.”
DOES THIS MEANS
‘DESSERT IS OFF?
A chef who has a TV cooking
show in England, playfully pre
pared a roast at his home for his
wife while in the nude.
Unfortunately, he got too close to
the oven and burned his pri
vates.
ITS OK, WE LIKE THIS
MUCH BETTER
A Pennsylvania woman was
jailed for putting on a strip show
at her teenage son’s birthday par
ty after becoming intoxicated on
pills and alcohol.
The striptease was a last
minute tling, which came to pass
when plans for a go-cart ride fell
through.
Alamo
CONTINUED FROM PAGE 7
all their human frailty through in
ternal struggles with past deci
sions and former sins. By the end,
although the audience knows the
outcome of the historical battle,
viewers still hope that somehow
history can be reversed and the
Texan army will triumph over
Santa Anna at the Alamo.
Because the well-known story
of the Alamo might leave audi
ences hoping for a new spin on the
old fable, the movie relies heavily
on the actors to outperform the
heroes they are portraying. While
Dennis Quaid (playing the alco-,
holic General Sam Houston) only
has limited screen time, his per
formance is one of the best in the
film.
Wilson plays the lieutenant
colonel with a brooding silence that
can be unsettling, but eventually
shows Travis’ humanity with quiet
spouts of loyalty and fearlessness.
Because Bowie is dying through
out most of the movie, Patric’s per
formance is limited, but he por
trays the character without depth.
The best performance in the
movie is that of Hollywood bad boy
Thornton. His depiction of an
American legend only adds to his
own status as a true actor. With an
inspiring monologue and quips of
humor, Thornton adds dimension
to the coon-cap wearing, fiddle
playing Crockett.
Although the movie falls short
of achieving the status of a true
American classic, the actors’ per
formances boost the film’s sagging
I
story, and some of the speeches
about loyalty and patriotism do
evoke hope for these obviously de
feated men.
“The Alamo” is a mediocre
movie that pushes the right — al
though obvious — buttons of hu
man emotion. Yet it fails to
achieve distinction as a true
American epic.
Comments on this story?E-mail
gamecockfeatures(a)gwm.sc.edu
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