The gamecock. (Columbia, S.C.) 1908-2006, November 17, 2003, Page 6, Image 6
BY FRAZIER MOORE
THE ASSOCIATED PRESS
NEW YORK - This was where I
was going to review “The
Reagans,” CBS’ much-anticipated
miniseries airing Sunday and
Tuesday. Except it isn’t going to
air — not then, not on CBS.
I prefer writing about shows
that will actually be broadcast and
shows that I’ve screened. But
since everyone else has expressed
an opinion about this biopic, sight
unseen, why shouldn’t I?
Come to think of it, Fd like to
salute CBS for giving “The
Reagans” the hook (episodes of
“CSI,” “CSI: Miami” and “Without
a Trace” are now scheduled in
stead). I think CBS’ turn-tail tac
tic is a win for all concerned.
It’s certainly a win for every
one who frightened CBS into
bailing on the project. As
NewsMax, the'Tight-wing Web
site, crowed, “CBS’ decision to
cancel the Reagan movie is one
of the greatest victories ever for
the conservative movement over
the left-wing, so-called main
stream, media.”
It’s also a win for the TV
audience.
Viewers who were alarmed
that the film might defame a man
they lionize were spared from hav
ing their vision of him challenged.
Even better, they were handed
new evidence to buttress their be
lief that “the left-wing, so-called
mainstream, media” are out to
trash everything they hold dear.
As for viewers who aren’t so
fond of Reagan, they win, too.
They have been spared from
watching a film they probably
didn’t want to see anyway (what
if it went too easy on him?), while
they also get to bask in righteous
indignation over CBS denying
them a look at it.
The New York Times won.
Despite being part of the “left
wing, so-called mainstream, me
dia” (or so some insist), it ignited
the firestorm against fellow “me
dia elite” CBS in a big story last
month that quoted details from
the script deemed unflattering to
Reagan.
And what of CBS? Yes, it has
won, too, exhibiting a newfound,
heretofore undemonstrated com
mitment tojprogram quality.
In its announcement that “The
Reagans” had been scrapped, CBS
said the decision was “based sole
ly on our reaction to seeing the fi
nal film, not the controversy that
erupted around a draft of the
script.” The film, said CBS, “does
not provide a balanced portrayal
of the Reagans.”
So last-minute worries about
fairness and factuality prompted
CBS to yank a four-hour-long ex
travaganza from its November
sweeps lineup just two weeks be
fore airtime. However unlikely,
CBS professes to have struck a
blow for truth. (It also washed its
hands of a sticky problem by
dumping “The Reagans” on its
pay-cable sister channel,
Showtime, where the film will air
months from now).
Of course, cynics may counter
that CBS simply caved in to the far
right. Or that, even more dismay
ing, the network pandered to con
servative Washington lawmakers
whose votes it needs for high
stakes legislation that would al
low its parent Viacom to own
more local stations.
None of those factors had any
thing to do with his decision,
Leslie Moonves insists.
“It was a moral decision, not an
economic or a political one,” the
CBS boss told Variety last week.
CBS’ cancellation of “The
Reagans” comes on the heels of
the timidity it displayed over its
“Hitler” miniseries last spring.
The network blasted one of the
film’s executive producers after
he was quoted in TV Guide com
paring the fear among Germans
during Hitler’s rise to fear in
America as it headed into war
with Iraq. Then the producer was
fired from the film.
But despite that uproar,
♦ CBS, SEE PAGE 7
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