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Self-improvement shows such as “Trading Spaces” are taking TLC into the realm of reality television. Ty Pennington, above, is a carpenter on the popular show.
BY MEG MOORE
THE GAMECOCK.
Long ago, in a TV world many
sitcom shows away, watchers sat
rapt, hands on fingers at the
ready, prepared to switch the
channel should any “educational
programming” rear its erudite
head.
As children, we devoted our
mornings to the gang from
Sesame Street and greeted the
world with the neighborly Mister
Rogers. The morning lineup, how
ever, was just as wholesome as
the afternoon ‘toons were mind
less.
Yet after a certain age, the TV
watcher realizes the unparal
leled entertainment value of
, such comparatively senseless
programming — and regularly
tunes in.
Bridging the gap between
shows with substance and super
fluous shows, the cable network
The Learning Channel —
Channel 25 on Gamecock Cable —
has become 24-hour must-see tele
vision for many.
From “Trading Spaces to
“What Not to Wear,” the chan
nel puts our self-improvement
dreams into pictures and
sounds.
Obviously, these “real life” sto
ries add their own elements of
fantasy.
It is not every day that the
poorly dressed average Joe re
ceives a $5,000 cash card and the
advice of two professional style
gurus, as on “What Not to Wear.”
The spinoff of the BBC hit gives
participants “the rules” to follow
when assembling a wardrobe,
and then sends them off to the
shops.
With a much more limited bud
get, “Trading Spaces” redresses
the world at home, transforming
dull rooms into spaces with
definitive, well, charisma. Host
Paige Davis keeps her quirky
crew of designers and carpenters
in line on the show and watches
them as they devise bold themes
such as “Suburban Safari” and
“Golden Buddha.”
Granted, rooms with such
names sometimes scream “sui
cide” in the unsuspecting subur
ban home, but the design tech
niques and money-saving ways
that are employed to serve as
helpful decorating tips. This twist
on the do-it-yourself show hqs
earned such a cult following that
fans that can even order a flashy,
although unflattering, “Trading
Spaces” smock at http://tlc.dis
covery.com.
TLC programs such as “A
Baby Story,” “A Makeover Story”
and “A Wedding Story” educate
viewers on the more personal nu
ances of life, as experienced
through the eyes of average
Americans.
Each show covers different as
pects of an often stressful yet joy
ous event. For example, in “A
Wedding Story,” we are intro
duced to the couple’s history, in
cluded in the planning stages of
their nuptials and in attendance
at the ceremony.
Many of the series on the chan
nel call for viewer participation.
TLC is searching for faces to be
featured on several shows, in
eluding an episode of “A
Makeover Story” in Miami, “Help
Wanted” on which contestants
compete for jobs and “Second
Chance,” where people try to re
claim the love that they lost the
first time around.
Taking in other peoples’ life
changes as they unfold can be
enlightening to those who
are deliberating a change them
selves.
TLC has reopened the realm of
educational television in a fresh,
entertaining sort of way that has
people tuning in. And they might
even learn something about them
selves and their surrounding
world, too.
Comments on this story?E-mail
gamecockm ixeditor@hotmail. com
BY ELIZABETH RHODES
THE SEATTLE TIMES (KRT)
SEATTLE - All over the country
people are lining up to watch a
man fiddle with a toilet plunger.
“I mean, have you seen the
poster?” asks Judith Chandler,
events coordinator for Third Place
Books in Lake Forest Park, Wash.
The poster is the same photo (sans
plunger) featured on the cover of
the latest in a wave of home im
provement books.
Titled “Ty’s Tricks,” this one is
written by a guy his publisher de
scribes as a “home-improvement
heartthrob.”
He’s Ty Pennington, star car
penter of the wildly popular deco
rating/reality/conflict show
“Trading Spaces” that airs weekly
on The Learning Channel.
“People walk in the (bookstore)
door and take one look at the poster
and swoon,” Chapdler says.
Pennington, on a national book
tour, is attracting droves of wom
en who come to get a copy of the
book, have it signed and see Ty
manifest one of the projects from it:
turning a toilet plunger (presum
ably unused) into a hanging light.
Why, he has one above his
kitchen eating area. Real conver
sation grabber, he says.
The affable Pennington took
time out recently from his whirl
wind, cross-country tour for a
phone interview.
“Fve always been the class
clown. I guess I find it hard to be
lieve that people look at me the
other way,” he says when asked
about his heartthrob status.
As for the plunger-inspired
lamp, “I call it the flush light now.
