The gamecock. (Columbia, S.C.) 1908-2006, November 21, 2003, Holiday Special: A Special Section from The Gamecock, Page 11, Image 23
Ferrell
CONTINUED FROM PAGE 10
chatting with a maid at the Ritz-Carlton
in Chicago, where he stayed while doing
publicity for “Elf.’’ “Sorry,” he says when
he returns. “Just a little maid-service ac
tion happening there.”
Ferrell says he has not always been
good at reading scripts (that would explain
“A Night at the Roxbury”), relying too
much on gut instincts. “Old School,” for
instance, a raucous comedy that is proba
bly on every video shelf of every frat house
in America, did not appeal to him right off
the bat.
“That was a big lesson for me, actual
ly,” he says. “At first, I wasn’t taken by the
whole idea. But, luckily, after sitting down
with (director) Todd Phillips and the smart
people who represent me, who said, 'This
has the potential to be a landmark come
dy,’ I changed my mind. That opened my
eyes to not be so quick to judge a comedy
right out of the gate, to not say 'No’ too
auicklv.”
Same thing happened with “Elf,” in
which he plays Buddy, a human who, hav
ing been mistaken for an elf as a baby, is
raised in the North Pole and never notices
that his shoe size is eight times the North
Pole average. When Buddy is finally told
he’s a human, he heads to New York to
give the city that never sleeps a dose of
Christmas cheer.
“The script was brought to my atten
tion by my manager four or five years
ago,” Ferrell says. “Right away, the con
cept of the poster, with me in an elf suit,
seemed to be something that could work
on a lot of levels, but it took a long time to
get the idea in order.”
The concept sounds like shtick, but the
surprise of “Elf ’ is that Ferrell gives a gen
uine performance that is sweet, sincere
and utterly without guile.
“That was kind of the issue that we had
to get right,” Ferrell says. “Although it was
obviously a comedic performance, I knew
I had to play it straight in terms of his
thought process. Buddy is like a child in
that he has no filters in place, so when he
sees a piece of gum on the ground, he
thinks, 'Cool. Free candy,’ whereas I would
say, 'Oh, it’s dirty. Yuk.’ “
“Yuk” is the reaction some might have
to wearing revealing tights for an entire
film, as Ferrell does in “Elf’ (although the
outfit is demure in comparison to what he
wore for half of “Old School,” which was
nothing). Ferrell says steps were taken to
make sure he didn’t reveal too much of a
Christmas package.
“Yeah, it wasn’t my favorite costume,”
acknowledges Ferrell. “Let’s put it this
way: A real effort was put into giving
Buddy an androgynous, asexual look. So
there were a couple of pairs of special, di
aper-y underwear worn at all times.”
The idea was to make sure that “Elf’
never ventured into the crass, exactly-the
opposite-of-Christmas-spirit territory that,
for instance, the movie version of “The
Grinch” stepped into. “That’s (director)
Jon Favreau,” Ferrell says. “He wanted
to make sure the movie was kind of heart
felt and sweet, whereas I was especially
concerned about the comedic side of
things.”
r erreii says ne learned pretty quickly
to trust Favreau’s instincts, and he’s
pleased that he did. Which is another les
son he has learned from all those movies:
Relax.
“You know, there’s stuff I have control
of. I show up on time. I’m prepared. I call
people on time, as you said —10 o’clock,
right on the money,” Ferrell says. “But I’m
not too much of a worrier, in general,
about other things.'Even right now, it all
feels so unreal that I get to do this great
job. So the main thing is to try not to take it
too seriously.”
--
Shopping
CONTINUED FROM PAGE 10
Exiting Revente due to lack of funds and
interest, Tucker dashed into Creative Kids
Toy Shop. Large plush animals, Hello Kitty
items, toy planes, musical instruments,
baking ware — the selection is too large to
fully list.
Tucker spent most of her time playing
with a toy car and track. There were no
words to explain her delight, except for “I
want one!”
Catalog 2 G s was Tucker s next shop
ping destination. Catalog 2 G’s sells
women's clothing and jewelry from mail
order catalogs.
“We take what is left over from old cat
alogs and sell for them at least half— usu
ally more than that — of the original
price,” explained Janet Murphy, a store
clerk. “We have a lot of stuff for women
more middle-aged, but also more things —
sweaters, bags — that have universal ap-'
peal.”
Tucker noticed beautiful, tasseled pa
per lanterns in the window of Montage, a
gifts store, and went inside to inquire
about them. The exquisite lamp along with
its corresponding light cord, cost only $35.
The store’s earthy, bohemian merchan
dise kept Tucker’s attention — she
browsed through the furniture, necklaces,
vases, lamps and other items.
Tucker only glanced inside Lima, a de
signer clothing store.
“Everything in there is ridiculously ex
pensive,” Tucker said. “Last time I went
in there, the shirt I looked at was $65. ”
Loose Lucy’s was the last store on
Saluda Street. Tucker entered the hippie
haven, which was dimly lit and smelled
sweetlv of incense.
“Wow! If you’re frozen in the sixties,
you can get everything you need here,”
Tucker said.
Loose Lucy’s offers comfortable-look
ing linen clothes from $10 to $20 — plus
jewelry, incense and other goods.
While Tucker did not buy any gifts, she
still found many holiday shopping options.
Whether you’re searching for something
for a music-lover, a clothing-phile, a child
at-heart, a grandmother or a hippie, Five
Points offers a wide array of gift-giving
possibilities at equally diverse prices.
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