The gamecock. (Columbia, S.C.) 1908-2006, August 25, 2003, Page 7, Image 7
Adkins joining Grand Ole Opry
as first new member in 2 years
BY JOHN GEROME
THE ASSOCIATED I’HBSS
NASHVILLE, TENN. - Trace
Adkins was hardly the picture of
cool the first time he performed on
the Grand Ole Opry radio show
seven years ago.
A mix-up left him without his
band 10 minutes before show time,
sending him into “freak-out
mode” and forcing the Opry’s
house musicians to scramble to
learn the two songs he was about
to perform.
Then, wanting to share the spe
cial moment of his Opry debut,
Adkins planned a surprise for his
girlfriend. He would ask her to
marry him—from the stage.
His performance went off with
out a hitch and he got hitched —
she said “yes” — and Adkins re
turned to the Opry often.
On Saturday, the 41-year-old
singer will be inducted into the
Opry cast, the first new member
in two years.
“I was hoping someday that I
might become a member, but only
in the last couple of years have I
allowed myself to-start thinking
that it might actually happen,”
said Adkins, a former oil field
worker who stands 6-foot-6.
As a youngster in Sarepta, La.,
he was much more familiar with
the old “Louisiana Hayride” radio
show than with the Grand Ole
Opry. He discovered the Opry lat
er, when it was broadcast on cable
TV. Still, he says the show played
a pivotal role in his career.
“At the time, I had started
singing bass in a quartet and I
kind of thought that was all I was
destined to be,” Adkins said.
“Then one night I was watching
the Grand Ole Opry and Ed Bruce
was on with that deep rich bass
voice of his, and that was a real
turning point for me right there. I
thought that maybe there was
room for another bass singer in
this business.”
Established in 1925, the Opry is
the longest continuously running
radio show in the country.
Legends such as Hank Williams
Sr. and Patsy Cline were once cast
members, and contemporary stars
including Trisha Yearwood and
Vince Gill are part of today’s
show, which airs every Friday and
Saturday night on WSM-AM.
Opry general manager Pete
Fisher said artists are invited to
join the Opry based on their com
mitment to the show, as measured
by the frequency of their guest ap
pearances and overall contribu
tion to country music.
“When you look at Trace
Adkins, you see numerous chart
topping hits, recognition from his
peers in the industry and a
uniqueness that he brings to the
roster,” Fisher said.
Adkins’ string of hits on Capitol
Records began in 1996 and in
cludes “This Ain’t No Thinkin’
Thing,” “The Rest of Mine,” “I Left
Something Turned On at Home,”
“I’m Tryin’” and “Chrome.”
His current single, “Then They
Do,” is one of two new songs on his
latest album, a greatest hits pack
age, and is No. 9 and climbing on
the Billboard country chart.
He has a taste for the eclectic,
with songs such as “Chrome” and
“I’m Tryin’” incorporating wail
ing electric guitars, tape loops and
melodies that veer toward ‘60s
psychedelic rock. He’s as com
fortable talking about Tom Petty’s
music as Merle Haggard’s.
‘I don’t consider myself a tradi
tional country singer,” he said. “I
always wanted to make Ronnie
Milsap albums. I’ve always been
such a fan of Ronnie Milsap records
because they’re always so diverse.
He can do R&B, pop, country, blues
—he can do anything he wants to.”
Adkins’ personal life hasn’t al
ways been as bright as his profes
sional one. He’s battled alcoholism
and been married three times. His
second wife shot him in the chest
on their final day together in 1994,
the bullet piercing his heart and
lungs.
Earlier this year, Adkins, the fa
ther of four daughters, completed
a voluntary 28-day alcohol rehabil
itation program that he says has
helped him overcome his addiction.
“I had a deadly problem with al
cohol,” he said. “I’m just glad that
I was not too proud and too stub
born to get the help I needed to
deal with it. Everything’s been
just wonderful ever since I did
that. In the six months since I got
out of treatment I have been show
ered with more blessings than I’ve
had probably in six years.”
TV executives search harder for viewers
BY LYNN ELBER
THE ASSOCIATED PHESS
LOS ANGELES - When TBS
Superstation executive Steven R.
Koonin received a draft news re
lease about upcoming TBS college
football broadcasts, one word
stopped him.
Marketing efforts were divided
among print media, radio, televi
sion - and “bathroom.” In
September, messages touting foot
ball on TBS will play in the men’s
restrooms of bars in 12 cities.
“It gets harder all the time be
cause it gets more competitive all
the time,” said George
Schweitzer, CBS senior vice pres
ident for marketing. “We’re con
stantly looking for new outlets
and more direct paths to the con
sumers.”
“No place is sacred,” said Chris
Carlisle, executive vice president
for marketing and promotion at
FX.
ABC tried marketing its failed
sitcom “The Norm Show” with
recorded audio in urinals.
The ABC effort symbolizes how
even the major broadcast net
works have to work for traction
among viewers.
“It’s taken them (broadcasters)
forever to wake up to the fact that
far fewer people are watching,”
Gerbrandt said. “I think they’re
getting tired of spending tens if not
hundreds of millions of dollars on
new programming, which nobody
samples.”
As part of its viewer outreach,
CBS is giving away free, interac
tive DVDs at Blockbuster stores
that include clips from CBS’ fall
lineup and behind-the-scenes
peeks at shows.
Walt Disney-owned ABC, also
relying on corporate tentacles, is
promoting its fall series with a
“Primetime Preview Weekend” at
Disney’s California Adventure
Park in Anaheim on Sept. 6-7.
Fans get to mingle with the casts
of ABC series at the event, which
was introduced last year. Among
the more than 60 stars participat
ing this year are Jennifer Garner
of “Alias” and Jim Belushi of
“According to Jim.”
“The amount of press we gen
erate just from this one event
alone goes such a long way in
launching the fall season,” said
Mike Benson, ABC senior vice
president for marketing.
NBC signed up as the broadcast
TV partner with the Regal
Entertainment Group theater
chain, the nation’s largest, and is
running specially produced spots
that one NBC executive dubbed
“promo-tainment.”
For the niche channels that
make up much of the cable uni
verse, even diminished network
audiences are big; the channels
argue their size compels them to
be more creative in marketing.
GMP
CONTINUED FROM PAGE 6
' V
said third-year English student
Bethany Kessell.
KeSsell also'said it would be
nice if menus displayed the va
riety of food available and the
prices.
The grease board that once
stood at the head of the line has
vanished, and none of the spe
cialty kiosks have menus on dis
play save the sushi bar with its
pamphlets and labels on their
sushi packages.
As far as the price goes, you
won’t do better or worse than
any other place around town.
Sushi will cost you about $5 for
a decent meal, and Chick-fil-A
will set you back $8 for nuggets,
fries and a medium drink just
like it will at any other franchise.
“Everything’s real
sharp. There’s a better
setup, so that should
help with the traffic.”
SARAH INSLEY
SECOND-YEAR ART STUDIO STUDENT
But despite the initial awe at
the new GMP, there’s something
slightly off-key with the feel this
place gives off. The old Grand
Marketplace was warm and
cozy, the kind of place where you
could nestle into a corner and
have coffee and an intimate con
versation on a rainy afternoon.
This new dazzling four-star set
ting doesn’t seem to gel well. It
makes you feel like you should
be decked out in a $1,000 tuxedo
or a $10,000 dress.
Comments on this story?E-mail
gamecockmixeditor(ct)wtmaiLcom
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