Most people find it interesting, but
funny. But most people, when they
come out to see me (in book
stores), don’t want me to do the
whole demo. They want me to
chitchat about a variety of things.
The younger generation wants to
know if I’ll take my shirt off,
which is hilarious.”
Pennington doesn’t disappoint,
says Walter Boyer. Recently, the
carpenter appeared at Boyer’s
bookstore, Bookends, in
Ridgewood, N. J.
Most of the 400 or so attendees
were female, and some drove sev
eral hours to see Pennington. “As
they’re gushing over him, he’s
gushing over them,” Boyer re
ports. “I think women really like
him because he doesn’t take him
self too seriously. He’s a real char
acter.”
“Trading Spaces” has been on
TV for four seasons now, and
Pennington has appeared in ap
proximately 100 shows.
A number of pew books reprise
parts of the show, including
“Trading Spaces Color!” and
“Paige by Paige: A Year of Trading
Spaces,” authored by the show’s
♦ PENNINGTON, SEE PAGE 7
CD Releases
for Tuesday
“IN THE ZONE": Britney Spears
“TALES OF A LIBRARIAN: THE
TORI AMOS COLLECTION”:
Tori Amos
“BLINK 182”: Blink 182
“GREATEST HITS AND
VIDEOS”: Red Hot Chili
Peppers
jr
“ROOM TO BREATHE”: Reba
McEntire
“THE CENTRAL PARK
CONCERT”: Dave Matthews
Band
“GREATEST HITS”: LeAnn Rimes
“ONE WISH: THE HOLIDAY
ALBUM”: Whitney Houston
Sr
I MOVIE ’PREVIEW
Klores
explores
street life
in film
BY PAT CAULEY
THE GAMECOCK
It is easy to start watching
“The Boys of 2nd Street Park”
with a closed mind. After all, it is
a documentary. And the film does
start out slow, discussing what it
was like for a group of boys to
grow up in New York City during
the 1950s and 1960s.
However, the in-depth look
into the lives of these boys quick
ly grows extremely serious, mov
ing and gut-wrenching.
It took USC alumnus Dan
Klores about 18 months to film
•this documentary. After inter
viewing 25 of his childhood
friends and neighbors from the
New York City park, he eventu
ally centered his more than 80
hours of footage on 11 people.
When asked why he did not in
clude himself in the film, Klores
said he thought that would have
been an act of vanity.
“I didn’t want to take any
thing away from the others, it is
my story, but I don’t need to be
mentioned because there is a
part of me in every one of (the
! hnvs^ ”
The film uses interviews
along with dated music and pic
tures in a -strategic way to
chronologically follow the boys
through childhood.
The film covers a wide array
of topics, including the simple in
securities of being a kid, such as
not being the best shooter on the
basketball court. From there,
viewers see how these kids are
transformed into the counter
culture hippies of the 1960s and
’70s.
Their college and drug years
are a devastating and nonfic
tionalized vision into what it was
like to grow up in the Vietnam
War era and the counterculture
revolution. It also shows how
drugs have the power to destroy
lives.
“I always wonder what could
have happened if drugs didn’t
get in the way,” one of the boys
said, reflecting on the loss of
his wife and his temporary
homelessness.
One of the darkest moments of
the film involves the murder of
one of the 2nd Street crowd.
Bemie Bandman, one of the boys,
said “we did not have the power
or the influence to keep him
olUra ”
However, the legacy of the
murdered boy’s life remains
alive, now more than ever,
because his warmth is being
experienced by millions of
Americans across the country
through “The Boys of 2nd Street
Park.”
After talking with Dan Klores,
this becomes clear. “I knew it
was a good story, with a lot of
deeper meanings. This is why I
had to tell it,” he said. “The film
is about a generation, more so
than only my friends — it is
about the things we love and the
things we lose and how to deal
with them. The park and the bas
ketball are backdrops. Those are
safe and innocent.”
A good bit of the film is about
the loss of innocence these boys
endure.
Through the film, viewers
learn lessons about how to cope
with various life experiences,
ranging from a high school cham
pionship basketball game to
leukemia and divorce.
The success the film has en
joyed has been outstanding. The
New York Times, the Boston
Globe, the New York Post, the
Baltimore Sun, the Philadelphia
Enquirer and even the Sundance
Film Festival have given the film
rave reviews.
Dan Klores recently finished
filming and editing his next pro
ject, a film about violence and
love.
“It is about the six-time World
Champion boxer Emile Griffith,
who, in March of 1962, killed op
ponent Paret in the ring,” he
said.
♦ KLORES, SEE PAGE 7